Ted Kramer's wife leaves her husband, allowing for a lost bond to be rediscovered between Ted and his son, Billy. But a heated custody battle ensues over the divorced couple's son, deepening the wounds left by the separation.
Gandhi's character is fully explained as a man of nonviolence. Through his patience, he is able to drive the British out of the subcontinent. And the stubborn nature of Jinnah and his commitment towards Pakistan is portrayed.
This sweeping account of the life of Pu-Yi, the last emperor of China, follows the leader's tumultuous reign. After being captured by the Red Army as a war criminal in 1950, Pu-Yi recalls his childhood from prison. He remembers his lavish youth in the Forbidden City, where he was afforded every luxury but unfortunately sheltered from the outside world and complex political situation surrounding him. As revolution sweeps through China, the world Pu-Yi knew is dramatically upended. Written by
According to director of photography Vittorio Storaro in Visions of Light (1992), he used the phases of light to represent different stages of the emperor's life. Red, the color of the blood that starts the flashback and the opening doors it cuts to, represents birth. Orange is the warm color of his family and the forbidden city. Yellow is the color of the emperor's identity and the sun. Green, the color of the tutor's bike and hat, represents knowledge. The forbidden city only has the first three colors because it is a limited portion of reality. See more »
At the time when he next sees his mother, Pu Yi says, "My mother has not seen me for seven years." That would make the year 1915, but it is wrong. He should say, "My mother has not seen me for four years," which makes the year 1912. In the spring of 1912, the new republican government divided the Forbidden City by constructing a wall, thus restricting the emperor's domain. Assuming that it is that dividing wall on which Pu Yi and Pu Chieh climb, one must reasonably assume that, since the wall is clearly under construction, the date is mid-1912 at the latest. If so, then Pu Yi has just turned six, not eight, and has been separated from his family for four years, not seven. See more »
This is somewhat long and generally lacking in excitement, but it's beautifully filmed and it serves as a fascinating look at the life of Pu Yi - the last Emperor of China, who came to the throne in 1908 when he was three years old, and finally died in 1967 as a gardener in Communist China, after serving 10 years in a PRC prison being ideologically "re- educated." Much of the story is told in flash-backs taken from his interrogation by Communist officials in the PRC prison. Much attention is paid to Reginald Johnston's book "Twilight in the Forbidden City." Johnston (played in the movie by Peter O'Toole) was Pu Yi's Scottish tutor.
John Lone's performance as Pu Yi was very good. Not surprising perhaps for someone who became an emperor at such a young age, Pu Yi is depicted as one who is used to comfort and used to having his way - a characteristic he seems to have retained for most of his life, although he doesn't really come across as bad or arrogant; just as someone who never learned how to care for himself or treat others as equals. I suppose it would be hard to expect a child who was treated almost like a god from the age of 3 to grow up psychologically well adjusted. He was actually overthrown not much more than a decade after coming to the throne but I appreciated learning that although he abdicated when the Nationalist revolution took place, he retained his title and it seems as though the Forbidden City remained his "Empire." He continued to rule this little enclave within Beijing, much as the Pope rules a little enclave within Rome. That was very interesting.
There was a lot of attention to Pu Yi's accession as "Emperor of Manchukuo" in 1934. He became a puppet of the Japanese, who placed him on the throne to give Manchukuo a semblance of credibility but no freedom, was captured by the Soviets at the end of the war, and finally handed over to PRC officials in 1950, his transfer to Chinese authority being where the movie begins.
Near the end of the movie there's a truly fascinating scene depicting a small portion of the work of Mao's "Red Guards" during the so-called Cultural Revolution that was quite sobering. I was disappointed, though, with the way this ended. It chose to conclude on a sort of fantasy scene, where Pu Yi returns to the Forbidden City. I suppose it was meant as a way of saying that at his death he returned home, but I found it a weak ending rather than a heartwarming one, perhaps because while his life was interesting, I can't say that I developed any warm feelings or sympathy for Pu Yi by watching this.
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