7 items from 2017
UK industry veteran Terry Glinwood has died aged 82 following complications from surgery for a minor complaint.
Glinwood’s career spanned fifty years as a producer and sales executive during which time he worked closely with some of the European industry’s leading figures.
In the 1970’s he would work closely with fellow-producers Ned Sherrin and Beryl Vertue and director Bob Kellett on a string of UK comedies including Up Pompeii and The Alf Garnett Saga as well with UK producer John Heyman and Grease and Saturday Night Fever producer Robert Stigwood.
In the same decade Glinwood struck up a fertile collaboration with Rpc boss Jeremy Thomas for whom he would work in a sales and financing capacity on Merry Christmas Mr. Lawrence, The Last Emperor and [link »
- firstname.lastname@example.org (Andreas Wiseman)
23 February 2017 6:00 AM, PST | The Hollywood Reporter - Movie News | See recent The Hollywood Reporter - Movie News news »
Only seven films in Oscars history have won more than eight trophies: Gigi (1958), The Last Emperor (1987) and The English Patient (1996) won nine; West Side Story (1961) won 10; and Ben-Hur (1959), Titanic (1997) and The Lord of the Rings: The Return of the King (2003) won 11.
Will La La Land be the fourth film to win more than 10? In part one of my mathematical Oscar predictions, my model predicted that the musical would win for best picture, director and actress, but narrowly lose best original screenplay and actor, both to Manchester by the »
- Ben Zauzmer
Prior to 1999, the British Academy Film and Television Awards were seen as the poor, but perfectly respectable, country cousin of their high-wattage American brethren. There were a number of reasons for this, chief among them the four-month time lag between U.S. and U.K. release dates, which saw a bizarre hike in prestige releases during April, when the BAFTA ceremony was traditionally held.
Until 1997, the event also included an extensive roll of television awards, which made for a long night, with the top film awards inevitably going to the same films honored by the Academy of Motion Picture Arts and Sciences two months earlier. The BAFTAs felt stale.
In 1999, however, the BAFTAs stepped up the glamour offensive. Elizabeth Taylor was honored with a BAFTA fellowship, presented by Michael Caine, while the likes of Gwyneth Paltrow, Cate Blanchett, and Christina Ricci walked the red carpet outside North London’s dowdy Business Design Centre. »
- Damon Wise
This past weekend, the American Society of Cinematographers awarded Greig Fraser for his contribution to Lion as last year’s greatest accomplishment in the field. Of course, his achievement was just a small sampling of the fantastic work from directors of photography, but it did give us a stronger hint at what may be the winner on Oscar night. Ahead of the ceremony, we have a new video compilation that honors all the past winners in the category at the Academy Awards
Created by Burger Fiction, it spans the stunning silent landmark Sunrise: A Song of Two Humans all the way up to the end of Emmanuel Lubezki‘s three-peat win for The Revenant. Aside from the advancements in color and aspect ration, it’s a thrill to see some of cinema’s most iconic shots side-by-side. However, the best way to experience the evolution of the craft is by »
- Jordan Raup
Tim Sutton is a filmmaker with a distinct visual style, which he brings into the heart of the gun control debate with Dark Night, an entrancing, terrifying exploration of the moments before a horrible event. Following multiple characters living in a Florida town, Sutton paints an American portrait that feels doubly relevant following last year’s election and everything that’s come since. The Film Stage had an earnest conversation with the writer/director about the the business of indie film, how politics affect art and how one casts a film so it feels authentic to the story being told.
The Film Stage: When you jump into a project like this, what’s the research process like?
Tim Sutton: So, research-wise I really tried to limit myself. People have asked if I’ve talked to a lot of people in Aurora or in Denver, and I did not. The work is purely fiction, »
- Dan Mecca
By: Carson Blackwelder
With the dust settling after the big reveal of the nominations for the 2017 Academy Awards, there’s one film with a very uncertain future: Arrival. Yes, the film was nominated for best picture as well as garnered attention in a slew of other categories, but it was noticeably overlooked in one major area. We are, of course, talking about Amy Adams not being nominated for best actress. How does not having any acting nominations had an effect on a film’s chances at winning best picture in Oscar history?
Heading into the big show, Arrival has eight shots at taking home a trophy. Here are the categories the Denis Villeneuve-directed flick is nominated for: best picture, best director, best adapted screenplay, best cinematography, best film editing, best production design, best sound mixing, and best sound editing. What we »
- Carson Blackwelder
Brett Ratner loves cinema. When speaking with the 47-year-old filmmaker, it’s abundantly clear that movies are unspooling through his veins, and if our discussions felt more like two movie buffs just enjoying great conversation, it’s because of his general enthusiasm for the medium.
“It was always my dream to direct movies,” he says, rarely pausing for a breath. “I always knew I’d do it. I had the drive and the desire. I was determined. But I never knew I’d be making movies of this size, stuff like the ‘Rush Hour’ films and ‘X-Men’ and ‘Red Dragon.’ When I was in film school, I knew I wanted to make entertaining movies. But I don’t think I could have prepared for how fast my rise would be. I was 26 when I got my first film.”
But it was before he’d set foot on a movie set »
- Nick Clement
7 items from 2017
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