When two poor greasers, Johnny, and Ponyboy are assaulted by a vicious gang, the socs, and Johnny kills one of the attackers, tension begins to mount between the two rival gangs, setting off a turbulent chain of events.
Francis Ford Coppola
C. Thomas Howell,
This movie is a stark portrayal of life among a group of heroin addicts who hang out in "Needle Park" in New York City. Played against this setting is a low-key love story between Bobby, a ... See full summary »
Spike Lee's take on the "Son of Sam" murders in New York City during the summer of 1977 centering on the residents of an Italian-American South Bronx neighborhood who live in fear and distrust of one another.
Clay, an eighteen-year-old freshman, comes back from his first term at a college in New Hampshire to spend his Christmas vacation with his broken-up wealthy family in Los Angeles. His former girlfriend, Blair, is now involved with his ex-best-friend, Julian. She warns Clay that Julian needs help: he is using a lot of cocaine and has huge debts. What follows is a look at the youth culture of wealthy post adolescents in Beverly Hills with a strong anti-drug message. Apart from the setting and the names, the film has very little to do with Bret Easton Ellis's book by the same title on which it was based. Written by
Jeroen van Bree <J.vBree@kub.nl>
Both the book and film of Less Than Zero (1987) and its reported sequel, titled Imperial Bedrooms, are named from an Elvis Costello song and album respectively. "Less Than Zero" is the first single off of the "My Aim is True" (1977) album whilst "Imperial Bedroom" is the name of Costello's 1982 album. See more »
At the cemetery, Clay tells Blair a story which starts: "I remember when Julian's mother died. We were five." Though earlier in the film, Julian and Clay share a drink over ten years of friendship. See more »
This is not recess. Everyone is accountable.
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Performed by The Cult
Words & Music by Ian Astbury (as Ian Robert Astbury) & Billy Duffy (as William Henry Duffy)
Courtesy of Sire Records by arrangement with Warner Special Products/Beggars Banquet Records See more »
"Less Than Zero" was one of my favorite novels of all time, combining a "Catcher in the Rye" for the excessive L.A. in the '80's sorta mentality. Unfortunately this film was in production during the very height of the "just say no to drugs" Nancy Reagan campaign. I remember reading in the L.A. Times how the producers were stating that they changed the character Clay to an avid anti-drug crusading hero instead of the bisexual, morally confused coked-out protagonist Ellis' novel made him out to be.
What a waste. This movie is ridiculous, containing absolutely none of the ambience of the novel. Instead we get stupid visuals (a party with 20 TVs all stacked up on one another, an idiotic fight at a party in Palm Springs with beautiful coked-out people looking on), that lend little to promote the plot. Essential characters from the novel (like Trent) that could have helped explain the relationships are missing. It's almost as if the screenwriters intentionally tried to make this movie as illogical as possible.
I met Ellis' sister once. She told me that Bret was so embarrassed by what they did to his film that he refused to go to the premiere. Can anyone blame him?
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