Ben Sanderson, an alcoholic Hollywood screenwriter who lost everything because of his drinking, arrives in Las Vegas to drink himself to death. There, he meets and forms an uneasy friendship and non-interference pact with prostitute Sera.
In Nazi-occupied Paris, a young accompanist named Sophie Vasseur gets a job with famed singer Irene Brice. As Irene's husband Charles, a businessman collaborating with the Nazis, wrestles ... See full summary »
Based on the real life of Dr. Marcel Petiot: During world war II Petiot, an MD living in occupied Paris, promised to help wealthy Jewish people among his patients to flee occupied France ... See full summary »
Christian de Chalonge
In a vacation camp somewhere in the French country, 1960. Marc et Philippe are two of the counsellors. Marc is very virile, while Philippe is more reserved. A night, Marc surprises Philippe... See full summary »
Screen adapatation of Mozart's greatest opera. Don Giovanni, the infamous womanizer, makes one conquest after another until the ghost of Donna Anna's father, the Commendatore, (whom ... See full summary »
Based on Nikolai Gogol's story with the location changed from Russia to Italy and the time changed to the present (1952), the story is about a poor city-hall clerk (Renato Rascel) whose ... See full summary »
Alexandre, a young and honest farmer, is oppressed by an authoritarian wife, who makes him work like a dog. When she dies in a car crash, he decides to stay in bed, absolutely free and ... See full summary »
Ivan Bibic returns to his Pittsburgh PA suburb after surviving a Japanse POW camp, causing regular nightmares. All the time he remained faithfully devoted to his childhood love, fellow ... See full summary »
May is waiting for her boyfriend in a run-down American motel, when an old flame turns up and threatens to undermine her efforts and drag her back into the life that she was running away from. The situation soon turns complicated.
Harry Dean Stanton
A biography of the dancer Isadora Duncan, the 1920s dancer who forever changed people's ideas of ballet. Her nude, semi-nude, and pro-Soviet dance projects as well as her attitudes on free ... See full summary »
Loretta Castorini, a Brooklyn bookkeeper in her late 30s whose husband died several years earlier in a bus accident, decides it's time to get married again. So she accepts the proposal of a nice, middle-aged fellow named Johnny Cammareri. Loretta is convinced her first marriage was cursed because she and her husband had gotten married at City Hall; this time, she's determined to do things right, even as she admits to her mother, Rose, that she's not really in love with Johnny. (To which Rose replies: "Good. When you love them, they drive you crazy, 'cause they know they can." Rose speaks from rueful experience; she suspects, with good reason, that her husband, Cosmo, is cheating on her.) Loretta is convinced that marrying Johnny is the safe and sure thing to do - until she meets his estranged younger brother Ronny, who tends the ovens in a neighborhood bakery. Loretta discovers that in startling contrast to the pleasant, mild-mannered Johnny, Ronny is moody and passionate; what follow... Written by
Eugene Kim <email@example.com>
Nicolas Cage plays Ronny, a man with only one hand. In Cage's previous role in Peggy Sue Got Married (1986), Cage's character begged Peggy to marry him, saying he doesn't know what the future might bring: he might lose his arm. See more »
During the dinner scene with the "adults" Raymond Cappomaggi is seen with a front shot eating his meal with a fork in his left hand lifting the food into his mouth, and a glass of wine in his right hand. Immediately ensuing, the same scene is shown with the shot now from behind his left shoulder and he puts down his fork with his right hand. See more »
Performed by Renata Tebaldi and Carlo Bergonzi
Courtesy of Polygram Special Projects, a division of Polygram Records, Inc.
Music by Giacomo Puccini (uncredited)
Libretto by Giuseppe Giacosa and Luigi Illica (uncredited)
with Orchestra dell'Accademia Nazionale di Santa Cecilia (uncredited)
Conducted by Tullio Serafin (uncredited)
(Act I: "Questo 'Mar Rosso' mi ammollisce e assidera" / Act I: "O soave fanciulla" / Act II: "Quando men' vo" / Act III: "Addio... Donde lieta usci al tuo grido d'amore") See more »
So wonderful, so quirky, so romantic, so Italian. The film is so feather -light you float off into its refracted reality and you never want to return to the humdrum again. A kitchen sink world of bakeries, and hairdressers, and plumbing, but one that shimmers with a soft luminescence. Should the credit go to the screenplay or the direction? Take your pick -- they're both faultless. Let me get back to that New York City that lies just beyond the looking glass.
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