A woman's lover leaves her, and she tries to contact him to find out why he's left. She confronts his wife and son, who are as clueless as she. Meanwhile her girlfriend is afraid the police... See full summary »
When it appears as though the end is in sight, the pilots, flight crew, and passengers of a plane heading to Mexico City look to forget the anguish of the moment and face the greatest danger, which we carry within ourselves.
Ex-bullfighter who is getting turned on by killing, lady lawyer with same problem and young man driven insane by over-religious upbringing - these are the main characters in this stylish ... See full summary »
Pablo and Tina have complicated sexual lives. Pablo writes and directs plays and films; he's gay and deeply in love with Juan, a young man who won't reply to Pablo's affection or letters. Pablo's sibling Tina is a transsexual, angry at men, raising Ada, and trying to make it as an actress. Pablo takes up with Antonio, a youth who becomes jealous of Pablo's love for Juan. Antonio seeks out Juan, and violence leads to Pablo's grief and a temporary loss of memory. When memory returns, he learns that Antonio has taken up with Tina. In horror, he hurries to Tina's rescue and must face Antonio and his desire. Written by
The iconic hose scene was shot twice. The first one wasn't useful because the pressure was so big that Carmen Maura fell down. While the crew adjusted the hose, Maura dried herself and changed the dress. The second time the scene was shot perfectly, but Maura had to dub herself because of the water noise. See more »
After what seems like a gratuitous gay sex scene (in reality, it's the climax of a movie seen by the stars of this movie), writer/director Pedro Almodóvar gets down to business
Promiscuous and successful director Eusebio Poncela (as Pablo Quintero) bids young lover Miguel Molina (as Juan Bermúdez) a fond farewell. Mr. Molina must leave Madrid, for the coast; he begs off about duties, but really wants Mr. Poncela to clean up his act. This leaves an opening for likewise handsome young Antonio Banderas (as Antonio Benitez), who was turned on by the film's sexy cinematic beginning, and has been fantasizing about being mounted by Poncela. Mr. Banderas wants plugging with a passion.
After getting himself plucked by Poncela, Banderas begins displaying psychotic, stalker-like behavior. Banderas professes undying love for Poncela, who continues to moon over Molina. Their increasingly dangerous love triangle is sidestepped with attention given to Poncela's transsexual sister and confidante Carmen Maura (as Tina), a single mom. The gay stalker story in "Law of Desire" was likely more intriguing in decades past - but, Mr. Almodóvar's direction and the extraordinary performances hold up very well.
******* La ley del deseo (2/7/87) Pedro Almodóvar ~ Eusebio Poncela, Antonio Banderas, Carmen Maura, Miguel Molina
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