The title refers to the U.S. Army's former "MOS" (job code) for a combat cameraman. The story follows a unit of American G.I.s in Vietnam, all with different backgrounds and motives for being there, through the lens of his camera.
Patrick Sheane Duncan
A brutal and realistic war film focuses on the lives of a squad of 14 U.S. Army soldiers of B Company, 3rd Battalion, 187th Infanty Regiment, 101st Airborne Division during the brutal 10 day (May 11-20, 1969) battle for Hill 937 in the A Shau Valley of Vietnam as they try again and again to take the fortified hill held by the North Vietnamese, and the faults and casualties they take every time in which the battle was later dubbed "Hamburger Hill" because enemy fire was so fierce that the fusillade of bullets turned assaulting troops into shreded hamburger meat. Written by
Matthew Patay <firstname.lastname@example.org>
A gravity bomb or napalm tank is moving at the speed of the plane when released, and only picks up downward velocity at 32.2 ft/sec per second. So it drops 16 ft the first sec, 48 ft the second sec, another 80 ft the 3rd. It's moving forward about 300 mph or 440 ft/sec, roughly the field of vision or six lengths of an F-4 in a second. So the F-4s dropped their loads about a second or over 400 feet before you even see them. The film has it right. See more »
The following poem is shown at the beginning of the credits: If you are able, save for them a place inside of you and save one backward glance when you are leaving for the places they can no longer go. Be not ashamed to say you loved them, though you may or may not have always. Take what they have left and what they have taught you with their dying and keep it with your own. And in that time when men decide and feel safe to call the war insane, take one moment to embrace those gentle heroes you left behind. Major Michael Davis O'Donnell 1 January 1970 Dak To, Vietnam See more »
Probably the most visually effective Vietnam movie
Many excellent Vietnam films, in an attempt to present their own interpretation of America's darkest hour, ask many political questions vital to the war: "What were we fighting for?" "Was this worth it?" "When does morality take over?" "When does the fighting stop?"
On the other hand, "Hamburger Hill" doesn't need to state any such questions. Rather, it presents the viewer with the scenario-- a group of men trying to advance on a hill-- and allows him to come to his own conclusions. It is a wonderful display of characters from all walks of life, and how hard times brought them together. Some want to be there, others don't, but they call all make the same statement: When it comes to their determination to get on top of that hill and advance upon the enemy, all of those political questions "don't mean nothin'."
This is probably the best Vietman film as far as visuals go. The actions sequences are raw and gory, and the locations are incredibly depressing-- setting the perfect stage for a war movie. Combined with excellent performances by everyone involved, this is certainly an underrated film that presents a clear picture of what the war truly might have been like.
***1/2 out of ****
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