Ted Kramer's wife leaves her husband, allowing for a lost bond to be rediscovered between Ted and his son, Billy. But a heated custody battle ensues over the divorced couple's son, deepening the wounds left by the separation.
A dramatic history of Pu Yi, the last of the Emperors of China, from his lofty birth and brief reign in the Forbidden City, the object of worship by half a billion people; through his abdication, his decline and dissolute lifestyle; his exploitation by the invading Japanese, and finally to his obscure existence as just another peasant worker in the People's Republic. Written by
Martin H. Booda <email@example.com>
Security was so tight around the shoot, that when, one day, Peter O'Toole forgot his pass, he was denied entrance to the set. See more »
When Johnston is about to board a ship to England in 1931, a ticket office window is seen in the background with opening and closing times given in simplified Chinese characters. China only switched to simplified characters after the Communists came to power in 1949, with a drive to improve literacy. At the time this scene takes place, traditional full-form characters would have been used. See more »
This to me was a very powerful movie, I loved the story, and the final outcome was how it should be. Somehow we believe that Kings, Queens, Emperors etc are entitled to their power, that somehow they deserve it. This is how this emperor saw himself, he believed he was better, and above the average person, his sense of entitlement and view of reality was so perverted, that he did everything possible to retain and regain his position in life. However from the day he entered the palace he was a pawn, powerless to act, yet he never sees this. Maybe we don't all understand his re-education, but this is what makes the ending so great. There is a fantastic moral to this story. A beautiful story, sad, moving, and somehow, strangely uplifting. Highly recommended. 9/10
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