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Five centuries ago a mural was created in a country church in the north of England and then hidden under layers of white paint. Looking at it again will be a distraction, the Rev. Mr. Keach tells WWI veteran Tom Birken who will spend a month in the country restoring the mural. Another veteran, James Moon, is looking for the grave of an ancestor of the patroness of the church who fought in the Crusades. The rector's wife, Alice, comes to see the mural and later visits Birken's bell tower abode, bringing a basket of apples. Will she open the book in which he has pressed the yellow rose she gave him earlier? Written by
Dale O'Connor <firstname.lastname@example.org>
A lovely, complex film that keeps revealing itself
I adored the book by J. L. Carr, and was skeptical that Birkin's first person narrative could be conveyed on film. Firth brilliantly makes this internal landscape manifest, while the film provides a sumptuous external setting. All the lead cast strike an effective balance between intensity and restraint. Every time I view the movie, I see things that I hadn't noticed before.
I wish I had seen "A Month in the Country" on the big screen when it was released. The laserdisc looks good, though I wonder what I'm missing. Even though the laserdisc soundtrack is monophonic, it was striking enough to make a friend jump when we were viewed it.
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