| Photos (See all 31 | slideshow) |
| Anthony Barrile | ... | Pvt. Vincent 'Alphabet' Languilli | |
| Michael Boatman | ... | Pvt. Ray Motown (as Michael Patrick Boatman) | |
| Don Cheadle | ... | Pvt. Johnny Washburn | |
| Michael Dolan | ... | Pvt. Harry Murphy | |
| Don James | ... | Pvt. Elliott 'Mac' McDaniel | |
| Dylan McDermott | ... | Sgt. Adam Frantz | |
| Michael A. Nickles | ... | Pvt. Paul Galvan (as M.A. Nickles) | |
| Harry O'Reilly | ... | Pvt. Michael Duffy | |
| Daniel O'Shea | ... | Pvt. Frank Gaigin | |
| Tim Quill | ... | Pvt. Joe Beletsky | |
| Tommy Swerdlow | ... | Pvt. Martin Bienstock | |
| Courtney B. Vance | ... | Spc. Abraham 'Doc' Johnson | |
| Steven Weber | ... | Sfc. Dennis Worcester | |
| Tegan West | ... | Lt. Terry Eden | |
| Kieu Chinh | ... | Mama San | |
| Doug Goodman | ... | Lagunas | |
| J.C. Palmore | ... | Healy | |
| J.D. Van Sickle | ... | Newsman |
Directed by | |||
| John Irvin | |||
Writing credits(in alphabetical order) | ||
| James Carabatsos | ||
Produced by | |||
| James Carabatsos | .... | producer | |
| Marcia Nasatir | .... | producer | |
| Jerry Offsay | .... | executive producer | |
Original Music by | |||
| Philip Glass | |||
Cinematography by | |||
| Peter MacDonald | |||
Film Editing by | |||
| Peter Tanner | |||
Casting by | |||
| Mary Colquhoun | |||
Production Design by | |||
| Austen Spriggs | |||
Art Direction by | |||
| Toto Castillo | |||
Makeup Department | |||
| Cecille Baun | .... | makeup artist | |
| Neville Smallwood | .... | makeup artist | |
Production Management | |||
| Claude Hudson | .... | unit manager | |
| Ernesto C. Rojas | .... | production supervisor: Philippines | |
| Manina Viterbo | .... | assistant production supervisor: Philippines | |
Art Department | |||
| Noel Luna | .... | set dresser | |
| Joe Pfaltzgraf | .... | prop man | |
| John Zemansky | .... | property master | |
Sound Department | |||
| Steve Bartlett | .... | sound | |
| Terry Busby | .... | foley editor | |
| David Hildyard | .... | sound mixer | |
| Dominic Lester | .... | sound re-recording mixer | |
| Archie Ludski | .... | supervising dialogue editor | |
| Robin O'Donoghue | .... | sound re-recording mixer | |
| David Pearson | .... | boom operator | |
| John Pitt | .... | sound recordist | |
| Les Wiggins | .... | supervising sound editor | |
Visual Effects by | |||
| Alan Church | .... | optical cameraman (uncredited) | |
| Tony Willis | .... | rostrum cameraman (uncredited) | |
Stunts | |||
| Jerry Bailey | .... | stuntman: Philippines crew (as Gerry Bayley) | |
| Eric Hahn | .... | stuntman: Philippines crew | |
| Renato Morado | .... | stuntman: Philippines crew | |
| Tip Tipping | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Rufo Oreta Balicas | .... | key grip: Philippines (as Rufo Balicas) | |
| Mike Brewster | .... | camera operator | |
| David Budd | .... | focus puller | |
| Jun Dalawis | .... | camera operator: Philippines | |
| Martin Evans | .... | gaffer | |
| Leonardo Legaspi | .... | gaffer: Philippines | |
| Roger Mills | .... | best boy | |
| George Parrish | .... | best boy | |
| Luke Quigley | .... | grip | |
| Nigel Seal | .... | first assistant camera | |
Casting Department | |||
| Ken Metcalfe | .... | casting: Philippines | |
Costume and Wardrobe Department | |||
| David Murphy | .... | wardrober | |
Editorial Department | |||
| Elsa Abellana | .... | assistant editor: Philippines | |
Music Department | |||
| Michael Connell | .... | music editor | |
| Michael Riesman | .... | conductor | |
Other crew | |||
| Susanna Alves | .... | assistant to producer | |
| Sallie Beechinor | .... | production coordinator | |
| Andy Birmingham | .... | film finance representative | |
| Andy Birmingham | .... | production accountant | |
| Mark Birmingham | .... | floor assistant | |
| Kieu Chinh | .... | vietnamese advisor | |
| Joseph B. Conmy Jr. | .... | military liaison (as Colonel Joseph B. Conmy Jr.) | |
| Peter Cooper | .... | location manager | |
| Quinn Donoghue | .... | unit publicist | |
| Yvonne Eastmond | .... | assistant production accountant | |
| Sylvia Gajardo | .... | assistant accountant: Philippines | |
| Pauline Hume | .... | title designer | |
| Jill James | .... | assistant to director | |
| Glady Leonardo | .... | accountant: Philippines | |
| Robin Matthews | .... | assistant to director | |
| Al Neal | .... | military advisor | |
| Annie Penn | .... | continuity (as Annie Wotton) | |
| Gwynn Press | .... | assistant to producer | |
| Gary Martin | .... | adr voice (uncredited) | |
| Tom Trigo | .... | location manager (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Many excellent Vietnam films, in an attempt to present their own interpretation of America's darkest hour, ask many political questions vital to the war: "What were we fighting for?" "Was this worth it?" "When does morality take over?" "When does the fighting stop?"
On the other hand, "Hamburger Hill" doesn't need to state any such questions. Rather, it presents the viewer with the scenario-- a group of men trying to advance on a hill-- and allows him to come to his own conclusions. It is a wonderful display of characters from all walks of life, and how hard times brought them together. Some want to be there, others don't, but they call all make the same statement: When it comes to their determination to get on top of that hill and advance upon the enemy, all of those political questions "don't mean nothin'."
This is probably the best Vietman film as far as visuals go. The actions sequences are raw and gory, and the locations are incredibly depressing-- setting the perfect stage for a war movie. Combined with excellent performances by everyone involved, this is certainly an underrated film that presents a clear picture of what the war truly might have been like.
***1/2 out of ****