When it appears as though the end is in sight, the pilots, flight crew, and passengers of a plane heading to Mexico City look to forget the anguish of the moment and face the greatest danger, which we carry within ourselves.
A brilliant plastic surgeon, haunted by past tragedies, creates a type of synthetic skin that withstands any kind of damage. His guinea pig: a mysterious and volatile woman who holds the key to his obsession.
Isabel, donna ricca e matura, è ossessionata da un presunto blocco sessuale e cerca di farsi curare dalla giovane psichiatra Ana. Nel frattempo, Antonio, giovane e affascinante, la seduce ... See full summary »
Pablo and Tina have complicated sexual lives. Pablo writes and directs plays and films; he's gay and deeply in love with Juan, a young man who won't reply to Pablo's affection or letters. Pablo's sibling Tina is a transsexual, angry at men, raising Ada, and trying to make it as an actress. Pablo takes up with Antonio, a youth who becomes jealous of Pablo's love for Juan. Antonio seeks out Juan, and violence leads to Pablo's grief and a temporary loss of memory. When memory returns, he learns that Antonio has taken up with Tina. In horror, he hurries to Tina's rescue and must face Antonio and his desire. Written by
The iconic hose scene was shot twice. The first one wasn't useful because the pressure was so big that Carmen Maura fell down. While the crew adjusted the hose, Maura dried herself and changed the dress. The second time the scene was shot perfectly, but Maura had to dub herself because of the water noise. See more »
One of director Almodovars early films--and one of his best. A gay writer is basically stalked by a psychopath. The films manages to weave together comedy, drama and tragedy and make them all work! Also it manages to work in fairly explicit gay sex scenes and male nudity without it being exploitative--it just fits the storyline and characters. The movie takes a serious misstep about halfway through, throwing in a murder, but manages to regain its footing. The acting is pretty good--not great. Antonio Banderas is so-so as the psycho. I give him credit for engaging in gay sex scenes with no hesitation (I'd love to know what he thinks about this movie now!). The best thing about the movie is the direction--even when the story bogs down in spots, there's always something to look at on screen. Almodovar knows how to make films look beautiful and he, somehow, manages to have the settings fit the tone of the scene. How many directors can you say that about. An excellent film--well worth seeing. But if you're offended by explicit gay subject matter, stay away.
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