A woman's lover leaves her, and she tries to contact him to find out why he's left. She confronts his wife and son, who are as clueless as she. Meanwhile her girlfriend is afraid the police... See full summary »
When it appears as though the end is in sight, the pilots, flight crew, and passengers of a plane heading to Mexico City look to forget the anguish of the moment and face the greatest danger, which we carry within ourselves.
Pablo and Tina have complicated sexual lives. Pablo writes and directs plays and films; he's gay and deeply in love with Juan, a young man who won't reply to Pablo's affection or letters. Pablo's sibling Tina is a transsexual, angry at men, raising Ada, and trying to make it as an actress. Pablo takes up with Antonio, a youth who becomes jealous of Pablo's love for Juan. Antonio seeks out Juan, and violence leads to Pablo's grief and a temporary loss of memory. When memory returns, he learns that Antonio has taken up with Tina. In horror, he hurries to Tina's rescue and must face Antonio and his desire. Written by
The iconic hose scene was shot twice. The first one wasn't useful because the pressure was so big that Carmen Maura fell down. While the crew adjusted the hose, Maura dried herself and changed the dress. The second time the scene was shot perfectly, but Maura had to dub herself because of the water noise. See more »
You will find all the familiar Almodovar devices here: telephones, drug use (cocaine in particular), dysfunctional families, sexual ambiguity, pedophile priests, and hospitals. These themes permeate his work, but they are woven intricately throughout this film.
Pablo (Eusebio Poncela) is a writer/director of fantastic movies. He gets into the snares of an obsessive (Antonio Banderas in a great performance) who has a fatal attraction and will kill for his love. At the same time, he has to deal with his transvestite sister played by Carmen Maura (Volver, Women on the Verge, Matador) in another magnificent role.
It is a melodrama about love as that is the overriding need for Banderas and for Maura, who has given up on men since her father left her. It is also about family. Of course, there is a crossing of genres as there is some comedy, but that is minor.
Another magnificent Almodovar film.
8 of 11 people found this review helpful.
Was this review helpful to you?