A fake Fabergé egg and a fellow agent's death lead James Bond to uncover an international jewel-smuggling operation, headed by the mysterious Octopussy, being used to disguise a nuclear attack on N.A.T.O. forces.
James Bond 007's mission is to firstly, organise the defection of a top Soviet general. When the general is re-captured, Bond heads off to find why an ally of General Koskov was sent to murder him. Bond's mission continues to take him to Afghanistan, where he must confront an arms dealer known as Brad Whitaker. Everything eventually reveals its self to Bond. Written by
Naturally, with a movie that features orchestras and cellos, this Bond film features a number of pieces of classical music: Wolfgang Amadeus Mozart's 40th Symphony in G minor (1st movement) is heard being played at the Bratislava Conservatoire during the defection sequence ; Aleksandr Borodin's s String Quartet No. 2 in D major (3rd movement) is heard the second time James Bond is in the audience hearing Kara perform at the Bratislava Conservatoire ; when Bond and Kara arrive in Vienna they hear Johann Strauß's Wine, Women and Song Waltz ; the opera they hear in Vienna is Wolfgang Amadeus Mozart's Il Nozze di Figaro (act 2) ; Kara practises Antonín Dvorák's Cello Concerto as Bond returns to the hotel room ; and at the film's end, Kara is playing Pyotr Ilyich Tchaikovsky's Rococo Variations. These pieces of music are not included on the movie's soundtrack because they are only excerpted for the film. See more »
The interior layout of the cargo plane Bond steals in Afghanistan differs from the external view. It is clearly shown that it's a straight line from the rear hatch opening to where the jeep is parked to the cockpit (views visible through open doors). Yet exterior views clearly show the cockpit is on a second level from the rest of the plane. See more »
Gentlemen, this may only be an exercise so far as the Ministry of Defence is concerned. But for me, it is a matter of pride that the 00 section has been chosen for this test. Your objective is to penetrate the radar installations of Gibralter. Now, the SAS has been placed on full alert to intercept you, but I know you won't let me down. Good luck, men.
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When A-HA is credited as the performers of the opening theme song in the opening credits, their band name is given in the actual "A-HA logo font." This is the only time this has been done in the series. See more »
Not only a great Bond movie, but a great spy thriller.
While many will debate and argue over Timothy Dalton for years to come, in much the same way as over George Lazenby, I going to put my foot out and say Dalton is one of my favorite Bond's, along with Brosnan and Connery. There never really has been a bad Bond actor, but Dalton, I believe is up there with Connery and Pierce and I love The Living Daylights. Dalton was my first 'new' Bond in many ways. I was four when this film was released, and was developing a love for the Bond movies at the time. I had grown up watching the Moore and Connery movies on television and Dalton was the first new actor in the role that I seen, which is why I have special affection for this Bond movie. I love it. Not only do we have a great Bond movie, but it is also a great espionage thriller that eventually turns into the kind of epic Bond adventure we all know and love. The plot involving the double-double cross of a KGB agent defecting to Britain called Georgi played brilliantly by Jeroen Krabbe, and Bond's attempts to find him when he is 'kidnapped' by playing on the trust of his girlfriend, Kara, a beautiful cello player performed magnificently by Maryam D'abo, is enthralling, and the way it leads from the London countryside, to the ferris wheels of Vienna and eventually to Afghanistan is superbly done. The film is mixture of the thriller elements of the Ian Fleming novels and the epic adventure scope of the movies.
As James Bond Timothy Dalton is excellent, a fantastic choice to play the part. His decision to play the part more akin to the novels of Fleming than the humor of Roger Moore is an inspired choice. He is a mixture of the Fleming character and Sean Connery's Bond. While there is a serious nature here (the darker elements would be at the forefront more in the equally brilliant Licence To Kill), there is still room for humor as seen in the car chase ("I've had a few optional extras installed" when talking about the gadgets). Coming off the Moore films, it may have been too soon for a return to the serious roots, but it works well in the long run. The film doesn't feel like some far fetched action film, it feels like a great spy movie with great actors. Adding to this a wonderfully 80's theme tune from A-Ha, a great score from John Barry and a plethora of great baddies as well as some great set pieces (the battle on the runway at the end is great as is Bond's climactic battle with henchman Necros hanging from the back of an airplane).
I love this film a lot. It's dark, yes, although not as dark as the film that was to come, and is still cracking great entertainment. It is a forgotten Bond classic and it is nice that as time has went on, Dalton's movies as the character have remained as great as they were in the late 80's.
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