Transcripted is just one of many twin stick shooters that has recently been launched on the Nintendo Switch, but it comes with a unique twist that reveals itself during the first few missions. You see, Transcripted is a bit like the videogame version of Innerspace, the 1987 movie featuring Dennis Quaid, Meg Ryan and some other guy (Martin Short).
In Transcripted, players pilot a nanoprobe at a microscopic level and must float around inside samples looking for rogue pathogens. These are returned to the lab for assessment by a friendly AI in order to further human research as instructed by the somewhat questionable Professor Dahl. Dahl has
Announced by Shout Select on Facebook, The ’Burbs Collector's Edition Blu-ray will be released on March 20th, 2018. Although special features have yet to be revealed, Shout Select promises that this Collector's Edition will be brimming with bonus features, so fans can likely look forward to new content not found on previous releases.
You can check out the official announcement and new cover art below, and stay tuned to Daily Dead for more updates. Will you be adding The
In Hi-Lo Joe, everyone loves Joe Ridley, except Joe Ridley. He’s the life and soul of the party on the outside but, inside, a dark depression envelops him and a childhood trauma haunts him. Elly loves him but as their relationship grows, Joe’s inner turmoil slowly becomes uncontrollable, threatening his relationship. Can Joe save himself before he loses everything he loves?
With a breakout performance from new star Matthew Stathers the film co-stars Lizzie Philips, Gethin Anthony (Aquarius, Game of Thrones), Tom Bateman (Murder on the Orient Express, Snatched
Though grosses for these films were unreliably reported, “Texas” appears to have done the best. Its reported $30 million domestic take (adjusted, around $140 million today) was at least 100 times its budget (also a guess, though some reports have it as high as $300,000 in 1974 value). Producers recouped costs and little else from distributor Bryanston (best known for the Andy Warhol and Paul Morrissey’s “Frankenstein” and “Dracula” movies, as well as taking over distribution of “Deep Throat”).
Like Romero and Craven, the hit boosted Hooper’s career. But unlike his peers, Hooper struggled to establish his brand after “Texas.
On May 9, the Oscar- and Emmy-winning composer of such classics as “Chinatown,” “Planet of the Apes,” “Patton” and dozens more will receive his star, posthumously, on Hollywood Boulevard just east of Highland Avenue. Goldsmith died in 2004.
Dante, for whom Goldsmith scored “Gremlins,” “Explorers,” “Innerspace” and other films, cited “his brilliance and versatility. Any film he scored was automatically improved tenfold.”
Few filmmakers would disagree. Paul Verhoeven, who did “Total Recall,” “Basic Instinct” and “Hollow Man” with Goldsmith, recalls: “Every film was a new adventure, as Jerry was able to adapt to the most diverse narratives and styles. He never repeated himself, always looking for new,
Back on screens and in fine form Supergirl Season Two gives us a Silicon Valley bad boy with seemingly nefarious intentions barely out of Pampers. He may be the head of a global brand but Jack Spheer, played by iZombie’s Rahul Kohli is smooth, intelligent and media friendly enough to slot right into National City. Similar to other high functioning entrepreneurs who populate this town, he has the latest medical breakthrough at his finger tips and a romantic back history with power player Lena Luthor. Something which opens up the episode and gives our shady Bff to Kara Danvers a little more substance.
What Katie McGrath has done with Lena Luthor within the confines of Season Two should not be overlooked. Not only has she grounded a comic book character within the limited forty minute screen time,
The 80’s mark a special period in cinema for me. It’s predominantly an age thing. I grew up throughout the 80’s, soaking in some fantastic films. It was a rising golden age of blockbusters which took the foundations of what guys like Spielberg and Lucas launched in the late 70’s, as that stark, gritty and dramatically challenging output that delivered some of the best films of all time (The Godfather and more), gave way to more crowd pleasing, optimistic fare. The cinematic landscape went from the likes of The French Connection, The Conversation, and Chinatown to the more light-hearted Star Wars or Jaws.
As blockbusters swarmed the cinemas and multiplexes began spreading, audiences demanded entertainment. That trend has carried on and intensified and it’s truer than ever in these days of Marvel adaptations. The 80’s got me into cinema. That passion
Good god, it’s been what seems like a lifetime since I last saw Pure Luck. I’m not even sure it previously made the leap from VHS, where I first saw it back in the early 90s, to DVD here in the UK. Back when the film was first released both Danny Glover and Martin Short could do no wrong. Glover was riding high off the success of the Lethal Weapon franchise, scoring lead roles in Predator 2 and Flight of the Intruder; whilst Short had scored back-to-back hits with Innerspace and Three Fugitives… Well I say do no wrong, but maybe that should have read “could have” done no wrong, given the bad reception afforded this comedy…
Comedy in the early 90s was
Innerspace didn't do massive business in the 80s, but Joe Dante's sci-fi comedy is an underrated classic of its kind, Ryan writes...
Innerspace should've been a contender. Released in the summer of 1987, it appeared to have everything going for it: Steven Spielberg on the poster, the guy who made Gremlins as director, and a fun concept which involved miniaturisation, an ex-pilot and a hypochondriac. Yet when Innerspace made its theatrical debut on the 1st July, it was met with surprising indifference - American audiences, it seemed, were more drawn to the comedy Adventures In Babysitting, released that very same day.
See related Nintendo Switch, and why sales don’t make a great console
In 2010, we spoke to director Joe Dante about Innerspace's fate, and he still seemed frustrated about the way its release was handled back in 87. "The ad campaign was so terrible for that movie,
The 1980s Batman movie you never saw could have had Joe Dante in the director's chair - and John Lithgow as The Joker...
Tom Mankiewicz's Batman sceenplay is one of the more interesting unmade superhero movies of all time. The man who gave Superman: The Movie's legendarily difficult early drafts the polish that helped make it the timeless classic that it is (and who also wrote, co-wrote, or re-wrote the screenplays for James Bond adventures like Live And Let Die, Diamonds Are Forever, and The Spy Who Loved Me) took a pass at Batman in the early 1980s, and one of the possibilities to direct it? That'd be Joe Dante (The Howling, Gremlins, Innerspace and more films that we love).
Dante passed on the movie, and it took several more years to actually get Batman to the big screen, by which point the project had
That’s the pitch for Joe Dante’s 1987 film Innerspace, his last collaboration with producer Steven Spielberg until making Small Soldiers for DreamWorks in 1998. Made between his contributions to the outrageous 1986 anthology comedy Amazon Women on the Moon and his darkly comic 1989 movie The ’Burbs, Innerspace could be considered Joe Dante’s most commercial film. Not only did it carry the Spielberg brand, it was also cast with big stars (Dennis Quaid, Martin Short, and Meg Ryan) and boasted impressive, state-of-the-art special effects and a high concept that was sure to bring people out to the theater. And yet, for some reason, the movie was something of a box office disappointment when it was released in the summer of 1987; though the film’s final budget is difficult to pin down,
First off, I have to say that I covered the Mammoth Lakes Film Festival for their first year last year, and I was very excited to see that you were on the list this year.
Joe Dante: What is it like? What should I expect?
Oh, it’s beautiful. The mountains are incredible, the people are beyond friendly, and the programming is amazing. I’m curious , how
Popular character actor William Schallert has died at age 93, having been active in the acting community right up through recent years. Schallert was a familiar face to retro movie and TV fans, even if his name was not as well known. He is remembered by many for playing the harried father of teenage Patty Duke in the 1960s sitcom "The Patty Duke Show". (In a tragic coincidence, Ms. Duke also recently passed away.) Schallert was much beloved by science fiction and horror fans for his appearances in TV series such as "Commander Cody", "Space Patrol", "Men Into Space" and "The Twilight Zone".
Artist Pete Emslie's tribute to Schallert. (For more of Emslie's artistic creations, visit The Cartoon Cave.)
In feature films Schallert appeared in the cult classics "Them!", "The Incredible Shrinking Man", "Colossus: The Forbin Project" as well as the 1983 feature film "Twilight Zone: The Movie
His most memorable role was as beloved TV dad Martin Lane on “The Patty Duke Show” (1963-66). The performance still resonates: TV Guide slotted him at No. 39 on its list of Greatest TV Dads of All Time in 2004.
Schallert would be familiar to many for his memorable appearance on the famous “The Trouble With Tribbles” episode of the original “Star Trek” series: He played Nilz Baris, the agriculture undersecretary who is outraged to discover that the furry, endlessly reproducing aliens have devoured all the grain.
Schallert served as SAG president from 1979-81 and oversaw a three-month strike in 1980 that centered around rates and residuals for pay TV, videocassettes and videodiscs and included a successful boycott of the year’s primetime Emmy Awards.
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