| Jon Cryer | ... | Morgan Stewart | |
| JD Cullum | ... | Garrett (as John David Cullum) | |
| Robert Sedgwick | ... | Craighton | |
| Waweru Njenga | ... | Akhmed | |
| Sudhir Rad | ... | Mahatma | |
| Alan Beck | ... | Frank | |
| Brendan O'Meara | ... | Thompson | |
| Lynn Redgrave | ... | Nancy Stewart | |
| Saveli Kramarov | ... | Ivan | |
| Leeza Vinnichenko | ... | Proskovia | |
| Glenn R. Wilder | ... | Chauffer (as Glenn Wilder) | |
| Nicholas Pryor | ... | Tom Stewart | |
| Paul Gleason | ... | Jay Le Soto | |
| Gary Wheeler | ... | Reporter | |
| Will Huston | ... | Cocktail Party Guest (as William Edwards) | |
| Avril Gentles | ... | Socialite | |
| Tammy Amerson | ... | Heather Whitewood | |
| Bill Conn | ... | Mr. Whitewood | |
| Dorothy Shields | ... | Mrs. Whitewood | |
| Viveka Davis | ... | Emily | |
| Andrew Lassman | ... | Headless Ghoul | |
| Roger Bowen | ... | Dr. Cabot | |
| Horace Boykin | ... | Delivery Boy | |
| Chip Dell | ... | Billy | |
| Joseph Bova | ... | Emily's Father | |
| Barbara C. Lewis | ... | Emily's Mother | |
| Nina Hansen | ... | Emily's Grandmother | |
| Ronald C. Byram | ... | Police Officer | |
| Dale R. Blosser | ... | Police Officer | |
| Stu Kerr | ... | Police Officer | |
| Prentiss Rowe | ... | Police Officer | |
| Jude Ciccolella | ... | Workman | |
| Andrew Duncan | ... | General Fenton | |
| Charles Bennett | ... | Ernemann | |
| Allison Davies | ... | Bank Teller | |
| Perk Bennett | ... | Santa Claus | |
| Melvin Crickenberger | ... | Mansion Party Guest | |
| Jim Yates | ... | Mansion Party Guest | |
| Bruce Ed Morrow | ... | Delivery Man (as Bruce Morrow) |
Directed by | |||
| Paul Aaron | (as Alan Smithee) | ||
| Terry Winsor | (as Alan Smithee) | ||
| Alan Smithee | (really Paul Aaron and Terry Windsor) | ||
Writing credits | ||
| Ken Hixon | (screenplay) and | |
| David N. Titcher | (screenplay) (as David Titcher) | |
| David N. Titcher | (story) (as David Titcher) | |
Produced by | |||
| Stephen J. Friedman | .... | producer (as Stephen Friedman) | |
| Patrick McCormick | .... | associate producer | |
Original Music by | |||
| Peter Bernstein | |||
Cinematography by | |||
| Richard E. Brooks | (director of photography) | ||
Film Editing by | |||
| Robert Lederman | |||
Production Design by | |||
| Charles C. Bennett | |||
Set Decoration by | |||
| Victor Kempster | |||
Costume Design by | |||
| Molly Maginnis | |||
Makeup Department | |||
| Roy Bryson | .... | hair designer: Lynn Redgrave | |
| James Sarzotti | .... | hair stylist | |
| James Sarzotti | .... | makeup artist | |
| Ellie Winslow | .... | makeup artist: Lynn Redgrave | |
Production Management | |||
| Ken Aguado | .... | executive in charge of production | |
| Patrick McCormick | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Jim Chory | .... | second assistant director (as James A. Chory) | |
| Lewis Gould | .... | first assistant director (as Lewis H. Gould) | |
Art Department | |||
| Charles Cirigliano | .... | key set builder | |
| Guido DeCurtis | .... | lead set dresser | |
| Bruce Lee Gross | .... | set dresser | |
| Karen Kates | .... | property assistant | |
| Bogdan Kostrzynski | .... | scenic artist | |
| Andrew Lassman | .... | assistant set dresser | |
| Rudy Pelikan | .... | key set builder | |
| Raymond M. Samitz | .... | construction coordinator | |
| Ron Stone | .... | property master (as Ronals C. Stone) | |
Sound Department | |||
| Stephen Bushelman | .... | supervising sound editor (as Steve Bushelman) | |
| Norval D. Crutcher III | .... | apprentice sound editor (as Charlie Crutcher) | |
| Norval D. Crutcher | .... | supervising sound editor | |
| Bruce Fortune | .... | sound editor (as Bruce D. Fortune) | |
| Keith Gardner | .... | boom operator | |
| Dan Gecenok | .... | sound assistant | |
| Paul Heslin | .... | sound editor | |
| Rick Kline | .... | sound re-recording mixer | |
| Bobbe Kurtz | .... | adr editor | |
| Ron Meredith | .... | assistant sound editor | |
| Ron Meredith | .... | sound assistant | |
| Danny Michael | .... | sound mixer | |
| Donald O. Mitchell | .... | sound re-recording mixer | |
| Kevin O'Connell | .... | sound re-recording mixer | |
| Stephanie D. Singer | .... | sound assistant (as Stephanie Singer) | |
| Beth Sterner | .... | sound editor (as Elizabeth Sterner) | |
| Frank Stettner | .... | sound mixer | |
| Marc-Jon Sullivan | .... | boom operator | |
Special Effects by | |||
| Roy L. Downey | .... | special effects coordinator (as Roy Downey) | |
| Steven Kirshoff | .... | special effects coordinator | |
Stunts | |||
| Pete Antico | .... | stunt player | |
| Christine Anne Baur | .... | stunt player (as Christine Baur) | |
| Todd Bryant | .... | stunt player | |
| Tim Gilbert | .... | stunt player | |
| Anderson Martin | .... | stunt player | |
| Mary Peters | .... | stunt player | |
| James Hooks Reynolds | .... | stunt player (as Jim Reynolds) | |
| J.N. Roberts | .... | stunt player | |
| Pat Romano | .... | stunt player (as Patrick Romano) | |
| Gary Tacon | .... | stunt player | |
| Glenn R. Wilder | .... | stunt coordinator (as Glenn Wilder) | |
| Scott Wilder | .... | stunt player | |
Camera and Electrical Department | |||
| Dwane Arthur | .... | grip | |
| Terry Arthur | .... | grip | |
| Daniel Crago | .... | electrician | |
| Ken Ferris | .... | camera operator | |
| David J. Frederick | .... | assistant camera | |
| David J. Frederick | .... | focus puller | |
| Holly Heinzmann | .... | second assistant camera | |
| Ken Howard | .... | still photographer | |
| Daniel F. Karlok | .... | electrician | |
| Richard C. Kerekes | .... | dolly grip | |
| Mitchell Andrew Lillian | .... | key grip (as Mitchell Lillian) | |
| Constantine Makris | .... | camera operator | |
| Peter Darley Miller | .... | special still photographer | |
| Craig Nelson | .... | gaffer | |
| Carl Peterson | .... | grip | |
| John Thomas | .... | best boy | |
| Michael Trim | .... | electrician | |
| Kit Whitmore | .... | additional photographer | |
Costume and Wardrobe Department | |||
| Danajean Cicerchi | .... | wardrobe supervisor | |
| Kevin P. Faherty | .... | wardrobe supervisor | |
Editorial Department | |||
| Daniel Craven | .... | apprentice editor | |
| Jack Hooper | .... | negative cutter | |
| Gillian L. Hutshing | .... | assistant editor | |
| Ann Martin | .... | associate editor (as Ann E. Martin) | |
Music Department | |||
| Peter Afterman | .... | music supervisor | |
| Kathy Durning | .... | supervising music editor | |
| Diane DeLouise Wessel | .... | assistant music supervisor | |
Transportation Department | |||
| Tom O'Donnell | .... | transportation captain (as Thomas J. O'Donnell) | |
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| Freeway | Shakes the Clown | Box Elder | The Monster Squad | Parents |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Wow, was this a stinker. The only character who was tolerable was Mr. Stewart. I've always liked that actor because he has a warm, humorous presence. Cryer was fine when he was not being hyperactive. Other than that this dumb, predictable nonsense is good for one viewing only. That is if you can get through that. Cryer gets his obligatory 80s scene where he does a song and dance number. It worked so well in Pretty in Pink why not throw it in here...Lord knows a filler is always welcome in a movie like this. The scene was so embarrassing and odd. We get it, you went to acting school and were in plays so you gotta let us know about it by strutting your Broadway stuff. Its as if he was using it as a vehicle or trying to prove himself to the industry. How versatile and showy of you....Unfortunately, how annoying for the viewer. The only thing more embarrassing was the botched attempt of humor when Redgrave uttered, "My God he's on drugs" to end the scene. I suppose that was supposed to be the big payoff. Cringe worthy! Then there are the endless chase sequences. I could go on but you get the point.
The only redeeming part of the movie for me was the touching scene in Arby's where Morgan runs into his Dad eating a beef sandwich. They share the sandwich and Morgan says he can't remember the last time they did that. This was a true, honest moment between a father and a son trying to restore their relationship after a long time away from each other. In a way it reminded me of the scene between Donald Sutherland and Timothy Hutton in Ordinary People in how the father and son have a genuine bond that nothing can break. Not even the mother. This is the Cryer that was human and so lovable as Ducky. IMO this scene shows his acting chops more than any song and dance number could.