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The Last Emperor (1987)

PG-13  |   |  Biography, Drama, History  |  15 April 1988 (USA)
7.8
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Ratings: 7.8/10 from 64,546 users   Metascore: 76/100
Reviews: 131 user | 74 critic | 15 from Metacritic.com

The story of the final Emperor of China.

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(screenplay), (screenplay), 2 more credits »
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Title: The Last Emperor (1987)

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Won 9 Oscars. Another 45 wins & 13 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Ruocheng Ying ...
The Governor (as Ying Ruocheng)
...
Dennis Dun ...
...
Maggie Han ...
...
...
Wen Hsiu (as Wu Jun Mei)
...
Chang (as Cary Hiroyuki Tagawa)
Jade Go ...
Fumihiko Ikeda ...
Richard Vuu ...
Tsou Tijger ...
Pu Yi - 8 Years (as Tijger Tsou)
Edit

Storyline

A dramatic history of Pu Yi, the last of the Emperors of China, from his lofty birth and brief reign in the Forbidden City, the object of worship by half a billion people; through his abdication, his decline and dissolute lifestyle; his exploitation by the invading Japanese, and finally to his obscure existence as just another peasant worker in the People's Republic. Written by Martin H. Booda <booda@datasync.com>

Plot Summary | Plot Synopsis

Taglines:

He was the Lord of Ten Thousand Years, the absolute monarch of China. He was born to rule a world of ancient tradition. Nothing prepared him for our world of change.


Certificate:

PG-13 | See all certifications »

Parents Guide:

 »
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Details

Country:

| | |

Language:

| | |

Release Date:

15 April 1988 (USA)  »

Also Known As:

El último emperador  »

Filming Locations:

 »

Box Office

Budget:

$23,000,000 (estimated)

Opening Weekend:

$21,105 (USA) (27 November 1998)

Gross:

$43,984,230 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (television)

Sound Mix:

(35 mm prints)| (70 mm prints)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

This was the first western film made in and about the country to be produced with full Chinese government cooperation since 1949. See more »

Goofs

In the Director's Cut, just before Pu Yi cuts his hair in 1924, the consorts are dancing to a violin playing "Ol' Man River" from the musical "Showboat", first performed in 1927. See more »

Quotes

The Governor: [bidding farewell to Pu Yi as he is released from reform camp] You see, I will end up living in prison longer than you!
See more »

Connections

Referenced in Clerks (1994) See more »

Soundtracks

Auld Lang Syne
(uncredited)
Traditional Scottish ballad
In the score when Johnston says farewell to Pu Yi
See more »

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User Reviews

Long and well worth every moment
12 May 2003 | by (United States) – See all my reviews

The last Emperor of China, Pu Yi, we now understand, was never anything more than a puppet. He wielded absolute power within his real realm -- a gilded cage of a palace -- but could never shape events except for tragedy to himself or to others.

We see his life as one unlikely person, the one person that one would have most expect to have been insulated, in a gigantic tragedy -- that of China between the chaotic beginning of what might have been a long reign and the destructive Cultural Revolution of Mao, with coups, warlord rule, World War II, and the Marxist Revolution culminating in the rise of Mao. One recognizes that the pathologies of imperial China never truly died, but merely took new forms in the cult of the Leader. That the scenery is beautiful and hedonism among elites is rife hardly conceals the fact that China was a political Hell.

Pu Yi, once the Emperor of the great (but decrepit) Chinese Empire, becomes Emperor of the Forbidden Palace in 1912 before he is expelled in one of many violent revolutions (this one in 1925) in China. We see him doing a few things right, like reforming the Palace bureaucracy from a den of thieves into something honorable. He gets a superb adviser in Reginald Johnston, who gave him the confidence to be a political figure -- even a good one -- in the happiest time of his life. Johnston leaves as Pu Yi is expelled from the Palace, and eventually falls under the spell of the Japanese, who rip Manchuria from China and find someone willing to rule it in an enlightened manner -- himself. The Prime Minister of his choosing is killed, and Pu Yi becomes a puppet ruler of a contemptible entity. It's just like the old days, only the intriguers are worse -- far worse. The decrepitude of the system sets in at the first moment. As Emperor he can only accede to what his Japanese overlords demand.

At the end of the war he is arrested by the Soviets because he dallies too long on unfinished business -- and after the 1949 Revolution he is sent back to China as a war criminal and traitor. Rather than being executed (as one might expect) he is sent to prison as a convict.

As a prisoner he is incarcerated with some of his former underlings -- war criminals of the Manchukuo puppet state -- who have learned to ape the ideology of their captors, and he runs afoul of those 'fellow' inmates. Ex-fascists make the most fervent communists. All in all, he simplifies and becomes a very ordinary man in a society that punished anyone who challenged anything that the regime didn't want people to challenge.

Pure puppet? Not quite. A dupe who never left when the going was good -- if the going was ever good -- and that is exactly what the Imperial role made him. In childhood the ruler of the greatest empire (in population size, that is) on Earth -- in a premature old age, a cipher. Then again, what else did most Chinese ever become in China during the first two thirds of the 20th century become -- ciphers, old before their time, wrecks of no fault of their own, just to survive.


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