| Photos (See all 45 | slideshow) | Videos (see all 13) |
| Cher | ... | Loretta Castorini | |
| Nicolas Cage | ... | Ronny Cammareri | |
| Vincent Gardenia | ... | Cosmo Castorini | |
| Olympia Dukakis | ... | Rose Castorini | |
| Danny Aiello | ... | Mr. Johnny Cammareri | |
| Julie Bovasso | ... | Rita Cappomaggi | |
| John Mahoney | ... | Perry | |
| Louis Guss | ... | Raymond Cappomaggi | |
| Feodor Chaliapin Jr. | ... | Old Man (as Feodor Chaliapin) | |
| Anita Gillette | ... | Mona | |
| Leonardo Cimino | ... | Felix | |
| Paula Trueman | ... | Lucy | |
| Nada Despotovich | ... | Chrissy | |
| Joe Grifasi | ... | Shy Waiter | |
| Gina DeAngeles | ... | Old Crone | |
| Robin Bartlett | ... | Barbara | |
| Helen Hanft | ... | Lotte | |
| David S. Howard | ... | Irv | |
| Robert Weil | ... | Bobo | |
| Amy Aquino | ... | Bonnie | |
| Tony Azito | ... | Conti | |
| Frank Gio | ... | Florist (as Frankie Gio) | |
| Ann McDonough | ... | Nancy | |
| John Christopher Jones | ... | Lowell | |
| Lisa Howard | ... | Patricia | |
| Cynthia Dale | ... | Sheila | |
| Anthony Messuri | ... | Priest | |
| Martha Collins | ... | Mimi | |
| John Fanning | ... | Rodolfo | |
| Antonia Minella | ... | Vesta | |
| Nicholas Pasco | ... | Eddie | |
| Al Therrien | ... | Bob | |
| Lou Pitoscia | ... | Mook | |
| Gilberto Godoy | ... | Rocco | |
| Louis Di Bianco | ... | Jimmy | |
| Betti Orsatti | ... | Woman in Hair Salon | |
| Michael Barbaro | ... | Pietro | |
| Antonio Pariselli | ... | Franco | |
| Corrado Gianna | ... | Old Man | |
| Tommy Hollis | ... | Parking Attendant | |
| Matt Myers | ... | Cab Driver | |
| Michael Dunster | ... | P.A. Announcer | |
| Stella Bruno | ... | Old Woman | |
| Mimi Cecchini | ... | Old Woman | |
| Mimi Lizio | ... | Ruby | |
| Tim Koetting | ... | Al | |
| Gerard Flannery | ... | Harvey | |
| Robert Payson | ... | Man at Bar | |
| Catherine Scorsese | ... | Customer at Bakery | |
| Jack K. Tsirakis | ... | Bar Patron (as Jack Tsirakis) | |
| rest of cast listed alphabetically: | |||
| David Giardina | ... | Opera Patron (uncredited) | |
| Cathy Ladman | ... | Beautician in hair salon (uncredited) | |
| Peter Austin Noto | ... | Opera Patron (uncredited) | |
| Helen Proimos | ... | Opera Patron (uncredited) | |
Directed by | |||
| Norman Jewison | |||
Writing credits | ||
| John Patrick Shanley | (written by) | |
Produced by | |||
| Norman Jewison | .... | producer | |
| Bonnie Palef | .... | associate producer (as Bonnie Palef-Woolf) | |
| Patrick J. Palmer | .... | producer (as Patrick Palmer) | |
Original Music by | |||
| Dick Hyman | |||
Cinematography by | |||
| David Watkin | |||
Film Editing by | |||
| Lou Lombardo | |||
Casting by | |||
| Howard Feuer | |||
Production Design by | |||
| Philip Rosenberg | |||
Art Direction by | |||
| Dan Davis | |||
| Barbra Matis | |||
Costume Design by | |||
| Theoni V. Aldredge | |||
Makeup Department | |||
| Ann Brodie | .... | makeup artist: Toronto | |
| James D. Brown | .... | hair stylist: Toronto (as James Brown) | |
| Leonard Engelman | .... | makeup artist: Cher | |
| Bob Grimaldi | .... | hair stylist: New York | |
| Ed Jackson | .... | makeup artist: New York | |
| Renate Leuschner | .... | hair stylist: Cher | |
Production Management | |||
| Bonnie Palef | .... | production manager: Toronto (as Bonnie Palef-Woolf) | |
| Roger Paradiso | .... | unit production manager: New York | |
Art Department | |||
| Guenter Bartlik | .... | scenic artist: Toronto | |
| Hank Bauer | .... | construction supervisor: New York | |
| Michael Bird | .... | set dresser: New York | |
| Billy Bishop | .... | assistant property master: New York | |
| J. Tracy Budd | .... | property master: Toronto | |
| Bruno De La Celle | .... | assistant property master: Toronto | |
| Jaro Dick | .... | set decorator: Toronto | |
| Tony Gamiello | .... | set dresser: New York | |
| Mike Harris | .... | set dresser: Toronto | |
| Weits Jekel | .... | construction supervisor: Toronto | |
| Elena Kenney | .... | set dresser: Toronto | |
| Nikita Knatz | .... | sketch artist: New York | |
| Jon Linder | .... | scenic artist: New York | |
| Anthony Matteo | .... | art department trainee: Toronto | |
| Jimmy Raitt | .... | property master: New York | |
| Richard Reseigne | .... | construction design coordinator: Toronto | |
| Siv Sandstrom | .... | art department coordinator | |
| Philip Smith | .... | set decorator: New York | |
| Brick Mason | .... | storyboard artist (uncredited) | |
| Joan Winters | .... | graphic designer (uncredited) | |
Sound Department | |||
| Anke Bakker | .... | assistant sound editor: Toronto | |
| Steven J. Balzarini | .... | boom operator: New York (as Steve Balzarini) | |
| Ross Carter | .... | assistant sound editor: Toronto | |
| Alison Clark | .... | sound effects editor: Toronto | |
| Michael DiCosimo | .... | stereo consultant: Dolby, Toronto | |
| Paul Durand | .... | assistant sound editor: Toronto | |
| Alison Fisher | .... | assistant sound editor: Toronto | |
| Alison Grace | .... | dialogue editor: Toronto | |
| Joe Grimaldi | .... | sound re-recording mixer: Toronto | |
| Sharon Lackie | .... | supervising sound editor: Toronto | |
| Dennis Maitland | .... | sound mixer (as Dennis L. Maitland) | |
| Kim Maitland | .... | sound assistant: New York | |
| Andy Malcolm | .... | foley editor: Toronto (as Andrew Malcolm) | |
| Michael O'Farrell | .... | supervising sound editor: Toronto | |
| Jim Thompson | .... | boom operator: Toronto (as James L. Thompson) | |
| Don White | .... | sound re-recording mixer: Toronto | |
| William Lee | .... | sound trainee (uncredited) | |
| Michael Liotta | .... | sound re-recording mixer (uncredited) | |
Special Effects by | |||
| David Lemmen | .... | special effects: Toronto (as David Lemmem) | |
| Tony Parmelee | .... | special effects (uncredited) | |
Visual Effects by | |||
| Mat Beck | .... | plate cameraman: moon opticals (as Matt Beck) | |
| Bruno George | .... | plate cameraman: moon opticals | |
| Ronald B. Moore | .... | optical supervisor: moon opticals (as Ron Moore) | |
| Mark Vargo | .... | visual effects supervisor: moon opticals | |
| Dave Gregory | .... | optical composite photography: Robert Abel & Associates (uncredited) | |
| Ken Pontac | .... | visual effects (uncredited) | |
Camera and Electrical Department | |||
| Robert Daprato | .... | dolly grip: Toronto (as Robert DaPrato) | |
| Steve Ferrier | .... | best boy: Toronto | |
| Vincent Galindez | .... | second assistant camera: New York | |
| Eric Gerrard | .... | camera trainee: Toronto (as Eric Gerard) | |
| Kenneth Goss | .... | key grip: New York (as Ken Goss) | |
| Tim Guinness | .... | best boy: New York | |
| Gábor Kövér | .... | first assistant camera: New York (as Gabor Kover) | |
| Harald Ortenburger | .... | camera operator | |
| Bill Reinhart | .... | dolly grip: New York (as Bill Reinhardt) | |
| Thom Ryan | .... | first assistant camera: Toronto | |
| Frank Schulz | .... | chief lighting technician: New York | |
| Dave C. Sheridan | .... | second assistant camera: Toronto (as David Sheridan) | |
| Randy Tambling | .... | key grip: Toronto | |
| Rae Thurston | .... | chief lighting technician: Toronto | |
| Jürgen Vollmer | .... | still photographer: New York (as Jurgen Vollmer) | |
| David Whittaker | .... | still photographer: Toronto | |
Casting Department | |||
| Sam Broomall | .... | casting assistant: New York | |
| Blanca Jansuzian | .... | extras casting: Toronto | |
Costume and Wardrobe Department | |||
| Ursula Brooke | .... | wardrobe assistant: Toronto | |
| Arthur Rowsell | .... | costumer: Toronto | |
| Guy Tanno | .... | costumer: men, New York | |
| Rose Trimarco | .... | costumer: women, New York (as Rose Trimarco Cuervo) | |
| Suzy Benzinger | .... | costume executor (uncredited) | |
| Barbara Matera | .... | costume executor (uncredited) | |
Editorial Department | |||
| Rosmary Conte | .... | second assistant editor: Toronto | |
| J. Kathleen Gibson | .... | assistant editor: New York (as Kathleen Gibson) | |
| Bob Hausler | .... | color timer: Toronto | |
| John Hill | .... | stand-by editor: New York | |
| Michael Jewison | .... | editor trainee: Toronto | |
| Lee Michael Searles | .... | first assistant editor: Toronto | |
Music Department | |||
| Dick Hyman | .... | music adaptor | |
| Judy 'Lucky' Kemeny | .... | assistant music editor (as Judy Kemeny) | |
| Carl Zittrer | .... | supervising music editor: Toronto | |
Transportation Department | |||
| Craig S. Kohne | .... | transportation captain: Toronto (as Craig Kohne) | |
| Harry J. Leavey | .... | transportation coordinator: New York (as Harry Leavey) | |
| James Sweeney | .... | transportation captain: New York (as Jim Sweeney) | |
| Nick Sweetman | .... | transportation coordinator: Toronto | |
Thanks | |||
| Larry Auerbach | .... | the producers wish to thank | |
| Lenny Brooks | .... | the producers wish to thank (as Leonard Brooke) | |
| Dominic Cortese | .... | the producers wish to thank | |
| Jeannine Edmunds | .... | the producers wish to thank | |
| Gilberto Godoy | .... | the producers wish to thank | |
| Lynn Lombardo | .... | the producers wish to thank | |
| Ron Meyer | .... | the producers wish to thank | |
| Finn Quinn | .... | the producers wish to thank | |
| Roger Sherman | .... | the producers wish to thank | |
| Joe Violante | .... | the producers wish to thank (as Joey Violante) | |
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| The Notebook | Terms of Endearment | Sweet Home Alabama | Love Actually | Gone with the Wind |
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| Full cast and crew | Company credits | External reviews |
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This movie is still an all time favorite. Only a pretentious, humorless moron would not enjoy this wonderful film. This movie feels like a slice of warm apple pie topped with french vanilla ice cream! I think this is Cher's best work ever and her most believable performance. Cher has always been blessed with charisma, good looks, and an enviably thin figure. Whether you like her singing or not - who else sounds like Cher? Cher has definitely made her mark in the entertainment industry and will be remembered long after others have come and gone. She is one of the most unique artists out there. It's funny, because who would have thought of Cher as such a naturally gifted actress? She is heads above the so-called movie "stars" of today. Cher is a real actor on the same level as Debra Winger, Alfre Woodard, Holly Hunter, Angela Bassett and a few others, in that she never seems to be "acting," she really becomes the character convincingly. She has more than earned the respect of her peers and of the movie-going public.
Everything about Moonstruck is wonderful - the characters, the scenery, the dialog, the food. I never get tired of watching this movie.
Every time single time I watch the scene where they are all sitting around the dinner table at Rose's house, I pause the remote to see exactly what delicious food Rose is serving. I saw the spaghetti, mushrooms (I think), but I can't make out whether they are eating ravioli, ziti? What is that main course? It looks wonderful and its driving me nuts!
Everybody in that family was a hardworking individual and they respected and cared about one another. The grandfather wasn't pushed aside and tolerated, he was a vital part of the family and he was listened to and respected for his age and wisdom. He seemed to be a pretty healthy, independent old codger too.
Loretta's mom wasn't "just a housewife," she was the glue that held the family together and was a model example of what a wife, mother, and home manager should aspire to be. She was proud of the lifestyle she had chosen but she didn't let it define who she was. High powered businessmen aren't as comfortable in their skin as Rose Casterini was. Notice the saucy way she said "I didn't have kids until after I was 37. It ain't over 'til its over." You got the sense that she had been the type of young woman who did exactly as she pleased and got her way without the other person realizing what had happened. She was charming, quick witted, and very smart. What a great mom!
I didn't actually like Loretta right away because she seemed like a bit of a know--it-all who wasn't really as adventurous and as in control of herself as she wanted others to think. She could tell others about themselves and where they had gone wrong, but she really didn't apply common sense to her own life. She was going to marry a middle-aged mama's boy simply because she wanted a husband and a sense of identity and purpose to her life. She was more conventional than her own mom. She dressed and wore her hair like a matron at a house of detention and seemed humorless and bored, but underneath you sensed that she was vulnerable and lonely and had a lot of love to give the right man. She would probably end up making an awesome mom too.
I could see in the future, a house full of Loretta and Ronnie's loud, screaming happy kids and Rose and Cosmo enjoying every minute of it.