Irreverent city engineer Behzad comes to a rural village in Iran to keep vigil for a dying relative. In the meanwhile the film follows his efforts to fit in with the local community and how he changes his own attitudes as a result.
Roushan Karam Elmi
The movie focuses on one of the events in Zendegi Edame Darad (1992), and explores the relationship between the movie director, and the actors. The local actors play a couple who got ... See full summary »
Mohamad Ali Keshavarz,
When an ostrich-rancher focuses on replacing his daughter's hearing aid, which breaks right before crucial exams, everything changes for a struggling rural family in Iran. Karim motorbikes ... See full summary »
Mohammad Amir Naji,
Hamoon's wife is leaving him. He is also unsuccessfully trying to finish his Ph.D. thesis. He is forced to reexamine his life. In a series of flashbacks and dreams, Hamoon tries to figure ... See full summary »
A married couple are faced with a difficult decision - to improve the life of their child by moving to another country or to stay in Iran and look after a deteriorating parent who has Alzheimer's disease.
Amiro is a young boy who has lost his home during the war. He spends his days by working odd jobs, until he realizes that the only way that he can realize his dreams is by enrolling in ... See full summary »
During the Iran-Iraq War, Bashu, a young boy loses his house and all his family. Scared, he sneaks into a truck that is leaving the area. He gets off the truck in the Northern part of the ... See full summary »
Babek Ahmed poor who starred as Ahmed apparently did not die in the 1990 earthquake as Robert Osborne said. He made movies afterwards. Not sure about Mohamed Reda Nematzadeh. He may also still be alive. Per the TCM showing of " The Story of Film: An Odyssey" See more »
What I mean to say is, suppose the kid did nothing wrong. What would you do? What then?
I'd find an excuse and give him a beating every other week. So he wouldn't forget.
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Kiarostami's best film - and a great introduction to his work
I believe that the recent movies of Iranian director Abbas Kiarostami have been hugely overrated (in the rarefied world of art movie criticism), but this 1987 movie is a genuine gem. A transition between his early didactic shorts and his later full blown (and somewhat pretentious) art movies, this was one of the first Iranian movies to receive some notice in the west, at least in the film festival circuit. It tells a deceptively simple story: a boy has mistakenly taken home another schoolboy's notebook. Fearing the other child will be severely punished at school the following day if he doesn't bring to class the home assignment completed, he decides to go to his house to return the item. The problem is he doesn't known where he exactly lives, so a small odyssey to finds him starts. The boys live in a fascinating mountain village, with very narrow streets, and stone houses. That village was destroyed by an earthquake a few years later, and reportedly the young actors playing the two main characters were killed in it. Kiarostami tells a fictionalized story of a film director searching for the young actors after the earthquake in his 1992's And Life Goes On. Knowing their sad fate makes this film even more moving. And as in many Kiarostami movies, the final scene is a knock out.
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