Irreverent city engineer Behzad comes to a rural village in Iran to keep vigil for a dying relative. In the meanwhile the film follows his efforts to fit in with the local community and how he changes his own attitudes as a result.
Roushan Karam Elmi
The movie focuses on one of the events in Zendegi Edame Darad (1992), and explores the relationship between the movie director, and the actors. The local actors play a couple who got ... See full summary »
Mohamad Ali Keshavarz,
When an ostrich-rancher focuses on replacing his daughter's hearing aid, which breaks right before crucial exams, everything changes for a struggling rural family in Iran. Karim motorbikes ... See full summary »
Mohammad Amir Naji,
Hamoon's wife is leaving him. He is also unsuccessfully trying to finish his Ph.D. thesis. He is forced to reexamine his life. In a series of flashbacks and dreams, Hamoon tries to figure ... See full summary »
A married couple are faced with a difficult decision - to improve the life of their child by moving to another country or to stay in Iran and look after a deteriorating parent who has Alzheimer's disease.
Amiro is a young boy who has lost his home during the war. He spends his days by working odd jobs, until he realizes that the only way that he can realize his dreams is by enrolling in ... See full summary »
During the Iran-Iraq War, Bashu, a young boy loses his house and all his family. Scared, he sneaks into a truck that is leaving the area. He gets off the truck in the Northern part of the ... See full summary »
Babek Ahmed poor who starred as Ahmed apparently did not die in the 1990 earthquake as Robert Osborne said. He made movies afterwards. Not sure about Mohamed Reda Nematzadeh. He may also still be alive. Per the TCM showing of " The Story of Film: An Odyssey" See more »
What I mean to say is, suppose the kid did nothing wrong. What would you do? What then?
I'd find an excuse and give him a beating every other week. So he wouldn't forget.
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Actually it's hard to find any more words to define this masterpiece than the ones in the title of this review. If you are looking for something that would make you feel like you're reading a classic short story rather than watching a film, then this one is right that film. When you watch a film you have the vision, the sound, the effects, the music; almost nothing's left to your imagination and you watch the film effortlessly. Eventually, the story is misted over. On the other hand, in Khane-ye doust kodjast?, Kiarostami with his fascinating simplicity, takes you deep into a world of childish innocence. Everything from acting to cameras, is full of that precious amateur feeling. You actually feel amazed when you see how well Kiarostami managed to get such natural acting from a cast of all non-professional actors. Each character, each scene is tailored with Kiarostami's masterful observations. The film is so purely simple that, for a second, I even wished we didn't even have the music that plays only in two scenes, though I loved it. I personally believe, it really is a piece of art than a film.
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