Over 16 hours, in February, 1987, a man confronts jealously and rage as a love affair falters. Photojournalist Mel Hurley returns home to San Francisco on the eve of his birthday, expecting... See full summary »
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Over 16 hours, in February, 1987, a man confronts jealously and rage as a love affair falters. Photojournalist Mel Hurley returns home to San Francisco on the eve of his birthday, expecting his lover, Carmen, to meet him at the airport and tell him if she will be exclusively his. She's not there, she wants more time. Almost 20 years ago, he'd photographed civil war in Biafra, wanting to tell a story that would save people. He now equates that war with his personal struggle: can his photographs save this relationship? He goes to Carmen to talk to her; first he acts the fool, then they seem to connect. But, can he control his jealousy and not force things with her? Written by
This Independent movie was filmed in black and white and has the look of a videotaped movie. The director, Nilsson, also stars as Mel Hurley, a once-respected photo journalist. Apparently during the Biafra crisis of the late 60s, Hurley was a brave man--staying until the last possible minute to be able to chronicle to the world all the suffering. The film quickly skips 15 years later and we find him a lot older and more timid in his job. Instead of the investigative photographer, he is now totally wrapped up in himself and his crumbling relationship with his lover.
However, despite this all being VERY interesting stuff, however, it just went no where. Hurley spent all the time in the film whining and being a jerk. After about 45 minutes of listening to this guy, I was fed up and pretty much tuned the film out of my mind. Too bad, as there WAS a kernel of good buried under the self-indulgence and boredom.
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