Everything returns to normal after Chernobyl. That is, everything but art. Most of the great works are lost, and it is up to people like William Shakespear Junior the Fifth to restore the ... See full summary »
Carmen is a member of a terrorist gang who falls in love with a young police officer guarding a bank that she and her cohorts try to rob. She leads him on while dragging the two of them ... See full summary »
In this modern retelling of the Virgin birth, Mary is a student who plays basketball and works at her father's petrol station; Joseph is an earnest dropout who drives a cab. The angel ... See full summary »
A symphony in three movements. Things such as a Mediterranean cruise, numerous conversations, in numerous languages, between the passengers, almost all of whom are on holiday... Our Europe.... See full summary »
King Lear, old and tired, divides his kingdom among his daughters, giving great importance to their protestations of love for him. When Cordelia, youngest and most honest, refuses to idly ... See full summary »
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Everything returns to normal after Chernobyl. That is, everything but art. Most of the great works are lost, and it is up to people like William Shakespear Junior the Fifth to restore the lost artwork of the human race. He finds strange goings-on at a resort enough to remind him of all the lines of the play, dealing with mob boss Don Learo and his daughter Cordelia, a strange professor named Jean Luc-Godard (sic), who repeatedly xeroxes his hand for no particular reason. He is followed by four humanoid goblins that keep tormenting Cordelia. There is also the gentleman whose girlfriend, Valerie, isn't always visible. Then the film is sent off to New York for Mr. Alien to edit. Written by
Scott Hutchins <firstname.lastname@example.org>
The original intended aspect ratio of King Lear is full-screen 4:3, as are all of Godard's films by his own stated design. Many DVD releases of Godard's films, including this one, incorrectly matte the image to widescreen (1.85 in this film's case), losing a portion of the image. See more »
The Great Writer:
For words are one thing, and reality, sweet reality, is another thing, and between them is no thing.
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Godard's listless crapfest is a big waste of time. I mean- it's fine if you want to pick one scene from a play and analyse it for an hour and a half; it's fine if you want to do this in an obscure semi-story way that only become the tiniest bit clear after having watched the whole thing.
But when it's constructed as an endurance test, with the director holding the audience in contempt- I mean, why waste your time? (To the end of making your experience as unpleasant as possible, Godard shows up as a "professor", mumbling unintelligible profundities. And then throws piles of squealing seagulls and vari-speeded music onto the soundtrack. Thanks for reminding us that film is a constructed medium, professor!)
There were a couple effective scenes, but they were immediately undermined by what followed. I did think a little about Lear, but more to keep myself occupied than from any theses the film presented.
And a caveat to anyone considering seeing this because the IMDB credits list Woody Allen: don't bother; he's only in the flick for a few minutes at the end and barely says anything.
To review: avoid.
Rating: 3 out of 10 (very poor)
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