| Cast overview, first billed only: | |||
| Eusebio Poncela | ... | ||
| Carmen Maura | ... | ||
| Antonio Banderas | ... | ||
| Miguel Molina | ... |
Juan Bermúdez
|
|
| Fernando Guillén | ... |
Inspector de policía
|
|
| Manuela Velasco | ... |
Ada, niña
|
|
| Nacho Martínez | ... |
Doctor Martín
|
|
| Bibiana Fernández | ... |
Ada - madre
(as Bibí Andersen)
|
|
| Helga Liné | ... |
Madre de Antonio
|
|
| Germán Cobos | ... |
El Cura
|
|
|
|
Fernando Guillén Cuervo | ... |
Policía, chico
|
| Marta Fernández Muro | ... |
Una Groupi
|
|
|
|
Lupe Barrado | ... |
Enfermera
|
| Alfonso Vallejo | ... |
Sargento
|
|
|
|
Maruchi León | ... |
Hermana de Juan
|
Pablo and Tina have complicated sexual lives. Pablo writes and directs plays and films; he's gay and deeply in love with Juan, a young man who won't reply to Pablo's affection or letters. Pablo's sibling Tina is a transsexual, angry at men, raising Ada, and trying to make it as an actress. Pablo takes up with Antonio, a youth who becomes jealous of Pablo's love for Juan. Antonio seeks out Juan, and violence leads to Pablo's grief and a temporary loss of memory. When memory returns, he learns that Antonio has taken up with Tina. In horror, he hurries to Tina's rescue and must face Antonio and his desire. Written by <jhailey@hotmail.com>
You will find all the familiar Almodovar devices here: telephones, drug use (cocaine in particular), dysfunctional families, sexual ambiguity, pedophile priests, and hospitals. These themes permeate his work, but they are woven intricately throughout this film.
Pablo (Eusebio Poncela) is a writer/director of fantastic movies. He gets into the snares of an obsessive (Antonio Banderas in a great performance) who has a fatal attraction and will kill for his love. At the same time, he has to deal with his transvestite sister played by Carmen Maura (Volver, Women on the Verge, Matador) in another magnificent role.
It is a melodrama about love as that is the overriding need for Banderas and for Maura, who has given up on men since her father left her. It is also about family. Of course, there is a crossing of genres as there is some comedy, but that is minor.
Another magnificent Almodovar film.