On location in Portugal, a film crew runs out of film while making their own version of Roger Corman's Day the World Ended (1955). The producer is nowhere to be found and director Friedrich... See full summary »
A traveling projection-equipment mechanic works in Western Germany along the East-German border, visiting worn-out film-theatres. He meets up with a depressed young man whose marriage has just broken up, and the two decide to travel together.
After the bankruptcy of their father's stonemasonry firm, brothers Nicola and Andrea emigrate to America to restore their fortunes. After many adventures and near-disasters, they end up in ... See full summary »
Joaquim de Almeida,
After another cardiac arrest, Armand knows he doesn't have long to live. But after more than 70 years in the same house, he doesn't want to die anywhere else. His wife, Rose, has secretly ... See full summary »
Jean Pierre Lefebvre
J. Léo Gagnon,
An ex-convict struggles to survive by brute force alone in a turn-of-the-century slum in Braila. Codine (Alexandre Virgil Platon) is the thug who served 10 years for murdering a friend. He ... See full summary »
Alexandru Virgil Platon,
Visible only to those like them and to human children, Damiel and Cassiel are two angels, who have existed even before humankind. Along with several other angels, they currently wander around West Berlin, generally on their own, observing and preserving life, sometimes trying to provide comfort to the troubled, although those efforts are not always successful. Among those they are currently observing are: the cast and crew of a movie - a detective story set in WWII Nazi Germany - which include a sensitive and perceptive Peter Falk; an elderly man named Homer looking for eternal peace; and the troupe of a financially failing circus, which has closed early for the season because of those financial problems. One day, Damiel tells Cassiel that he wants to become human, to feel not only the sensory aspects of physical beings, but also emotional aspects. He embarks on this thought with the full realization that there is no turning back if he decides to do so. His thoughts are largely ... Written by
All of the black & white sequences were shot through a one-of-a-kind filter made from a stocking that belonged to cinematographer Henri Alekan's grandmother. See more »
The position of the boys' jump-ball changes as Bruno passes by. See more »
[in German, using English subtitles]
When the child was a child, it walked with its arms swinging. It wanted the stream to be a river, the river a torrent, and this puddle to be the sea. When the child was a child, it didn't know it was a child. Everything was full of life, and all life was one. When the child was a child, it had no opinion about anything, no habits. It often sat cross-legged, took off running, had a cowlick in its hair, and didn't make faces when ...
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Dedicated to all the former angels, but especially to Yasujiro, François and Andrej. See more »
The most emotionally and spiritually moving film of all time
A note to those of you who have only seen the bland, woefully wrong-hearted and half-assed "City of Angels", an unnecessary Americanization of this modern classic: this film leaves Nicolas Cage and Meg Ryan in the dust. Co-writer/director Wim Wenders spins a visually stunning tale of angels living in Berlin before the wall came down. As they float through the lives of all they encounter, one of them falls in love with a beautiful and lonely trapeze artist. He soon must choose whether or not it is worth sacrificing the endless grace of being an earth-bound angel to know what it is like to be human, to "see at eye level."
After having seen this film eight times or so, I can safely say that it is my favorite movie of all time. I have to watch it at least once a year and every time I do, I discover a new detail, while still being enchanted by the things that made me love this film in the first place. Although leisurely paced, every scene makes a valuable point about how our lives are touched by divinity every day.
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