A kind of musical accompanying the story of the early 1940's and the effect that the "zoot suit" (a man's suit of long jacket and pegged pants, always worn with a long keychain that looped ... See full summary »
Edward James Olmos,
Biography of 1950s rock singer Ritchie Valens, the first Hispanic rock star, covering his career and the aftermath of his death in a plane crash. Included is footage from his performances and interviews with friends, family and colleagues.
This is the true story of Ritchie Valens, a young rock and roll singer who tragically died in a plane crash at age 17. The film follows Ritchie from his days in Pacoima, California where he and his family make a meager living working on farms to his rise as a star. The film also focuses on Ritchie's friendship and rivalry with his older brother Bob Morales and his relationship with Donna Ludwig, his girlfriend. Written by
Mattias Pettersson <firstname.lastname@example.org>
At the first family party, the old lady sitting by Ritchie and the man is Ritchie Valens' mother, Connie Valenzuela. She died on October 18, 1987 at the age of 72, only three months after the film's release. See more »
When Ritchie is showing his mother the new house, the shadows are halfway up the walls. When Bob pulls into the driveway with his two sisters, the shadows are totally gone. And when Ritchie opens the door into the house the shadows are there again. See more »
The life and times of Richie Valens, and well made to say the least. Lou Diamond Phillips really showed a lot of promise in this film, but poor choices later in his career hurt his rep in Hollywood. Nonetheless, this film is quite an achievement in regards to portraying a rock idol (which was far better than the dull Buddy Holly Story). What really made this film was the relationship between Phillips and Esai Morales. Never has a brotherly dynamic been portrayed so fluidly, displaying the sweet and sour sides of the two growing up. With the help of a great soundtrack, I really felt this film has a spirit which isn't displayed in biographies anymore. Nowadays, most films try too hard to show the downside, which is what this tried not to do. 7.5/10
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