Seven former college friends, along with a few new friends, gather for a weekend reunion at a summer house in New Hampshire to reminisce about the good old days, when they got arrested on the way to a protest in Washington, DC.
In an economically devastated Alaskan town, a fisherman with a troublesome past dates a woman whose young daughter does not approve of him. When he witnesses the murder of his shady brother, he, the woman and the kid run to the wilderness.
Mary Elizabeth Mastrantonio,
Humberto Fuentes is a wealthy doctor whose wife has recently died. In spite of the advice of his children, he takes a trip to visit his former students who now work in impoverished villages... See full summary »
Dan Rivera González
Mingo County, West Virginia, 1920. Coal miners, struggling to form a union, are up against company operators and the gun thugs of the notorious Baldwin-Felts detective agency. Black and Italian miners, brought in by the company to break the strike, are caught between the two forces. UMWA organizer and dual-card Wobbly Joe Kenehan determines to bring the local, Black, and Italian groups together. While Kenehan and his story are fictional, the setting and the dramatic climax are historical; Sid Hatfield, Cabell C. Testerman, C. E. Lively and the Felts brothers were real-life participants, and 'Few Clothes' is based on a character active several years previously. Written by
Susan C. Mitchell <email@example.com>, expanded by Silverwhistle
A 2000 play, "Terror of the Tug", by Jean Battlo, examines the events that occurred straight after The Battle of Matewan. See more »
In the scene where the coal company executives are trying to bribe the Mayor and Sid Hatfield, the calendar behind the mayor reads September 1920. The historical shootout at the climax occurred in May of 1920, four months beforehand. See more »
It were 19 and 20 in the southwest fields and things was tough. The miners was trying to bring the union to West Virginia and the coal operators and their gun thugs was set on keeping them out.
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Powerful presentation of the struggle for human dignity and equity.
This is a powerful film depicting both the conditions under which most mineworkers labored and the social conditions existing in the 1920-1930 era of our American history. It accurately portrays the manner in which powerful industrial interests manipulated the worker's economic dependency using 'script' issued in lieu of lawful and legal tender and controlled the acquisition of basic needs such as shelter, food, and clothing. By "owning" the stores, controlling employment, threatening the physical well-being of its employees, and hiring of thugs to intimidate individuals and their ability to implement any organized mutual assistance, these wealthy and powerful companies sought to (and succeeded in ) maximizing their profits by using the labor of the poor and impotent at almost no cost to the company.
One needs to search intensely to finally reveal the true history of our period of industrialization. It is of great credit to the producer's and director's of such films as "Matewan" that we can see clearly the history and ongoing great struggle between the working class and the wealthy elite to obtain their proper share of "profits."
This is a film where one enters a theater to be "entertained", but leaves having the stirrings of compassion and outrage raised in their hearts. It reminds us that there is a human price paid for economic gain.
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