| Photos (See all 34 | slideshow) | Videos (see all 4) |
| Andrew Robinson | ... | Larry | |
| Clare Higgins | ... | Julia | |
| Ashley Laurence | ... | Kirsty Cotton | |
| Sean Chapman | ... | Frank | |
| Oliver Smith | ... | Frank the Monster | |
| Robert Hines | ... | Steve | |
| Anthony Allen | ... | 1st Victim | |
| Leon Davis | ... | 2nd Victim | |
| Michael Cassidy | ... | 3rd Victim | |
| Frank Baker | ... | Derelict | |
| Kenneth Nelson | ... | Bill | |
| Gay Baynes | ... | Evelyn | |
| Niall Buggy | ... | Dinner Guest | |
| Dave Atkins | ... | Moving Man 1 | |
| Oliver Parker | ... | Moving Man 2 | |
| Pamela Sholto | ... | Complaining Customer | |
| Doug Bradley | ... | Pinhead the Lead Cenobite | |
| Nicholas Vince | ... | Chattering Cenobite | |
| Simon Bamford | ... | 'Butterball' Cenobite | |
| Grace Kirby | ... | Female Cenobite | |
| Sharon Bower | ... | Nurse | |
| Raul Newney | ... | Doctor |
Directed by | |||
| Clive Barker | |||
Writing credits(in alphabetical order) | ||
| Clive Barker | novel "The Hellbound Heart" (uncredited) | |
| Clive Barker | written by | |
Original Music by | |||
| Christopher Young | (music composed by) | ||
Cinematography by | |||
| Robin Vidgeon | (director of photography) | ||
Film Editing by | |||
| Richard Marden | |||
| Tony Randel | (uncredited) | ||
Casting by | |||
| Sheila Trezise | |||
Production Design by | |||
| Michael Buchanan | (as Mike Buchanan) | ||
Art Direction by | |||
| Jocelyn James | |||
Costume Design by | |||
| Joanna Johnston | |||
Makeup Department | |||
| Nigel Booth | .... | special makeup effects and creature crew | |
| Julian Caldow | .... | special makeup effects and creature crew | |
| Paul Catling | .... | special makeup effects and creature crew | |
| Stuart Conran | .... | special makeup effects and creature crew | |
| Dave Elsey | .... | special makeup effects and creature crew | |
| Richard Glass | .... | standby contact lens optician | |
| Little John | .... | special makeup effects and creature crew | |
| Bob Keen | .... | special makeup effects designer | |
| Dave Keen | .... | special makeup effects and creature crew (as David Keen) | |
| William Petty | .... | special makeup effects and creature crew | |
| Geoffrey Portass | .... | special makeup effects workshop supervisor (as Geoff Portass) | |
| Roy Puddefoot | .... | special makeup effects and creature crew | |
| Jason Reed | .... | special makeup effects and creature crew | |
| Ian Rolph | .... | special makeup effects and creature crew | |
| Jim Sandys | .... | special makeup effects and creature crew | |
| Simon Sayce | .... | special makeup effects and creature crew | |
| Aileen Seaton | .... | hair stylist | |
| Sally Sutton | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Selwyn Roberts | .... | first assistant director | |
| Waldo Roeg | .... | second assistant director | |
| Rupert Ryle-Hodges | .... | third assistant director | |
Art Department | |||
| Ron Allett | .... | property master | |
| Derek Ede | .... | stand-by stagehand | |
| Steve Ede | .... | chargehand carpenter | |
| Belinda Edwards | .... | production buyer | |
| Richard Harris | .... | stand-by rigger | |
| Floyd Jones Hughes | .... | sketch artist | |
| Colin Lovering | .... | stand-by painter | |
| Gerry O'Connor | .... | prop stand-by | |
| Steve Payne | .... | dressing props | |
| John Potter | .... | stand-by carpenter | |
| Paul Purdy | .... | stand-by props (as Paul Purdey) | |
| John Rankin | .... | construction stand-by | |
| Mark Stevenson | .... | art department assistant | |
| Paul Turner | .... | stand-by props | |
Sound Department | |||
| Stephen Banks | .... | Jobfit trainee | |
| David Beesley | .... | assistant sound effects editor | |
| Michael A. Carter | .... | dubbing mixer (as Michael Carter) | |
| Joe Gilmore | .... | assistant dubbing editor | |
| Graham V. Hartstone | .... | chief dubbing mixer (as Graham Hartstone) | |
| John Ireland | .... | sound effects editor | |
| Nicolas Le Messurier | .... | dubbing mixer (as Nicolas Lemessurier) | |
| Tony Message | .... | dubbing editor | |
| John Midgley | .... | sound mixer | |
| Clive Osborne | .... | boom operator (as Clive Osbourne) | |
| Carmella Prudente | .... | Jobfit trainee | |
Special Effects by | |||
| Cliff Wallace | .... | special makeup effects technician | |
| Dave Chagouri | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Dick Dimbleby | .... | optical printer | |
| Don Lee | .... | digital compositor | |
| Peter Swinson | .... | optical printer | |
| Peter Watson | .... | optical supervisor | |
| Nick Xypnitos | .... | animator | |
| Clive Barker | .... | animator (uncredited) | |
Stunts | |||
| Jim Dowdall | .... | stunt arranger | |
| Bill Weston | .... | stunts | |
Camera and Electrical Department | |||
| Tom Collins | .... | still photographer | |
| Gary Donague | .... | best boy (as Gary Donoghue) | |
| Tim Field | .... | camera operator: rostrum camera | |
| Steve Foster | .... | gaffer | |
| Katya Grenfell | .... | additional still photographer | |
| Andrew C. Hebden | .... | electrician (as Andrew Hebden) | |
| Gary Hutchings | .... | camera grip | |
| Clive Mackey | .... | clapper loader | |
| Danny Shelmerdine | .... | focus puller | |
| Ray Wardley | .... | electrician | |
| David Worley | .... | camera operator | |
Casting Department | |||
| Ping Mudie | .... | assistant to casting director | |
Costume and Wardrobe Department | |||
| Daryl Bristow | .... | wardrobe supervisor | |
| Brian Cox | .... | wardrobe assistant | |
| Jane Howells | .... | wardrobe assistant | |
| Ro Sylvester-Fisher | .... | costume assistant: Cenobite costumes (as Rosemary Sylvester Fisher) | |
| Jane Wildgoose | .... | costume designer: Cenobite costumes | |
Editorial Department | |||
| Roy Birchley | .... | first assistant editor | |
| Tim Grover | .... | second assistant editor | |
Music Department | |||
| Tom Calderaro | .... | synthesizer performer | |
| Tom Calderaro | .... | synthesizer programmer | |
| Jeff Vaughn | .... | music recordist | |
| Paul Francis Witt | .... | conductor | |
| Paul Francis Witt | .... | music consultant | |
| Anne Atkins Young | .... | music supervisor | |
| Christopher Young | .... | orchestrator | |
| Mark Zimoski | .... | consultant: percussion (as Mark Zimowski) | |
Transportation Department | |||
| John Collins | .... | unit driver | |
| Terry English | .... | unit driver | |
| Micky Grover | .... | unit driver | |
| Ron Narduzzo | .... | unit driver | |
Other crew | |||
| John Charles | .... | software manager: Sony DAC | |
| Robert Fabbri | .... | floor runner | |
| Alan Harris | .... | stand-in | |
| Steve Jones | .... | unit publicist | |
| Su Lim | .... | assistant to producer | |
| Alex Matcham | .... | production auditor | |
| Selby McCreery | .... | assistant to producer | |
| Richard Morrison | .... | title designer | |
| Patricia Poole | .... | production accountant (as Pat Poole) | |
| Kathy Sinclair | .... | stand-in | |
| Clare St. John | .... | production coordinator | |
| Jane Studd | .... | location manager | |
| Alan Sutton | .... | fire safety coordinator | |
| Ene Watts | .... | script supervisor | |
Thanks | |||
| John Dunne | .... | grateful acknowledgment | |
| Marie Fisher | .... | grateful acknowledgment | |
| Piers Gibson | .... | grateful acknowledgment | |
| John Gregson | .... | grateful acknowledgment | |
| Christopher Hobbs | .... | grateful acknowledgment | |
| R.J. Kizer | .... | grateful acknowledgment | |
| Alan Parker | .... | grateful acknowledgment | |
| Tony Randel | .... | many special thanks (as Anthony Randel) | |
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| Hellbound: Hellraiser II | Priest | House of 1000 Corpses | The Case of the Scorpion's Tail | The Cat o' Nine Tails |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb UK section |
Adapted by Clive Barker from his own story "The Hellbound Heart" this has long been a favorite among horror-film devotees. Clive Barker is an outstanding writer. In terms of literary style light years ahead of Stephen King. His awesomely unhinged imagination is given free rein in this tale of the darker side of the human psyche.
Frank Cotton (Sean Chapman) is as immoral and perverted a scumbag as you could hope to find in the English speaking world. Ever alert to the potential for some new thrill (sexual or otherwise) Frank comes by a small carved wooden cube that just happens to be (in the right hands) a gateway to Hell. Not your normal run of the mill pit of hot sulphur fumes presided over by a horned Lucifer wielding his time-honored pitchfork, but a most unpleasant parallel dimension, home of the wickedly inventive Pinhead and his cenobite cohorts. As the series worked its way onwards, Pinhead (Bradley) became a retro cult hero much like Freddy Kreuger and was given increased screen-time!
Frank ends up paying the ultimate price in his search for new pleasures and to his everlasting discomfort, inevitably discovers the real meaning of the film's tag-line "He'll tear your soul apart." This leaves Frank's ex well and truly home-alone and she takes up with his wimpy brother Larry, crawlingly played by Andrew Robinson.
Things might have worked out for Julia (Higgins) and daughter Kirsty (Ashley Laurence) had not Larry cut his hand badly and the blood run beneath the floorboards where Frank's decimated but undead corpse responds dramatically well to the corpuscled cocktail! Frank's gory resurrection is actually one of the film's highlights, aided and abetted as it is by a superb musical score from Christopher Young!
Frank of course is a little miffed over Julia's dalliance with his brother and persuades her to bring him an assembly line of fresh meat to ensure his complexion is brought up to scratch. The demise of the first victim especially is quite shocking horror and on its own would have earned the film its "R" certificate.
Without giving anything else away, it is left to daughter Kirsty to combat both Frank, her socially distasteful step-mother and Pinhead. It is the ultimate learning curve you might say. One hell of a lot goes wrong before it starts getting any better. Frank's second whirl on the block is distinctly gruesome. Kirsty who under normal circumstances would be left a gibbering idiot, survives to take on the sequel and a further appearance by her awesomely repulsive stepmother!
You want horror? you want originality? you like blood on tap? you need HELLRAISER!
For all the above though, Barker's CANDYMAN was still better!