An actor limited to stereotypical roles because of his ethnicity, dreams of making it big as a highly respected performer. As he makes his rounds, the film takes a satiric look at African American actors in Hollywood.
A black detective becomes embroiled in a web of danger while searching for a fortune in missing drug money.During the course of his investigation, he encounters various old connections, ... See full summary »
Keenen Ivory Wayans
Keenen Ivory Wayans,
Charles S. Dutton,
Jada Pinkett Smith
In 1964, a group of high school friends who live on the Near North Side of Chicago enjoy life to the fullest...parties, hanging out, meeting new friends. Then life changes for two of the ... See full summary »
Car Wash is about a close-knit group of employees who one day have all manner of strange visitors coming onto their forecourt, including Richard Pryor as a preaching 'wonder-man' who is ... See full summary »
Based on the novel by Gloria Naylor, which deals with several strong-willed women who live in a rundown housing project on Brewster Place in an unidentified eastern city; across three ... See full summary »
Trying to get his act together, a con artist gets a job in a credit card company. He falls in love with a fellow employee, he steals a couple of cards, everything is going great. But soon, ... See full summary »
Dave Anderson and Manny Durrell are two high-class sneak thieves who have never been caught. Joshua Burke is a retired detective who has enough evidence on the both of them to put them ... See full summary »
James Earl Jones
Bobby Taylor wants to be a respected actor. From Sam Spade to Shakespeare to superheros, he can do it all. He just has to convince Hollywood that gangstas, slaves and "Eddie Murphy-types" aren't the sum of his talents. Written by
Renee Ann Byrd <firstname.lastname@example.org>
In the "Death of a Breakdancer" segment, Robert Townsend's character is a film noir private eye named Sam Ace. This is an obvious reference to Sam Spade, a classic film noir private eye once played by Humphrey Bogart. See more »
At the beginning of "Chicago Jones" movie clip, the girl is bare-legged. At the end, she complains about a run in her stocking. See more »
Body Guard #1:
Don't say "drugs" around the man. And don't say "coke" or "freebase" neither. Unless you got some.
See more »
As a black man and a longtime movie fan, it angered and frustrated me as to how blacks were stereotyped and exploited in Hollywood over the years. This was especially true during the first half of the 80's when I saw talented actor like Larry Fishburne play a hoodlum in DEATH WISH 2, Wesley Snipe play a hoodlum in WILDCATS and Mario Van Peebles play a hoodlum in EXTERMINATOR 2. Of course they've gone on to bigger, and totally unexpected, better things. That's why this satire hit a nerve with me. The one scene that sticks in my mind are the audition scenes where blacks audition for demeaning roles casted by clueless white producers and directors trying to tell blacks to act the way they think blacks should act (ain't that a blip!) and looking for an "Eddie Murphy type". The script, co-written by Townsend and co-star Keenen Ivory Wayans is accurate and on the money. While Wayans has sone on to better things (IN LIVING COLOR, I'M GONNA GIT YOU SUCKA and SCARY MOVIE), Townsend has not been so fortunate (The uneven THE FIVE HEARTBEATS, The lame TV sit-com THE PARENT 'HOOD and the godawful B.A.P.S.). The film also features Helen Martin, Damon Wayans, Anne-Marie Johnson and John Witherspoon. If you a fan of on-target satires, I strongly recommend this movie.
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