5.0/10
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12 user 1 critic

Mascara (1987)

A respected police commissioner has a reputation as a fervent opera lover, but by night he also enjoys plunging into the transvestite scene. In addition, he harbors a longing for his very ... See full summary »

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1 win & 1 nomination. See more awards »
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Cast

Cast overview, first billed only:
...
Gaby Hart
...
Bert Sanders
...
Chris Brine
Jappe Claes ...
Colonel March
...
David Hyde
Harry Cleven ...
PC
Serge-Henri Valcke ...
Harry Wellman
Romy Haag ...
Lana
Eva Robins ...
Pepper
...
Minister Weinberger
Norma Christine Deumner ...
Salome
Pascale Jean-Louis ...
Divine
...
Euridice
Mark Verstraete ...
Police Officer
Hugo Van Den Berghe ...
Policeman
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Storyline

A respected police commissioner has a reputation as a fervent opera lover, but by night he also enjoys plunging into the transvestite scene. In addition, he harbors a longing for his very own sister. When he learns that his wife has been murdered, he tries to implicate the set-designer who has designs on his sister. Written by Hannelore Goossens

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Genres:

Thriller

Certificate:

R | See all certifications »
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Details

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Language:

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Release Date:

7 May 1987 (Netherlands)  »

Also Known As:

Make-up for Murder  »

Company Credits

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Technical Specs

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Did You Know?

Trivia

Finnish censorship visa # I-01840 (video) delivered on 15-9-1989. See more »

Soundtracks

Let Me Treat You Like A Man
Written by S. van Holme and Danny Klein
Performed by Danny and the Dominoes
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User Reviews

 
Maybe it's Maybelline, or maybe it's good trash.
7 July 2010 | by (United States) – See all my reviews

I saw this when it came out 20+ years ago and it stuck with me. On second viewing, it's a camp classic. What makes a cult film? It's intangible, but odd flourishes like dubbing the child's voice with an adult's, or the bevy of sinister transvestites, contribute greatly. Charlotte Rampling is beautiful and tortured. She also wears some really great Claude Montana outfits. Michael Sarazin plays her brother and though they grew up together as children, they have completely different accents. The best scenes are in the club, which is a delicious blend of cabaret/new wave/opera with a decadent Eurotrash clientèle. You will rewind a lot. There are plot twists and a glow-in-the-dark dress. This movie deserves a second life, have fun.

CC


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