| Charlotte Rampling | ... | Gaby Hart | |
| Michael Sarrazin | ... | Bert Sanders | |
| Derek de Lint | ... | Chris Brine | |
| Jappe Claes | ... | Colonel March | |
| Herbert Flack | ... | David Hyde | |
| Harry Cleven | ... | PC | |
| Serge-Henri Valcke | ... | Harry Wellman | |
| Romy Haag | ... | Lana | |
| Eva Robin's | ... | Pepper | |
| John Van Dreelen | ... | Minister Weinberger | |
| Norma Christine Deumner | ... | Salome | |
| Pascale Jean-Louis | ... | Divine | |
| Alexandra Vandernoot | ... | Euridice | |
| Mark Verstraete | ... | Police Officer | |
| Hugo Van Den Berghe | ... | Policeman | |
| Charlotte Berden | ... | Gaby's Daughter | |
| Marie-Luce Bonfanti | ... | Norma | |
| Carmela Locantore | ... | Orfeo | |
| Lois Chacón | ... | Shanghai Lili | |
| Michel Laborde | ... | Tcha tcha Thai | |
| Alain Zerar | ... | Tina Turner | |
| Lyda Lobo | ... | Golden Woman (as Lida Lobo) | |
| Nathalie Fritz | ... | Dead Woman | |
| Serge 'Lydie' Lambert | ... | Gambler | |
| Katja Delvon | ... | Divine's Shadow | |
| Lou De Prijck | ... | Policeman | |
| Terry Fischer | ... | Opera Manager | |
| Dimitri Anastasiades | ... | Creature - Mr. Butterfly | |
| Patrick Boets | ... | Creature - Mr. Butterfly | |
| Didier Bouillon | ... | Creature - Mr. Butterfly | |
| Katia | ... | Creature - Mr. Butterfly | |
| Patrick de Breuck | ... | Creature - Mr. Butterfly | |
| Hilt de Vos | ... | Creature - Mr. Butterfly | |
| Dorine Esser | ... | Creature - Mr. Butterfly | |
| Alberto García | ... | Creature - Mr. Butterfly | |
| Jean Haster | ... | Creature - Mr. Butterfly | |
| Vincent Jongen | ... | Creature - Mr. Butterfly | |
| Rio Menegazzi | ... | Creature - Mr. Butterfly | |
| Michel Minuzzi | ... | Creature - Mr. Butterfly | |
| Michel Olemans | ... | Creature - Mr. Butterfly | |
| Carine Peeters | ... | Creature - Mr. Butterfly | |
| Roger Sabo | ... | Creature - Mr. Butterfly | |
| Sabrina | ... | Creature - Mr. Butterfly | |
| Yvan David | ... | Creature - Mr. Butterfly | |
| Patrice Septier | ... | Creature - Mr. Butterfly | |
| Jean-Paul Souille | ... | Creature - Mr. Butterfly | |
| Boas Toorgeman | ... | Creature - Mr. Butterfly | |
| Annick van Avermaet | ... | Creature - Mr. Butterfly | |
| Marc van Crombrugge | ... | Creature - Mr. Butterfly | |
| Frank van Malder | ... | Creature - Mr. Butterfly | |
| Hillary Wagenar | ... | Creature - Mr. Butterfly | |
| Firmin Allary | ... | Member - Mr. Butterfly | |
| Jo Bertrand | ... | Member - Mr. Butterfly | |
| Henri de Blaere | ... | Member - Mr. Butterfly | |
| Josef de Busschere | ... | Member - Mr. Butterfly | |
| Thean Decco | ... | Member - Mr. Butterfly | |
| Marnix de Kuyper | ... | Member - Mr. Butterfly | |
| Julien Demey | ... | Member - Mr. Butterfly | |
| Charles De Wael | ... | Member - Mr. Butterfly | |
| Joris Ghekire | ... | Member - Mr. Butterfly | |
| Peter Grunewald | ... | Member - Mr. Butterfly | |
| Mark Janssens | ... | Member - Mr. Butterfly | |
| Piet Labian | ... | Member - Mr. Butterfly | |
| Alfons Maes | ... | Member - Mr. Butterfly | |
| Louis Parez | ... | Member - Mr. Butterfly | |
| Dirk Pierloot | ... | Member - Mr. Butterfly | |
| Sébastien Radovitch | ... | Member - Mr. Butterfly | |
| Tony Roels | ... | Member - Mr. Butterfly | |
| Francis Rolot | ... | Member - Mr. Butterfly | |
| Jean-Claude Soetens | ... | Member - Mr. Butterfly | |
| Jan Vanderborght | ... | Member - Mr. Butterfly | |
| Robert van Cleemput | ... | Member - Mr. Butterfly | |
| Johan Vandermeulen | ... | Member - Mr. Butterfly | |
| Mike Vanderstraete | ... | Member - Mr. Butterfly | |
| Gaston van Laere | ... | Member - Mr. Butterfly | |
| Christ Vermandere | ... | Member - Mr. Butterfly | |
| Willy Wouters | ... | Member - Mr. Butterfly | |
| Marco Wyn | ... | Member - Mr. Butterfly |
Directed by | |||
| Patrick Conrad | |||
Writing credits(in alphabetical order) | ||
| Hugo Claus | ||
| Patrick Conrad | ||
| Pierre Drouot | ||
| Susana Rossberg | script | |
Produced by | |||
| Pierre Drouot | .... | producer | |
| Dany Geys | .... | line producer | |
| Yoram Globus | .... | executive producer | |
| Menahem Golan | .... | executive producer | |
| Henry Lange | .... | producer | |
| René Solleveld | .... | producer | |
| Peter Weijdeveld | .... | associate producer | |
Original Music by | |||
| Egisto Macchi | |||
Cinematography by | |||
| Gilberto Azevedo | |||
Film Editing by | |||
| Susana Rossberg | |||
Production Design by | |||
| Johan van den Driessche | |||
Art Direction by | |||
| Dirk Debou | |||
| Misjel Vermeiren | |||
Costume Design by | |||
| Yan Tax | |||
Makeup Department | |||
| Yvan David | .... | hair stylist | |
| Noëlle de Grandsaigne | .... | makeup trainee | |
| Françoise Joset | .... | makeup artist | |
| Katia | .... | hair stylist | |
| Dick Naastepad | .... | hair stylist | |
| Michele Steenhaut | .... | trainee makeup artist | |
| Claudine Thyrion | .... | key makeup artist | |
| Patricia Timmermans | .... | makeup artist | |
| Kaatje Van Damme | .... | makeup artist | |
| Frank van Malder | .... | hair stylist | |
Second Unit Director or Assistant Director | |||
| Thomas Claus | .... | trainee director | |
| Jean-Pol Ferbus | .... | assistant director | |
| Ivan Goldschmidt | .... | assistant director | |
| Nathalie Rogoz | .... | second assistant director | |
Art Department | |||
| Andre Fonteyne | .... | construction manager | |
| Véronique Melery | .... | set dresser | |
| Hans Oosterhuis | .... | prop master | |
| Yvette Proszwimmer | .... | constructor | |
| Didier Sainderichin | .... | assistant art director | |
| Gilbert Stoffyn | .... | constructor | |
| Harry Vandevoorde | .... | constructor | |
| Inge Vrijdags | .... | constructor | |
| Philippe Willems | .... | constructor | |
Sound Department | |||
| Maurice Gilbert | .... | dubbing | |
| Hans-Walter Kramski | .... | sound effects dubbing (as Hans-Walter Kramsky) | |
| Jean-Paul Loublier | .... | pre-dub | |
| Christian Monheim | .... | sound trainee | |
| Henri Morelle | .... | sound | |
| Bruno Pradez | .... | post-synchronization | |
| Miguel Rejas | .... | boom operator | |
| Richard Wells | .... | post-synchronization | |
Stunts | |||
| Thierry Hallard | .... | stunts | |
Camera and Electrical Department | |||
| Jojo Bulterijs | .... | electrician | |
| Jean Devits | .... | key grip | |
| Fernando Fernández | .... | first assistant camera | |
| Luc Frisson | .... | electrician | |
| Pascal Jacqmin | .... | grip | |
| Kommer Kleijn | .... | second camera operator | |
| Marc Koninckx | .... | camera operator | |
| Patrick Legrand | .... | grip | |
| Michel Mesmaeker | .... | electrician | |
| Danielle Pierre | .... | still photographer | |
| Chris Renson | .... | second assistant camera | |
| Pierre Stenuit | .... | gaffer (as Peter Stenuit) | |
| Michel Taburiaux | .... | electrician | |
| Guy Talin | .... | electrician | |
| Claude van Dingenen | .... | electrician | |
| Marijke Van Kets | .... | electrician | |
| Bruno Verstraete | .... | electrician | |
Casting Department | |||
| Sally Daykin | .... | casting: post-synchronization (as Sally Boyle) | |
| Ivan Goldschmidt | .... | extras casting | |
| Guy Thijs | .... | extras casting | |
Costume and Wardrobe Department | |||
| Claudine Bouvier | .... | wardrobe | |
| Bernadette Corstens | .... | wardrobe | |
| Pierrot Motoulle | .... | wardrobe | |
| Arta van Hauwe | .... | wardrobe | |
Editorial Department | |||
| Colette Achouche | .... | assistant editor | |
| Philippe Bourgueil | .... | editor trainee | |
| Joseph Dassy | .... | negative cutter | |
| Véronique Lagrange | .... | editor trainee | |
| Ann Van Aken | .... | assistant editor | |
Music Department | |||
| Collegium Vocale Gent | .... | musician | |
| Lou De Prijck | .... | music arranger: songs | |
| Lou De Prijck | .... | song producer | |
| Luca del Fra | .... | music mixer | |
| Luca del Fra | .... | music recordist | |
| La Petite Bande | .... | musician | |
Other crew | |||
| Bert Anthoniesse | .... | press and public relations | |
| Joelle Benchimol | .... | press and public relations | |
| John Boyle | .... | post-synchronization talent | |
| Mike Cockburn | .... | post-synchronization talent | |
| Frank Daniel | .... | script consultant | |
| Veerle de Wit | .... | press and public relations | |
| Carolyne Demts | .... | post-synchronization talent | |
| Dorine Esser | .... | production secretary | |
| Christine Jimenez | .... | production accountant | |
| Mark Kerremans | .... | runner | |
| Véronique Lagrange | .... | continuity trainee | |
| Margaret Lysak | .... | post-synchronization talent | |
| Robert Malengreau | .... | press and public relations | |
| Malia Scotch Marmo | .... | dialogue coordinator | |
| Malia Scotch Marmo | .... | dialogue supervisor | |
| Peter Raats | .... | runner | |
| Susana Rossberg | .... | continuity | |
| Susana Rossberg | .... | preparation | |
| Ilse Somers | .... | production coordinator | |
| Dominique Standaert | .... | production assistant | |
| Bob Steen | .... | post-synchronization talent | |
| Barney Trench | .... | post-synchronization talent | |
| Daniël Van Avermaet | .... | press and public relations | |
| Johan van den Driessche | .... | location manager | |
| Bart van Lint | .... | runner | |
| Ann Verheyen | .... | production secretary | |
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| Die, Mommie, Die! | Antonia's Line | Damage | The Good Thief | The Pillow Book |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Thriller section | IMDb Belgium section |
Look, I'm not suggesting Mascara is an even vaguely good film, but... who cares, it's a classic sample of Eurotrash culture. Another masterpiece from the "quality" merchants at Cannon film, I'm just surprised it hasn't found a solid cult audience in the midnight movie circuit or 1980's retro sleaze market(uh, is there such a market?).
It has Charlotte Rampling, queen of Eurotrash (remember the Night Porter?) who, oddly enough, has the most "straight" role here. As usual, she channels Lauren Bacall (good looking woman, she), and gets through a fairly lackluster part. She's always better than her material and wears some very stylish togs for someone who just works as an interpreter. Michael Sarazin, former pretty boy and Jacqueline Bisset boyfriend (he was in a good tv version of Frankenstein) is now a little long in the tooth, but still has a striking appearance and soulful eyes. Here he's a somewhat unbelievable Police Superintendent and has some wild scenes that come off... shall we say, a trifle campy. Derek de Lint (from Unbearable Lightness of Being, a fav film of mine) is a heterosexual costume designer for the opera. De Lint, a popular star in European film, must have taken this part for the money. He's mostly a foil for Sarazin and love interest for Rampling.
But there's more. Next we have cult performer Romy Haag (a well known transgender artiste from the 70's through 90's, friend of Bowie's, etc.) as the madam-manager of an underground club where closeted bigwigs go to hear drag queens, etc. lip sink to opera (yes, when there's operatic music that's a sure sign of Eurotrash). Topping it off is the gorgeous Eva Robin's (that's how her name is usually spelled), Italian transgendered star of music, tv, fashion and film as a character with the absurd name of "Pepper". Now Robin's is about as unlikely a "Pepper" as I've ever encountered. She looks gorgeous and has a scene that prominently displays her manhood front and center. This was a good 5 years before the Crying Game. Shameless exploitation? ... you bet. But what happens next is a shocking reminder of how much violence there really is against transgendered people and how it's often reported with a kind of titillation rather than as a human rights issue. The cinematography and mood in this film are striking, even as the script and some of the acting are laughable. It all made me want to take a trip to Europe, wear something fashionable and walk around some nameless urban landscape late at night looking for a niteclub to go to as blue signs flash "cambio, wechsel, change."
Mascara could be a good date movie, if you're dating someone with really sleazy, bizarre tastes. I found it infinitely more entertaining than Showgirls, and look how beloved that flick has become since it had its initial flush down the toilet?