The life and times of the Scandinavian artists' colony who lived in Skagen on the Danish coast during the 1890s. Not so much a biographical account, rather a portrait of a way of life. The ... See full summary »
In desperation brought on by near-starvation, Helge Roos kills his master's ox and feeds it to his wife and baby daughter. No-one suspects anything until the meat is finished and Helge ... See full summary »
John and Carl have a small publishing company. One day John meets the poet Clara who recently made her debut, and Clara's fiancé Stig. John and Clara fall in love with each other, and she ... See full summary »
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In 1929, the film follows the six-year old son of a Swedish country doctor. Åke lives with his parents and his sister Aja in a small provincial town. His best friend is Kalle Nubb. Åke is ... See full summary »
Viveca er 31 skilt, og har en sønn på 6 år. Hun og venninnen Aud har forlatt det hektiske hverdagslivet og flyttet sammen med bohemer og halvkunstnere. Vi følger disse to kvinnene i fem ... See full summary »
Eli Anne Linnestad
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Blackpool, a dancing contest, a dead woman. This is the opening scene of this movie, which then continues by telling us the story preceding this sad accident - or is it a murder? We will ... See full summary »
The life and times of the Scandinavian artists' colony who lived in Skagen on the Danish coast during the 1890s. Not so much a biographical account, rather a portrait of a way of life. The painters became famous for the way they used the light in their work, and this has also been mirrored in the cinematography. Written by
I gave this movie a two because of Ove Sprogoe and Morton Grundwald. They tickled my Olsen Banden memories. However, the god awful manneristic and iconic approach of this movie was grating to say the least. There are endless scenes where an artist apparently comes across a scene for a painting and we, the audience are meant to be awed and recognize scenes from particular Skagen paintings. How trite.
Another aspect of this movie which granted is debatable is how all the artists somehow hung out with each other all the time. The implied collectivism is unfounded and an aspect of modern Danish culture and certainly not Denmark at the the turn of the century. My experience with artists is that they can bear each other's company for only short intervals unless they are part of a posse of of no-talents (e.g., Andy Warhol's entourage).
Furthermore, the director's use of non-chronological story line is purely random and not used other than to show that he can do it. It certainly does not enhance any aspect of the movie. Although the cinematography is noteworthy it fails to actually capture the light that is unique to Skagen. Presumably this is because the director is busy being clueless.
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