Keep track of everything you watch; tell your friends.
If your account is linked with Facebook and you have turned on sharing, this will show up in your activity feed. If not, you can turn on sharing
here
.
Working in an Austin, Texas, beauty parlour in 1954, Nadine Hightower endeavours to retrieve some 'art studies' she injudiciously had taken. Her visit to the photographer leaves him dead and her in possession of highly valuable plans of a proposed new road. With both the police and the murderous villains after her she enlists the help of her (almost) ex-husband Vernon, the none too successful owner of the Bluebonnet Bar. Fortunately the thugs are as much no-hopers as the Hightowers. Written by
Jeremy Perkins <jwp@aber.ac.uk>
I say 'surprisingly' because the rating is so low, I didn't know what to expect.
But it's a delightful little caper movie, driven (as all good movies are) by the performers and a tight script by Robert Benton, not known for his enjoyable caper movies!
Jeff Bridges all but steals the film from a delightful Kim Basinger, and the two of them together set the screen on fire. They are surrounded by some of the best character actors working today, including Rip Torn. As I was watching this I thought how smart Robert Benton is for casting real actors, and having the comedy come out of their behaviour and talent, rather than casting 'wacky comedians' and reducing the story to little bits.
A lot of fun, and worth seeing.
9 of 9 people found this review helpful.
Was this review helpful to you?
I say 'surprisingly' because the rating is so low, I didn't know what to expect.
But it's a delightful little caper movie, driven (as all good movies are) by the performers and a tight script by Robert Benton, not known for his enjoyable caper movies!
Jeff Bridges all but steals the film from a delightful Kim Basinger, and the two of them together set the screen on fire. They are surrounded by some of the best character actors working today, including Rip Torn. As I was watching this I thought how smart Robert Benton is for casting real actors, and having the comedy come out of their behaviour and talent, rather than casting 'wacky comedians' and reducing the story to little bits.
A lot of fun, and worth seeing.