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Le petit amour (1988)
"Kung-fu master!" (original title)

 -  Drama  -  November 1989 (USA)
6.9
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Ratings: 6.9/10 from 362 users  
Reviews: 5 user | 2 critic

Mary-Jane asks, "Do all women fall in love with a boy, or just those without sons?" She's divorced with two daughters, Lucy and Loulou. Lucy has a party where Mary-Jane notices Julien, 14, ... See full summary »

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Title: Le petit amour (1988)

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Cast

Cast overview, first billed only:
...
Mary-Jane
...
Julien
...
Lucy
Lou Doillon ...
Lou
Gary Chekchak ...
Un jeune
Cyril Houplain ...
Un jeune
Frank Laurent ...
Un jeune
Aurélien Hermant ...
Un jeune
Jérémie Luntz ...
Un jeune
Thomas Bensaïd ...
Un jeune
Pénélope Pourriat ...
Une jeune
Ninon Vinsonneau ...
Une jeune
Bégonia Leis ...
Une jeune
Eva Simonet ...
L'amie
Judy Campbell ...
La mère
Edit

Storyline

Mary-Jane asks, "Do all women fall in love with a boy, or just those without sons?" She's divorced with two daughters, Lucy and Loulou. Lucy has a party where Mary-Jane notices Julien, 14, small and brassy, but she sees a sensitive side. She contrives to spend time with him and lets him know she's available to him. He's on the cusp between child and man, alternating between playing a video game, Kung Fu Master, where he tries to rescue Sylvie, and joining friends in bluff talk about sexual exploits. As Lucy realizes what is happening, she's repulsed, but Mary-Jane, encouraged by her own mother, carries on. Is it love or jealousy of lost youth? Is there any way this can end well? Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

He was 15. She was 40. Love is where you find it.

Genres:

Drama

Certificate:

R | See all certifications »
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Details

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Release Date:

November 1989 (USA)  »

Also Known As:

Le petit amour  »

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Written and Performed by P.I.L.
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User Reviews

 
not unlike Lolita in reverse
30 November 2010 | by (United States) – See all my reviews

There's a good reason why the English language title for Agnes Varda's new film was borrowed from a video arcade game. Beyond the obvious metaphor of the game itself it spells out very clearly the lack of pretension in Varda's story of a forty-year old housewife who falls in love with a fourteen-year old schoolboy. On its surface the film is about an older woman recapturing the passions of youth, and a young boy's awkward reaching out toward maturity. But underneath is a thoughtful look at the erosion of old-fashioned romantic ideals in an age of safe sex and AIDS awareness, a fact Varda gracefully acknowledges in the final, chilling scene, which (in a subtle way) shows the darkest side of adolescent peer pressure. It's a quiet, undemonstrative drama; Varda has a poet's sense of how much to say and how much to leave unsaid, and the few remaining words she leaves in the capable hands of a first-rate cast. In a daring casting decision the director's own son handles the role of the teen lover, and with surprising skill for a kid his age.


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