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Directed by | |||
| Richard Donner | |||
Writing credits | ||
| Shane Black | (written by) | |
Produced by | |||
| Richard Donner | .... | producer | |
| Jennie Lew Tugend | .... | associate producer (as Jennie Lew) | |
| Joel Silver | .... | producer | |
Original Music by | |||
| Eric Clapton | |||
| Michael Kamen | |||
Cinematography by | |||
| Stephen Goldblatt | (director of photography) | ||
Film Editing by | |||
| Stuart Baird | |||
Casting by | |||
| Marion Dougherty | |||
Production Design by | |||
| J. Michael Riva | |||
Set Decoration by | |||
| Marvin March | |||
Costume Design by | |||
| Mary Malin | |||
Makeup Department | |||
| Paul Abascal | .... | hair stylist | |
| Scott H. Eddo | .... | key makeup artist (as Scott Eddo) | |
| Ramsey | .... | hair stylist: Mel Gibson | |
Production Management | |||
| Steve Perry | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Terry Miller | .... | second assistant director (as Terry Miller Jr.) | |
| Benjamin Rosenberg | .... | first assistant director | |
| Willie E. Simmons Jr. | .... | additional second assistant director | |
Art Department | |||
| Eva Anna Bohn | .... | assistant art director (as Eva Bohn) | |
| Mario Castillo | .... | swing gang | |
| Oscar Delgadillo | .... | swing gang | |
| Jack Eberhart | .... | lead person | |
| Joyce Gordon | .... | swing gang | |
| Jaymes Hinkle | .... | stand-by painter (as Jimmie J. Hinkle) | |
| Ron Morales | .... | labor foreman | |
| Erik L. Nelson | .... | property master (as Erik Nelson) | |
| James F. Orendorff | .... | construction foreman (as James Orendorff) | |
| Michael Papac | .... | assistant property master | |
| Virginia L. Randolph | .... | assistant art director | |
| Bob Santaella | .... | swing gang | |
| George Stokes | .... | construction coordinator | |
| Leslie Warren-Smith | .... | art department researcher | |
Special Effects by | |||
| Greg John Callas | .... | special effects | |
| Joe Day | .... | special effects foreman | |
| Chuck Gaspar | .... | special effects coordinator | |
| Elmer Hui | .... | special effects | |
| Thomas Mertz | .... | special effects | |
| Bruce Robles | .... | special effects | |
| Harold Selig | .... | special effects | |
| Jeffrey A. Wischnack | .... | special effects (as Jeff Wischnack) | |
| Dick Wood | .... | special effects (as Richard Wood) | |
Camera and Electrical Department | |||
| Kirk Bales | .... | dolly grip | |
| Richmond G. Cogswell | .... | video assist operator (as Rich Cogswell) | |
| Frank M. Holgate | .... | aerial photographer (as Frank Holgate) | |
| Frank M. Holgate | .... | underwater photographer (as Frank Holgate) | |
| Bill King | .... | electrical best boy | |
| Tim McArdle | .... | rigging gaffer | |
| Geary McLeod | .... | first assistant camera | |
| Ron Peebles | .... | best boy grip | |
| Calmar Roberts | .... | first assistant camera (as Cal Roberts) | |
| Charles Saldana | .... | key grip | |
| John R. Shannon | .... | still photographer | |
| Stephen St. John | .... | panaglide operator | |
| Mike Strong | .... | gaffer | |
| Ronald Vidor | .... | underwater photographer (as Ron Vidor) | |
| Richard Walden | .... | camera operator | |
| Rick Whitesman | .... | second assistant camera | |
| Bess Wiley | .... | second assistant camera | |
| Adam Glick | .... | set lighting technician (uncredited) | |
| Michael Hofstein | .... | additional camera operator (uncredited) | |
| Jeffrey Norvet | .... | additional first assistant camera (uncredited) | |
| Scott Papenfus | .... | camera trainee (uncredited) | |
Costume and Wardrobe Department | |||
| Barry Francis Delaney | .... | costume supervisor (as Barry Delaney) | |
| Dallas D. Dornan | .... | costumer (as Dallas Dornan) | |
| Paki Wolfe | .... | assistant costume designer | |
Editorial Department | |||
| Michael Greenfeld | .... | assistant editor | |
| William J. Meshover | .... | assistant editor (as Billy Meshover) | |
| Bernard Weiser | .... | post-production | |
Music Department | |||
| Bruce Babcock | .... | additional orchestrator | |
| Chris Boardman | .... | additional orchestrator | |
| Christopher Brooks | .... | music editor | |
| Steve Chase | .... | music producer | |
| Robert Fernandez | .... | music recordist: orchestral music (as Bobby Fernandez) | |
| Philip Giffin | .... | additional orchestrator | |
| James Guthrie | .... | music producer | |
| Michael Kamen | .... | conductor | |
| Michael Kamen | .... | music producer | |
| Michael Kamen | .... | orchestrator | |
| David A. Stewart | .... | music producer (as Manu Guiot) | |
| Bruce Babcock | .... | composer: additional music (uncredited) | |
| James Guthrie | .... | composer: additional music (uncredited) | |
| Tommy Johnson | .... | musician: tuba (uncredited) | |
| Michael Kamen | .... | musician (uncredited) | |
| William Ross | .... | orchestrator (uncredited) | |
| David Sanborn | .... | musician (uncredited) | |
Other crew | |||
| Cedric Adams | .... | special technical advisor: 'Capoeira' | |
| Julie Adams | .... | dialogue coach | |
| Gordon Antell | .... | unit runner | |
| Matthew Baer | .... | production office assistant | |
| Rod Bernsen | .... | technical advisor | |
| Allison Caine | .... | additional voice | |
| Lauren B. Caplan | .... | production office assistant (as Lauren Caplan) | |
| Leah Dunatchik | .... | production office assistant | |
| Jan Garner | .... | production accountant | |
| Rorion Gracie | .... | choreographer | |
| Lindsay Hirsch | .... | production office assistant | |
| Laura Hoffman | .... | production secretary | |
| David Israel | .... | location manager | |
| Michael Alan Kahn | .... | unit runner (as Michael Kahn) | |
| George Luis | .... | assistant: Joel Silver | |
| Tom Maslow | .... | unit runner | |
| Alvin Mears | .... | animal trainer | |
| Katherine Ann Moore | .... | unit publicist (as Katherine Moore) | |
| Dennis Newsome | .... | special technical advisor: 'Jail-House-Rock' | |
| John Panzarella | .... | location manager | |
| Michael Papac | .... | armorer | |
| Michael Papac | .... | weapons specialist | |
| Gilbert O. Parra | .... | technical advisor (as Art Fransen) | |
| Jim Porter | .... | first aid | |
| Spencer Quinn | .... | liaison | |
| Jean Paul Riva | .... | production office assistant | |
| Laurie Ryan | .... | assistant: Jennie Lew | |
| Ron Saffold | .... | craft service | |
| Tatum Share | .... | production office assistant | |
| Paula Shaw | .... | location manager | |
| Debby Shively | .... | production office assistant (as Debbie Shively) | |
| Tamara Smith | .... | assistant: Joel Silver | |
| Susan Stern | .... | production office assistant | |
| Michael Thau | .... | associate to producer (as Michael Benjamin Thau) | |
| Elaine K. Thompson | .... | production associate | |
| Marion Tumen | .... | script supervisor | |
| Richard Whitaker | .... | technical advisor | |
| Ellen Wolff | .... | production office assistant | |
| Riley Kathryn Ellis | .... | development executive (uncredited) | |
| Rorion Gracie | .... | special technical advisor: Brazilian Jiu-Jitsu (uncredited) | |
| Lynnanne Zager | .... | dispatcher (uncredited) | |
Thanks | |||
| Dar Robinson | .... | dedicated to the memory of | |
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| Live Free or Die Hard | Lethal Weapon 2 | Bad Boys II | Scarface | The Departed |
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This is not only one of the best cop-buddy movies but it is also by far one of Mel Gibson's best movies. In my opinion it almost matches Braveheart which is by all standards a great movie.
First of all the overall acting in this movie is nothing short of excellent. Especially Mel Gibson portrays the deeply disturbed Martin Riggs with great finesse and his ability to create nuanced characters shines through in this movie. You genuinely feel with him and feel the incredible weight of his wife's death on him. Furthermore one of the things that makes Mel Gibson one of the really great actors in Hollywood is his ability to portray rage. Pure, uncontrolled rage and he certainly lifts the movie a few nudges acting wise. The other lead actor, Danny Glover, is also great in his role as the aging family father and he literally embodies the part of Roger Murtaugh and his line: "I'm too old for this s*h*i*t" has become a legend in the film world. Gary Busey is one of my top 10 screen bad guys. Not because he is an especially talented or great actor but he brings an edge to his character that makes one believe that he is the perfect nemesis for Riggs. Last but not least we have the underused Mitch Ryan (whom we have come to know best in the part of Edward Montgomery in Dharma and Greg) and he also does a great job with the relatively few lines he is given.
In terms of story and interaction between the characters I can only say that it is close to perfection. The meeting between the two main characters is a classic moment and their slowly growing to like each other is also brilliantly done. The on-screen chemistry between the two actors is excellent and I'm tempted to say that they have the best chemistry EVER in film history (perhaps bested only by Anthony Hopkins and Jodie Foster in Silence of the Lambs). In terms of the story the relationship between Riggs and Murtaugh has been weighed more heavily than in the following movies which means that the villains will naturally be less refined than in the following movies and this weighing is very acceptable because the relationship between Riggs and Murtaugh is the carrying element of the movie.
The action in the movie is excellent for an 80s movie. I'll even say that I think that the action in this movie is better than much of the action in movies today because somehow it just seems much more believable in this movie than it does in movies like Die Another Day for example where the action has been amplified so much that it just becomes ridiculous and, lets face it, silly. Most of the action involves Mel Gibson and this works great because he really is one of the greats when it comes to action. He gives the action credibility unlike "actors" like Sylvester Stallone or Steven Segal. You genuinely believe that he could be able to shoot someone with a sniper rifle at a distance of 1 - 2 kilometers.
All in all a movie where basically everything works and is perhaps underrated by the voters of IMDb.
9/10 - watch this movie right now!