In a suburb of London, young Jamie is escaping sport hours, to avoid being the victim of his comrades. Young Ste, his neighbor, is beaten by his father, and comes to sleep overnight. They discover new feelings, sleeping in the same bed.
Recent college graduate Benjamin Braddock is trapped into an affair with Mrs. Robinson, who happens to be the wife of his father's business partner and then finds himself falling in love with her daughter, Elaine.
A girl's mother returns after 15 years to find her daughter has married one of her (the mother's) old boyfriends. They try to mend their broken mother/daughter relationship and deal with ... See full summary »
Pablo and Tina have complicated sexual lives. Pablo writes and directs plays and films; he's gay and deeply in love with Juan, a young man who won't reply to Pablo's affection or letters. Pablo's sibling Tina is a transsexual, angry at men, raising Ada, and trying to make it as an actress. Pablo takes up with Antonio, a youth who becomes jealous of Pablo's love for Juan. Antonio seeks out Juan, and violence leads to Pablo's grief and a temporary loss of memory. When memory returns, he learns that Antonio has taken up with Tina. In horror, he hurries to Tina's rescue and must face Antonio and his desire. Written by
The iconic hose scene was shot twice. The first one wasn't useful because the pressure was so big that Carmen Maura fell down. While the crew adjusted the hose, Maura dried herself and changed the dress. The second time the scene was shot perfectly, but Maura had to dub herself because of the water noise. See more »
I saw this film after having seen Bad Education, and there are many plot lines similar in both. I loved this film, not only am I a huge fan of Almodóvar, but in this film, the easy and simple beauty of the shots stood out. The acting was good, not amazing but good, particularly from Pablo and Tina. As well as directing beautifully, Almodóvar knows how to infuse a scene with sex, even if no sex is actually taking place-for example, when Antonio lights his cigarette of Pablo's. The film does become melodramatic towards the end, but I don't see this as a failing, melodrama, if done well, as it is here, need not be ridiculous
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