7.2/10
1,044
25 user 11 critic

A Month in the Country (1987)

Five centuries ago a mural was created in a country church in the north of England and then hidden under layers of white paint. Looking at it again will be a distraction, the Rev. Mr. Keach... See full summary »

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Cast

Cast overview, first billed only:
...
Birkin
John Atkinsons ...
Old Man on Train
...
Ellerbeck
...
Reverend Keach
...
James Moon
...
Colonel Hebron
Tim Barker ...
Mossop
Vicki Arundale ...
Kathy
Martin O'Neil ...
Edgar
...
Alice Keach
...
Douthwaite
Eileen O'Brien ...
Mrs. Ellerbeck
Elizabeth Anson ...
Lucy Sykes
Barbara Marten ...
Mrs. Sykes
...
Mr. Sykes (as Kenneth Kitson)
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Storyline

Five centuries ago a mural was created in a country church in the north of England and then hidden under layers of white paint. Looking at it again will be a distraction, the Rev. Mr. Keach tells WWI veteran Tom Birken who will spend a month in the country restoring the mural. Another veteran, James Moon, is looking for the grave of an ancestor of the patroness of the church who fought in the Crusades. The rector's wife, Alice, comes to see the mural and later visits Birken's bell tower abode, bringing a basket of apples. Will she open the book in which he has pressed the yellow rose she gave him earlier? Written by Dale O'Connor <daleoc@interaccess.com>

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

PG | See all certifications »
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Details

Country:

Language:

Release Date:

4 December 1987 (Ireland)  »

Also Known As:

En månad på landet  »

Box Office

Gross:

$443,524 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Film historian Nick Redman mentions in his commentary included in the BFI edition of the film that ,at the time of its original release, this was said to be a film "starring two nobodies". See more »

Goofs

Colin Firth is seen laying on a tomb in the graveyard smoking a woodbine cigarette that has a filter tip. The film is set in 1920. Filter tipped woodbine were not sold in the UK until 1948. See more »

Quotes

Alice Keach: Oh, I'm sorry. Did I wake you?
Birkin: That depends on... weather I'm awake or not.
See more »

Connections

Featured in Siskel & Ebert: Breakthrough Stars of 1990 (1990) See more »

Soundtracks

Zum Sanctus: Heilig, heilig ist der Herr
from Deutsche Messe
Written by Franz Schubert
(uncredited)
Played during the opening WW1 scene, and again at the very end of the film, when old Birkin returns to the church and looks at the painting
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User Reviews

 
You have to be English to appreciate this
17 August 2005 | by (United Kingdom) – See all my reviews

I am posting this submission partly in reaction to the last one currently on the site, which gave the movie the thumbs down. Then its author revealed that he had spent American currency hiring the video and I thought: aha, so that's why.

This film partly celebrates a piece of rural, Northern England and it really does help if you live there, which I do. (I could even take you to the railway station where the early scenes were shot, featuring incidentally the most unconvincing screen rain I have ever seen! it also stars in the first Harry Potter movie) The delicious soundtrack could only have been composed by someone steeped in Elgar, Delius and Vaughan Williams. Only a man who knows if not at first hand then at least by intimate report the rivalry between "church" and "chapel" - which still persists in these parts - could have written that scene in the organ shop.

It's not an action movie but rather one that moves with the languid pace of a summer that feels as if it should be Edwardian, but that era is a dream now. There are dark ripples below the sunny surface. Birken's nervous tic, the nightmares of the trenches, the casual debauchery of Moon, are the aftertaste of WW1's horror. What of Christian faith after such slaughter? There is the simple Phillistine chapel culture, its weary preacher still ranting at his congregation about their sins, unaware that the war has made private transgression seem utterly trivial. There is the cold liturgical worship offered by the pious, buttoned up, tight-fisted Rev Keach. Birken finds no meaning in either, and immerses himself in the work of restoring a masterpiece from an age when faith still gripped the psyche, hoping perhaps to draw something of its historic power into himself. Moon - Branagh's character - is shallow by comparison, idle, serene, detached.

The scenes with Birken and Alice Keach are little gems of implication and understatement, she - it seems knowingly - playing Eve, complete with temptress's apple, to Birken's Adam. The potential for an affair is manifest, but we sense nothing will come of it, and in the last scene of the movie Birken is seen throwing away an apple core.

Branagh would go on to greater things; this is Colin Firth's film and while his celebrity rating has soared since he made it, I doubt he will ever turn in a performance that surpasses it in subtlety and richness.

But to end as I began: this is not a movie that I would expect to travel well. You really need to be English appreciate it - heck, I've seen American movies that washed right over me because I don't understand the rules of baseball!


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