A fake Fabergé egg and a fellow agent's death lead James Bond to uncover an international jewel-smuggling operation, headed by the mysterious Octopussy, being used to disguise a nuclear attack on N.A.T.O. forces.
James Bond 007's mission is to firstly, organise the defection of a top Soviet general. When the general is re-captured, Bond heads off to find why an ally of General Koskov was sent to murder him. Bond's mission continues to take him to Afghanistan, where he must confront an arms dealer known as Brad Whitaker. Everything eventually reveals its self to Bond. Written by
Naturally, with a movie that features orchestras and cellos, this Bond film features a number of pieces of classical music: Wolfgang Amadeus Mozart's 40th Symphony in G minor (1st movement) is heard being played at the Bratislava Conservatoire during the defection sequence ; Aleksandr Borodin's s String Quartet No. 2 in D major (3rd movement) is heard the second time James Bond is in the audience hearing Kara perform at the Bratislava Conservatoire ; when Bond and Kara arrive in Vienna they hear Johann Strauß's Wine, Women and Song Waltz ; the opera they hear in Vienna is Wolfgang Amadeus Mozart's Il Nozze di Figaro (act 2) ; Kara practises Antonín Dvorák's Cello Concerto as Bond returns to the hotel room ; and at the film's end, Kara is playing Pyotr Ilyich Tchaikovsky's Rococo Variations. These pieces of music are not included on the movie's soundtrack because they are only excerpted for the film. See more »
During the fight scene between Bond and the assassin when they are hanging behind the airplane, the nets varies in position from hanging far out and hanging just a bit out. See more »
Gentlemen, this may only be an exercise so far as the Ministry of Defence is concerned. But for me, it is a matter of pride that the 00 section has been chosen for this test. Your objective is to penetrate the radar installations of Gibralter. Now, the SAS has been placed on full alert to intercept you, but I know you won't let me down. Good luck, men.
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One thing that can be said about Timothy Dalton's two appearances in the role of Bond is that both efforts where excellent.
This one is more in the traditional Bond mould than the much darker Licence To Kill that followed it but was still quite a fresh, well scripted and acted story.
It is a bit of a shame that the original plan to have General Gogol throughout rather than General Pushkin had to be dropped due to Walter Gottel being unavailable but even still, John Rhys Davies does well in his role.
Bond girl Myriam D'Abo is a great improvement on her immediate predecessor even if she does not have a huge amount to do and the quality of the photography, particularly the Afghanistan sequences, are excellent.
Unlike many of the Roger Moore Bond's there was a fresh air of originality here unlike previous efforts, which in many ways where bits of old Bonds remixed, reheated and served up.
It is also a refreshing change from the previous A View To A Kill to not have Bond bedding everything female in sight for once!! AVTAK produced four conquests for the rampant fossilised babe magnet (!) Moore, here just the one and discreet at that.
Thankfully silly gimmicks such as another of M's silly offices (Back of a Hercules plane this time following previous instalments in a submarine, Egyptian ruin, sunken ocean liner and a monastery!) were dispensed with quickly and never really seen in the Bond series again after this.
A cracking soundtrack from John Barry (quite possibly his best)finishes off this excellent instalment, which saw the farewell performances of two more stalwarts of the Bond series, Walter Gottel in an all too brief cameo as General Gogol and soundtrack master extraordinaire John Barry (he actually appears here as the orchestra conductor at the Opera House at the very end).
All in all a really good one
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