| Photos (See all 14 | slideshow) | Videos (see all 2) |
| Dolph Lundgren | ... | He-Man | |
| Frank Langella | ... | Skeletor | |
| Meg Foster | ... | Evil-Lyn | |
| Billy Barty | ... | Gwildor | |
| Courteney Cox | ... | Julie Winston | |
| Robert Duncan McNeill | ... | Kevin Corrigan | |
| Jon Cypher | ... | Duncan (Man-at-Arms) | |
| Chelsea Field | ... | Teela | |
| James Tolkan | ... | Detective Lubic | |
| Christina Pickles | ... | Sorceress of Castle Grayskull | |
| Tony Carroll | ... | Beastman | |
| Pons Maar | ... | Saurod | |
| Anthony De Longis | ... | Blade | |
| Robert Towers | ... | Karg | |
| Barry Livingston | ... | Charlie | |
| Jessica Nelson | ... | Monica | |
| Gwynne Gilford | ... | Mrs. Winston | |
| Walter Scott | ... | Mr. Winston | |
| Walter Robles | ... | Carl the Janitor | |
| Cindi Eyman | ... | Gloria | |
| Peter Brooks | ... | Narrator | |
| Richard Szponder | ... | Pigboy |
Directed by | |||
| Gary Goddard | |||
Writing credits | ||
| David Odell | (written by) | |
| Donald F. Glut | characters (uncredited) | |
| Gary Goddard | uncredited | |
| Stephen Tolkin | uncredited | |
Original Music by | |||
| Bill Conti | |||
Cinematography by | |||
| Hanania Baer | |||
Film Editing by | |||
| Anne V. Coates | |||
Casting by | |||
| Victoria Thomas | |||
Production Design by | |||
| William Stout | |||
Art Direction by | |||
| Robert Howland | |||
Set Decoration by | |||
| Daniel Gluck | |||
| Mike Johnson | |||
| Kathe Klopp | |||
Costume Design by | |||
| Julie Weiss | |||
Makeup Department | |||
| Robin Beauchesne | .... | makeup artist | |
| Lori Benson | .... | hair stylist | |
| Angelo Di Biase | .... | hair stylist for Mr. Lundgren | |
| Lauren Hartigan | .... | body makeup | |
| James Kagel | .... | makeup lab sculptor | |
| Todd McIntosh | .... | makeup department head | |
| Zandra Platzek | .... | hair stylist | |
| Gerald Quist | .... | makeup lab foreman | |
| June Westmore | .... | makeup artist (as June Haymore-Pipkin) | |
| Michael Westmore | .... | makeup designer | |
| Michael Burnett | .... | special makeup effects assistant (uncredited) | |
| Lisa Rocco | .... | makeup effects lab technician (uncredited) | |
Production Management | |||
| Michael Alden | .... | post-production supervisor | |
| Alan Gershenfeld | .... | production manager | |
| Alain Jakubowicz | .... | post-production supervisor | |
| Leslie Levine | .... | production supervisor (as Leslie M. Levine) | |
| Joe Morrison | .... | production supervisor | |
| Elliot Schick | .... | production manager | |
| John Weems | .... | production supervisor | |
| Rony Yacov | .... | executive in charge of production | |
Art Department | |||
| Nancy Booth | .... | set dresser | |
| Lynn Christopher | .... | assistant art director | |
| Sharlene Ciraolo | .... | lead scenic painter | |
| Edward Eyth | .... | concept designer (as Edward C. Eyth) | |
| Ellen Freund | .... | property manager | |
| Jean Giraud | .... | special designer (as Jean 'Moebius' Giraud) | |
| Joe Griffith | .... | concept designer | |
| Allan Johnson | .... | carpenter | |
| Andrew Kennedy | .... | set dresser | |
| Douglas E. Maxwell | .... | lead man | |
| John Hammer Maxwell | .... | set dresser | |
| Claudio Mazzoli | .... | concept designer | |
| Jimy Murphy | .... | set dresser | |
| David J. Negron | .... | storyboard illustrator (as David Negron) | |
| Josh Olson | .... | art department production assistant | |
| Mary K. Perko | .... | art department coordinator | |
| Michael Reinhart | .... | construction foreman | |
| Leo Rijn | .... | lead sculptor | |
| Rachel Rosenthal | .... | production design coordinator | |
| Benjamin Stuart Thompson | .... | carpenter (as Benjamin Thompson) | |
| David Touster | .... | property assistant | |
| Douglas Turner | .... | armour construction coordinator | |
| Ron Woods | .... | assistant property master | |
| Curtis Yackel | .... | carpenter | |
| Patrick K. Coppinger | .... | painter (uncredited) | |
Special Effects by | |||
| Arthur Brewer | .... | special effects lead | |
| R.J. Hohman | .... | special effects technician | |
| Robert Hohmen | .... | special effects crew | |
| Daniel Hutten | .... | assistant special effects foreman | |
| Ellen Kitz | .... | special effects supervisor | |
| Karl G. Miller | .... | special effects crew | |
| Malton Right | .... | special effects crew | |
| Larry Roberts | .... | special effects crew | |
| Paulette Smook Marshall | .... | special effects supervisor | |
| Leo Leoncio Solis | .... | special effects assistant | |
| Joe Viskocil | .... | pyro technician (as Joseph Viskocil) | |
| Yancy Calzada | .... | creature mechanics (uncredited) | |
| Edward J. Franklin | .... | prop shop (uncredited) | |
Visual Effects by | |||
| Susan Alpert | .... | model shop coordinator | |
| Maura Alvarez | .... | visual effects animation production assistant | |
| Larz Anderson | .... | visual effects project leader: swords | |
| Michael Backauskas | .... | visual effects editor | |
| Don Baker | .... | visual effects camera | |
| Mat Beck | .... | visual effects camera | |
| Brent Boates | .... | visual effects art director | |
| Laura Buff | .... | visual effects special consultant | |
| Mark Cane | .... | visual effects grip | |
| Anjelica Casillas | .... | visual effects animation production assistant | |
| Glenn Chaika | .... | visual effects animator | |
| Dave Chamberlain | .... | model shop production assistant | |
| Charles Cowles | .... | visual effects optical camera | |
| Philip Crescenzo | .... | visual effects: technical supervisor | |
| Mark Dornfeld | .... | visual effects optical line-up | |
| Richard Edlund | .... | executive visual effects supervisor: Boss Film Studios | |
| Leslie Ekker | .... | model maker | |
| Leslie Ekker | .... | visual effects project leader: flying disks | |
| Robert Eyslee | .... | visual effects chief lighting technician | |
| Leslie Falkinburg | .... | visual effects optical coordinator | |
| Donald Fly | .... | visual effects chief financial officer | |
| Meg Freeman | .... | visual effects animation production assistant | |
| Deborah Gaydos | .... | visual effects animator | |
| Alan Harding | .... | visual effects optical camera | |
| Adam Hill | .... | moldmaker/caster/fabricator/body impressions: weapons, stunt suit, Boss Films | |
| Robert Hippard | .... | visual effects production supervisor | |
| George Jenson | .... | visual effects illustrator | |
| Lisa Krepela | .... | visual effects animation production assistant | |
| Neil Krepela | .... | visual effects matte department supervisor | |
| Mauro Maressa | .... | visual effects animator | |
| Mary Mason | .... | visual effects production coordinator | |
| Pat McClung | .... | visual effects project leader: weapons | |
| Rexford L. Metz | .... | visual effects director of photography: second unit | |
| Dennis Michelson | .... | visual effects editor | |
| Virgil Mirano | .... | visual effects still photographer | |
| Michele Moen | .... | visual effects matte artist | |
| Thaine Morris | .... | visual effects foreman | |
| Bill Neil | .... | visual effects director of photography (as William Neil) | |
| Lisa Neil | .... | visual effects animation coordinator | |
| James Nelson | .... | visual effects production advisor | |
| Eric Peterson | .... | visual effects first assistant photographer | |
| Samuel E. Recinos | .... | visual effects technical animator (as Samuel Recinos) | |
| Chris Regan | .... | visual effects optical supervisor | |
| Pat Repola | .... | visual effects head lab technician (as Patrick Repola) | |
| Eugene P. Rizzardi | .... | visual effects project leader: battle station | |
| Jon Schreiber | .... | visual effects special projects assistant | |
| Nick Seldon | .... | visual effects project leader: puppets | |
| James Sleeper | .... | visual effects optical camera | |
| Mark Stetson | .... | visual effects model shop supervisor | |
| Michael Sweeney | .... | visual effects optical line-up | |
| Eusebio Torres | .... | visual effects animator | |
| George Trimmer | .... | model maker | |
| Patrick Van Auken | .... | visual effects grip | |
| Paul Van Camp | .... | software programmer | |
| Michael Van Himbergen | .... | visual effects coordinator | |
| Garry Waller | .... | visual effects supervisor | |
| Gene Whiteman | .... | visual effects chief engineer | |
| Terry Windell | .... | visual effects art director | |
| Stefanie Wiseman | .... | visual effects first assistant photographer | |
| Debra Wolff | .... | visual effects editorial production assistant | |
| Matthew Yuricich | .... | visual effects chief matte artist | |
| Stuart Ziff | .... | visual effects project leader: cosmic key | |
| Jon Macht | .... | animation camera operator (uncredited) | |
Stunts | |||
| Bobby Bell | .... | stunts (as Robert N. Bell) | |
| Brad Bovee | .... | stunts (as Bradley J. Bovee) | |
| Janet Brady | .... | stunts | |
| Tony Brubaker | .... | stunts | |
| Brian Burrows | .... | stunts | |
| Doc D. Charbonneau | .... | stunts | |
| Danny Costa | .... | stunts | |
| Charles Croughwell | .... | stunts | |
| Anthony De Longis | .... | stunt double: Mr. Langella | |
| Loren Janes | .... | stunt choreographer | |
| Kent Jordan | .... | stunts | |
| Clint Lilley | .... | stunts | |
| Ben Scott | .... | stunts | |
| John-Clay Scott | .... | stunts | |
| Walter Scott | .... | stunt coordinator | |
| Brian Smrz | .... | stunts | |
| Gregg Smrz | .... | stunts | |
Camera and Electrical Department | |||
| Mark Buckalew | .... | best boy electric | |
| Skip Cook | .... | key grip | |
| Rick Davis | .... | dolly grip | |
| Dan Elsasser | .... | camera operator | |
| Christopher Fenney | .... | electrician | |
| Michael Hofstein | .... | additional cinematographer | |
| Warren Kroeger | .... | best boy | |
| Richard Kuhn | .... | best boy grip | |
| Michael E. Little | .... | first assistant camera | |
| Robert W. McCarty | .... | grip | |
| Ron McCausland | .... | key rigging grip | |
| Bob Myers | .... | grip | |
| Vince Onken | .... | grip | |
| David M. Rakoczy | .... | electrician | |
| Brian H. Reynolds | .... | key grip | |
| Mark Roemmich | .... | grip | |
| James Rosenthal | .... | gaffer | |
| Ken Sax | .... | still photographer | |
| David Schmalz | .... | videographer | |
| Randy Shanofsky | .... | assistant camera | |
| Mark A. Shelton | .... | grip | |
| Don Tomich | .... | electrician | |
| Ric Urbauer | .... | best boy grip | |
| John E. Vohlers | .... | electrician (credit only) | |
Casting Department | |||
| Renee Milliken | .... | casting assistant | |
| Sally Pearle | .... | extras casting | |
Costume and Wardrobe Department | |||
| Allan A. Apone | .... | co-special costume supervisor | |
| John Franzblau | .... | wardrobe production assistant | |
| Carol Kunz | .... | costumer | |
| Lisa Lovaas | .... | costumer | |
| Marcie Olivi | .... | costumer | |
| Maurice Palinski | .... | costumer (as Frank Palinski) | |
| Joseph A. Porro | .... | costumes | |
| Lawrence Richter | .... | wardrobe supervisor | |
| Sharon Swenson | .... | costumer | |
| Isabella B. Van Soest | .... | assistant wardrobe | |
| Mira Zabadowski | .... | assistant wardrobe | |
Editorial Department | |||
| Christopher Cibelli | .... | assistant editor | |
| Sam Citron | .... | second assistant editor | |
| Helen Hahn | .... | negative cutter | |
| James D.R. Hickox | .... | apprentice editor | |
| Omneya 'Nini' Mazen | .... | post-production coordinator (as Omneya Mazen) | |
| Stephen R. Sheridan | .... | color timer | |
Music Department | |||
| Corrie Behrhorst | .... | music coordinator | |
| Bill Conti | .... | orchestrator | |
| Paula Erickson | .... | music supervisor | |
| Ralph Ferraro | .... | orchestrator | |
| Stephen A. Hope | .... | music editor | |
| William Kidd | .... | music supervisor | |
| William Kidd | .... | orchestrator | |
| Stephanie Lee | .... | music coordinator | |
| Bruce Miller | .... | conductor | |
| Bruce Miller | .... | music arranger | |
| Harry Rabinowitz | .... | conductor | |
| Joel Rosenbaum | .... | orchestrator | |
| Dan Wallin | .... | score mixer | |
| Rick Winquest | .... | music mixer assistant | |
Transportation Department | |||
| John Conte | .... | transportation co-captain | |
| Edward Flotard | .... | transportation co-captain | |
| Jimmy Jones | .... | transportation manager | |
| H. William Miller | .... | transportation captain | |
| Joel Renfro | .... | transportation coordinator | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
I feel a bit guilty, reading some of the other reviews posted, but I liked MASTERS OF THE UNIVERSE! Perhaps because I was never 'into' the cartoon series, I am more forgiving of characters or plot devices left out, and I certainly recognize that it is derivative of both STAR WARS and FLASH GORDON (particularly in Bill Conti's bombastic musical score), but there is so much energy in the film, such abundant confidence in the ultimate victory of Good versus Evil, and such a wonderfully campy performance by Frank Langella as rubber-masked Skeletor that I get a kick out of it, whenever it airs.
Physically, no actor could be more perfect as the hero, He-Man, than ROCKY 4's Dolph Lundgren. At 6'6" (that's two inches taller than JOHN WAYNE, trivia fans!), with flowing blond hair and blue eyes, the 30-year old Swedish actor combined a Herculean physique (if Marvel Comics' "The Mighty Thor" is ever filmed, he would be perfect as the Thunder God), with a knack for weapons that would earn him the future title of 'King' of 'B' action flicks. True, his English was so poor at the time of filming that his dialog was kept to a minimum, but who watches this kind of film for dialog, anyway?
Supporting Lundgren's He-Man is crusty veteran soldier, Duncan (Man-at-Arms), played by character actor Jon Cypher, who makes up for He-Man's taciturn nature by reminiscing constantly about a life in the military (with observations EVERY soldier has made, through history), and his daughter, Teela (pretty Chelsea Field, one of the busiest actresses of the decade), serving as a "Xena Lite" for the proceedings.
Opposing the Forces of Good with the irreplaceable Langella is one of my favorite actresses, Meg Foster, as the sublimely wicked Evil-Lyn, using her piercing green eyes and barely suppressed sexuality to great advantage. With an array of the cartoon's more colorful villains in support of Skeletor and Evil-Lyn, He-Man has his hands full!
The plot involves a tonal 'key', created by a dwarf, Gwildor (screen legend Billy Barty, in an initially irritating, but eventually endearing role), that can transport individuals wherever they desire. Stolen by Evil-Lyn, Skeletor uses it to capture He-Man's Castle Greyskull and it's resident Sorceress ("St. Elsewhere" alum Christina Pickles). With a hidden prototype 'key', Gwildor leads our heroes into the castle...where they are nearly captured by Skeletor, before the dwarf throws together some random numbers, and transports our heroes...to Earth.
The 'key' is lost, as the four arrive on our planet, to be found by aspiring musician Kevin Corrigan ("Star Trek: Voyager" star Robert Duncan McNeill) who thinks it's a Japanese musical instrument! With girlfriend Julie Winston (future "Friends" superstar Courteney Cox, looking young and gorgeous), the pair are astonished by the musical complexities of the device, unaware that each time it is 'played', Skeletor is getting a better 'fix' of it's location. Eventually, our planet is pinpointed, and Skeletor leads an army of villains to subdue us, and capture He-Man.
With great comic support by bald character actor James Tolkan (BACK TO THE FUTURE), as a bewildered police detective, some spectacular 'set' pieces (Skeletor's invasion force, backed by 'Darth Vader'ish music, is a highlight), and an ending that concludes that "ANYTHING is possible", MASTERS OF THE UNIVERSE is great cheesy fun!
Certainly, the film is not a classic, but if you accept it on it's own terms, I think you might find it to be a lot of fun!