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King Lear (1987)
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Overview
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Director:
Writer:
Release Date:
3 April 2002 (France)
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Tagline:
Fear and Loathing. A Study. An Approach. A Clearing. No Thing more
Plot:
Everything returns to normal after Chernobyl. That is, everything but art. Most of the great works are lost...
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(3 articles)
Summer Preview: Repertory Calendar for the Coasts
(From IFC. 5 May 2009, 1:32 PM, PDT)
Freida Pinto cast in first post-"Slumdog" role
(From AfterEllen.com. 24 February 2009, 12:30 PM, PST)
(From IFC. 5 May 2009, 1:32 PM, PDT)
Freida Pinto cast in first post-"Slumdog" role
(From AfterEllen.com. 24 February 2009, 12:30 PM, PST)
User Comments:
A pretentionfest well worth the viewing
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Cast
(Cast)| Woody Allen | ... | Mr. Alien (uncredited) | |
| Freddy Buache | ... | Professor Quentin (uncredited) | |
| Leos Carax | ... | Edgar (uncredited) | |
| Julie Delpy | ... | Virginia (uncredited) | |
| Jean-Luc Godard | ... | Professor Pluggy (uncredited) | |
| Suzanne Lanza | ... | (uncredited) | |
| Kate Mailer | ... | Herself (uncredited) | |
| Norman Mailer | ... | The Great Writer (uncredited) | |
| Burgess Meredith | ... | Don Learo (uncredited) | |
| Michèle Pétin | ... | Journalist (uncredited) | |
| Molly Ringwald | ... | Cordelia (uncredited) | |
| Peter Sellars | ... | William Shaksper Junior the Fifth (uncredited) |
Additional Details
Also Known As:
Jean-Luc Godard's King Lear (USA) (video box title)
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Runtime:
90 min
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Quotes:
The Great Writer:
For words are one thing, and reality, sweet reality, is another thing, and between them is no thing.
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Movie Connections:
Edited into Ten Minutes Older: The Cello (2002)
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This FAQ is empty. Add the first question.more (12 total)
Message Boards
Discuss this movie with other users on IMDb message board for King Lear (1987)| Recent Posts (updated daily) | User |
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| Huh?!? | freewaydog |
| godard and kozintsev | tracyfigueira |
| Don't Bother | cls5832 |
| Peter sellers | MJBell25 |
Recommendations
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The first time I saw this, I really disliked it. Even compared to Godard's other ramblings of the 70's, it was still a little too disparate. But the second time gelled this movie for me and now I truly love this film. It's a wonderful brainstorm about the nature of film and the inherent capacity of art to reform itself. In other words, everything that's being said or will be said has already been said; sounds bleak at first, but it's actually comforting, because then art becomes truly universal and languageless.