When Lucy Honeychurch and chaperone Charlotte Bartlett find themselves in Florence with rooms without views, fellow guests Mr Emerson and son George step in to remedy the situation. Meeting... See full summary »
Helena Bonham Carter,
In a suburb of London, young Jamie is escaping sport hours, to avoid being the victim of his comrades. Young Ste, his neighbor, is beaten by his father, and comes to sleep overnight. They discover new feelings, sleeping in the same bed.
Anne is investigating the life of her grand-aunt Olivia, whose destiny has always been shrouded with scandal. The search leads back to the early 1920s, when Olivia, recently married to ... See full summary »
This fictionalized story, based on the family life of writer James Jones, is an emotionless slice-of-life story. Jones here is portrayed as Bill Willis, a former war hero and now successful... See full summary »
Two male English school chums find themselves falling in love at Cambridge. To regain his place in society, Clive gives up his forbidden love, Maurice (pronounced "Morris") and marries. While staying with Clive and his shallow wife, Anne, Maurice finally discovers romance in the arms of Alec, the gamekeeper. Written from personal pain, it's E.M. Forster's story of coming to terms with sexuality in the Edwardian age. Written by
Susan Southall <firstname.lastname@example.org>
During one of the earlier scenes while Maurice and others are reading/translating with a professor/dean, Maurice is seen clearly wearing a wristwatch. While wristwatches did exist at the time they were rare, and were considered working class so would not have been worn by a gentleman. The wristwatch would not become common until the first world war, when they were given to soldiers to allow them to see the time while both hands were engaged. See more »
E. M. Forster's novel, "Maurice," is given a first-rate screen adaptation by this British production. James Ivory's direction is very cinematic, conveying the multi-layered story through a series of dramatic scenes, with just a bit of over-voice narration. Its impact comes through an incremental effect, reaching moving proportions by the end of the lengthy presentation. James Wilby, Hugh Grant, Rupert Graves and Helena Bonham Carter are all excellent, heading a superior cast. Every aspect of the production has been carefully prepared and executed.
What emerges for me is the tragedy of societal constraint, under the guise of virtue. It is a tightrope to walk for the free-wheeling, independent thinker in this society: he who steps outside the bounds of regularity is subject to scorn and persecution. That the drama's heros do not fall into the mode of so-called "normalcy" leave them open to a lifestyle of tension and risk. Forster beautifully conveys this in the novel, and Ivory transfers it to the screen with great skill.
Certainly "Maurice" is one of the top motion pictures of the 80s. Kudos to all who took part in bringing this poignant novel to the screen.
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