A dramatic history of Pu Yi, the last of the Emperors of China, from his lofty birth and brief reign in the Forbidden City, the object of worship by half a billion people; through his abdication, his decline and dissolute lifestyle; his exploitation by the invading Japanese, and finally to his obscure existence as just another peasant worker in the People's Republic. Written by
Martin H. Booda <firstname.lastname@example.org>
The Buddhist lamas who appear in the film could not be touched by women, so extra male wardrobe helpers were hired to dress them. See more »
When Johnston and Henry Pu-yi say "farewell" to each other and as the musicians appear and follow Johnston, reflections are visible in such a way that indicate that the scene was actually shot through the glass of a pre-existing structure. The reflections are not consistent with anything else in the shot. See more »
Pu Yi, at 15:
[in heavily accented English]
I know that you know that I know that you know that that is a dialogue between Confucius and Chuang Tzu.
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This to me was a very powerful movie, I loved the story, and the final outcome was how it should be. Somehow we believe that Kings, Queens, Emperors etc are entitled to their power, that somehow they deserve it. This is how this emperor saw himself, he believed he was better, and above the average person, his sense of entitlement and view of reality was so perverted, that he did everything possible to retain and regain his position in life. However from the day he entered the palace he was a pawn, powerless to act, yet he never sees this. Maybe we don't all understand his re-education, but this is what makes the ending so great. There is a fantastic moral to this story. A beautiful story, sad, moving, and somehow, strangely uplifting. Highly recommended. 9/10
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