Everything returns to normal after Chernobyl. That is, everything but art. Most of the great works are lost, and it is up to people like William Shakespear Junior the Fifth to restore the ... See full summary »
Everything returns to normal after Chernobyl. That is, everything but art. Most of the great works are lost, and it is up to people like William Shakespear Junior the Fifth to restore the lost artwork of the human race. He finds strange goings-on at a resort enough to remind him of all the lines of the play, dealing with mob boss Don Learo and his daughter Cordelia, a strange professor named Jean Luc-Godard (sic), who repeatedly xeroxes his hand for no particular reason. He is followed by four humanoid goblins that keep tormenting Cordelia. There is also the gentleman whose girlfriend, Valerie, isn't always visible. Then the film is sent off to New York for Mr. Alien to edit. Written by
Scott Hutchins <firstname.lastname@example.org>
The first time I saw this, I really disliked it. Even compared to Godard's other ramblings of the 70's, it was still a little too disparate. But the second time gelled this movie for me and now I truly love this film. It's a wonderful brainstorm about the nature of film and the inherent capacity of art to reform itself. In other words, everything that's being said or will be said has already been said; sounds bleak at first, but it's actually comforting, because then art becomes truly universal and languageless.
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