| Photos (See all 38 | slideshow) | Videos (see all 4) |
Directed by | |||
| John Glen | |||
Writing credits | ||
| Ian Fleming | (story) uncredited | |
| Richard Maibaum | (screenplay) and | |
| Michael G. Wilson | (screenplay) | |
Produced by | |||
| Albert R. Broccoli | .... | producer | |
| Barbara Broccoli | .... | associate producer | |
| Tom Pevsner | .... | associate producer | |
| Michael G. Wilson | .... | producer | |
Original Music by | |||
| John Barry | |||
Cinematography by | |||
| Alec Mills | (director of photography) | ||
Film Editing by | |||
| Peter Davies | |||
| John Grover | |||
Casting by | |||
| Debbie McWilliams | |||
Production Design by | |||
| Peter Lamont | |||
Art Direction by | |||
| Terry Ackland-Snow | |||
Set Decoration by | |||
| Michael Ford | |||
| Tal Schneider | (uncredited) | ||
| Anne Seibel | (uncredited) | ||
Costume Design by | |||
| Emma Porteus | (as Emma Porteous) | ||
Makeup Department | |||
| Eric Allwright | .... | makeup artist | |
| Naomi Donne | .... | makeup artist | |
| Edwin Erfmann | .... | makeup artist | |
| George Frost | .... | makeup supervisor | |
| Ramon Gow | .... | hair styles supervisor | |
| Helen Lennox | .... | hair stylist | |
| Barbara Sutton | .... | hair stylist | |
Second Unit Director or Assistant Director | |||
| Terry Blyther | .... | additional assistant director | |
| Urs Egger | .... | additional assistant director | |
| Gerry Gavigan | .... | assistant director | |
| Ahmed Hatimi | .... | additional assistant director | |
| Nick Heckstall-Smith | .... | additional assistant director | |
| Terry Madden | .... | assistant director: second unit | |
| Callum McDougall | .... | additional assistant director | |
| Crispin Reece | .... | additional assistant director | |
| Arthur Wooster | .... | second unit director | |
Art Department | |||
| Ted Ambrose | .... | assistant art director | |
| Dennis Bosher | .... | assistant art director | |
| Jille Brown | .... | assistant set decorator | |
| Ken Court | .... | additional art director | |
| Bert Davey | .... | additional art director | |
| Roger W. Deer | .... | sketch artist (as Roger Deer) | |
| Freddi Dobsak | .... | additional construction manager (as Alfred Dobsak) | |
| Tony Graysmark | .... | construction manager (as Anthony Graysmark) | |
| Bert Hearn | .... | property master | |
| Fred Hole | .... | additional art director | |
| Christoph Kanter | .... | assistant set decorator | |
| Michael Lamont | .... | additional art director | |
| Peter Manhardt | .... | additional art director (as Peter Manhard) | |
| Jim Morahan | .... | assistant art director (as James Morahan) | |
| Peter Palmer | .... | production buyer | |
| Sid Palmer | .... | production buyer | |
| Ken Pattenden | .... | additional construction manager | |
| Thomas Riccabona | .... | additional art director | |
| Jacqueline Stears | .... | scenic artist | |
| Andrew Ackland-Snow | .... | draughtsman (uncredited) | |
| Duncan Guest | .... | carpenter (uncredited) | |
| Johannes Slapa | .... | production buyer: Austria (uncredited) | |
| Colin Thurston | .... | prop storeman (uncredited) | |
Sound Department | |||
| Ross Adams | .... | assistant sound editor | |
| Derek Ball | .... | sound recordist | |
| Bill Barringer | .... | assistant sound editor (as William Barringer) | |
| Robert Gavin | .... | assistant sound editor | |
| Robi Güver | .... | additional sound recordist (as Roby Guever) | |
| Graham V. Hartstone | .... | sound re-recording mixer (as Graham Hartstone) | |
| John Hayward | .... | sound re-recording mixer | |
| Derek Holding | .... | sound editor | |
| Jean-Pierre Lelong | .... | additional sound effects | |
| Brian Marshall | .... | additional sound recordist | |
| Vernon Messenger | .... | sound editor | |
| Colin Miller | .... | sound editor | |
| Mark Mostyn | .... | assistant sound editor | |
| Peter Musgrave | .... | sound editor | |
| Ken Nightingall | .... | boom operator | |
| Nicolas Le Messurier | .... | sound re-recording mixer (uncredited) | |
Special Effects by | |||
| Chris Corbould | .... | special effects | |
| Matthew Harlow | .... | special effects technician | |
| Willi Neuner | .... | special effects (as Willy Neuner) | |
| Brian Smithies | .... | special effects | |
| Joss Williams | .... | special effects | |
| Clive Beard | .... | special effects (uncredited) | |
| Simon Cockren | .... | special effects assistant (uncredited) | |
| Neil Corbould | .... | special effects technician (uncredited) | |
| Daniel Dark | .... | special effects (uncredited) | |
| Nick Finlayson | .... | special effects technician (uncredited) | |
| Garth Inns | .... | special effects (uncredited) | |
| John Morris | .... | special effects (uncredited) | |
| Uli Nefzer | .... | special effects technician: Austria (uncredited) | |
| Andy Williams | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Leslie Dear | .... | model photographer | |
| Richard Hewitt | .... | video effects supervisor | |
| Roy Moores | .... | front projection | |
| Terry Reed | .... | model maker (as Terence Reed) | |
| John Richardson | .... | special visual effects | |
| Alan Church | .... | optical camera (uncredited) | |
| Julian Parry | .... | model unit (uncredited) | |
Stunts | |||
| Roy Alon | .... | stunt team | |
| Del Baker | .... | stunt team | |
| Christian Bonnichon | .... | driving stunts | |
| Brian Bowes | .... | horse stunts | |
| Jake Brake | .... | aerial stunts | |
| Garry Carter | .... | aerial stunts | |
| Jordi Casares | .... | horse stunts | |
| Jo Cote | .... | driving stunts | |
| Simon Crane | .... | stunt team | |
| Graeme Crowther | .... | horse stunts | |
| Steve Dent | .... | horse stunts | |
| John Falkiner | .... | snow stunts | |
| Elaine Ford | .... | stunt team | |
| Nick Gillard | .... | horse stunts | |
| Jean-Claude Houbart | .... | driving stunts (as Jean-Claude Houbard) | |
| Ida Huber | .... | snow stunts | |
| Dominique Julienne | .... | driving stunts | |
| Michel Julienne | .... | stunt team | |
| Rémy Julienne | .... | driving stunts arranger (as Remy Julienne) | |
| Jean-Claude Justice | .... | driving stunts (as Jean Claude Justice) | |
| Jake Lombard | .... | aerial stunts | |
| Brigitte Magnin | .... | driving stunts | |
| Daniel T. O'Brien | .... | aerial stunts (as Dan O'Brien) | |
| Joaquin Olivas | .... | horse stunts (as Joaquin Olias) | |
| Miguel Pedregosa | .... | horse stunts | |
| Doug Robinson | .... | stunt team | |
| Rene Seiler | .... | snow stunts | |
| José María Serrano | .... | horse stunts (as Jose Maria Serrano) | |
| Herman Sporer | .... | snow stunts | |
| Jean-Jacques Villain | .... | driving stunts | |
| Paul Weston | .... | stunt supervisor | |
| Jason White | .... | stunt team | |
| Nick Wilkinson | .... | stunt team | |
| B.J. Worth | .... | aerial stunts arranger | |
| Helen Caldwell | .... | additional stunts (uncredited) | |
| Tom Delmar | .... | stunts (uncredited) | |
| Dorothy Ford | .... | additional stunts (uncredited) | |
| Paul Heasman | .... | additional stunts (uncredited) | |
| Frank Henson | .... | additional stunts (uncredited) | |
| Eddie Kidd | .... | stunt driver (uncredited) | |
| Valentino Musetti | .... | additional stunts (uncredited) | |
| Eddie Powell | .... | additional stunts (uncredited) | |
| Tal Schneider | .... | aerial stunts support (uncredited) | |
| Colin Skeaping | .... | additional stunts (uncredited) | |
| Chris Webb | .... | additional stunts (uncredited) | |
| Les White | .... | stunt double: Joe Don Baker (uncredited) | |
| Steve Whyment | .... | additional stunts (uncredited) | |
Costume and Wardrobe Department | |||
| Don Mothersill | .... | wardrobe master: second unit | |
| Tiny Nicholls | .... | costume supervisor | |
Editorial Department | |||
| Matthew Glen | .... | assistant editor | |
| John Nuth | .... | assistant editor | |
| Wayne Smith | .... | assistant editor | |
Music Department | |||
| John Barry | .... | conductor | |
| Alan Killick | .... | music editor | |
| Stefan Kropfitsch | .... | musician: cello | |
| Dick Lewzey | .... | music mixer | |
| Gert Meditz | .... | conductor: Austrian Youth Symphony Orchestra | |
| Monty Norman | .... | composer: James Bond theme | |
| Nic Raine | .... | orchestrator (as Nicholas Raine) | |
Transportation Department | |||
| Andreas Grosch | .... | location transportation manager (as Andy Grosch) | |
| Mark White | .... | transportation | |
| Arnaud Esterez | .... | transportation (uncredited) | |
| Gerhard Rupp | .... | transportation coordinator (uncredited) | |
Other crew | |||
| Zakaria Alaoui | .... | production liaison: Morocco | |
| Simon Atherton | .... | armorer | |
| Tina Banta | .... | contact: USA | |
| Reginald A. Barkshire | .... | production controller | |
| John Bernard | .... | location manager | |
| Sonja Beutura | .... | location production secretary | |
| Maurice Binder | .... | title designer | |
| Arie Bohrer | .... | location manager | |
| Jean Bourne | .... | continuity: second unit | |
| Albert R. Broccoli | .... | presenter | |
| Joanna Brown | .... | secretary: Mr. Wilson | |
| May Capsaski | .... | production coordinator (as May Capsaskis) | |
| Nick Daubeny | .... | location manager | |
| Allen Davies | .... | assistant accountant (as Allan Davies) | |
| Fred Evans | .... | chief sculptor | |
| Geoff Freeman | .... | unit publicist | |
| Sandra Frieze | .... | secretary: Mr. Broccoli | |
| Driss Gaidi | .... | location manager | |
| Hind Hanif | .... | location production secretary | |
| Charles Juroe | .... | marketing director | |
| Ihssane Khalafaoui | .... | production coordinator (as Ihsanne Khalafaoui) | |
| Christl Kirchner | .... | location accountant | |
| Sophie Koekenhof | .... | location production secretary (as Sophie Koekenhoff) | |
| Hamish McInnes | .... | safety climber (as Hamish MacInnes) | |
| Jane Meagher | .... | location accountant | |
| Janine Modder | .... | production coordinator (as Janine Lodge) | |
| Douglas Noakes | .... | production accountant | |
| Pamela Parker | .... | production coordinator (as Pam Parker) | |
| Greg Powell | .... | horse master | |
| Brenda Ramos | .... | production coordinator | |
| June Randall | .... | continuity | |
| Amanda Schofield | .... | secretary: Mr. Juroe | |
| Dawn M. Severdia | .... | production coordinator (as Dawn Severdia) | |
| Mary Stellar | .... | contact: USA | |
| Daniela Stibitz | .... | production coordinator | |
| Joseph Viale | .... | production liaison: Gibraltar | |
| Rebecca West | .... | publicity assistant | |
| Marc Wolff | .... | aerial liaison | |
| Stefan Zürcher | .... | location manager | |
| Hamid Araissi | .... | location manager (uncredited) | |
| Pauline Hume | .... | graphic artist: titles (uncredited) | |
| Nick Wilkinson | .... | assistant horse master (uncredited) | |
Thanks | |||
| His Majesty King Hassan II of Morocco | .... | special thanks (as His Majesty King Hassan II) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb UK section |
With Roger Moore's 'retirement' as 007, in the less-than-wonderful A VIEW TO A KILL, Eon Productions began searching for a new James Bond for THE LIVING DAYLIGHTS. A promising candidate was Sam Neill, 39, popular star of TV's "Reilly: The Ace of Spies" (and future JURASSIC PARK dinosaur expert). But Albert Broccoli didn't like Neill's tests, and announced he wanted Welsh actor Timothy Dalton, whom he'd first approached for the role 16 years earlier. At that time, Dalton had turned down Bond, saying he was "too young". Now 41, both Dalton and Broccoli agreed he was the right age, and his tests were fabulous...but it was then discovered that the shooting schedule for THE LIVING DAYLIGHTS would conflict with Dalton's current project, BRENDA STARR, and he, reluctantly, had to pass on the project.
Then an Irish actor, who had become a major television star in America, appeared on the scene. Pierce Brosnan, 34, his "Remington Steele" TV series about to be canceled by NBC, had impressed Broccoli on a visit to the Bond set 5 years earlier, and his tests were so good that he won the role. The script was adjusted, adding more humor (quips were one of Brosnan's strong points), and things were moving along nicely...until NBC, seeing the publicity value of a potential 'James Bond' in a series, renewed "Remington Steele", throwing the entire Bond production into turmoil. The network refused to release Brosnan, and he had to leave.
Fortunately, the delay gave Timothy Dalton time to complete BRENDA STARR, and he began shooting THE LIVING DAYLIGHTS two days after STARR wrapped.
Dalton, an avid fan of Fleming's novels, preferred a harder-edged yet vulnerable Bond, with little or no humor, but screenwriters Richard Maibaum and Michael G. Wilson had already tailored the script to Brosnan, and Dalton quickly revealed that one-liners were not his strongest asset. He gave, nonetheless, a strong, smoldering performance as 007. As his leading lady, Maryam d'Abo, 26, who'd been 'discovered' while doing 007 candidate screen tests, proved quite good as a blackmailed Czech cellist Bond 'couldn't kill'. The villains, while not 'top drawer' Bond, were effective; Jeroen Krabbé as a defecting Russian general, dancer-turned-actor Andreas Wisniewski as nearly superhuman assassin Necros, and Joe Don Baker, as a 'good ol' boy' megalomaniac U.S. general.
With action around the world, and a complicated plot involving a weapons heist and sale, the story attempted to be more 'topical' by involving the Afghan/Soviet conflict (which, unfortunately, 'dated' it, as well). Bond is monogamous for the first time, and the more 'physical' portrayal of FOR YOUR EYES ONLY had returned, to the delight of Bond purists.
But LETHAL WEAPON would also debut in 1987, and the 'over-the-top' solid action film would cut deeply into THE LIVING DAYLIGHTS profits. The 007 film was considered almost 'quaint' in comparison, and Dalton would unfairly take the 'heat' for the less profitable film.
The world was changing around 007, and no one was quite sure what to do about it...