| James Arness | ... | Matt Dillon | |
| Amanda Blake | ... | Kitty | |
| Buck Taylor | ... | Newly | |
| Fran Ryan | ... | Hannah | |
| Earl Holliman | ... | Jake Flagg | |
| Ken Olandt | ... | Lt. Dexter | |
| William Morgan Sheppard | ... | Digger McCloud (as W. Morgan Sheppard) | |
| Patrice Martinez | ... | Bright Water | |
| Tantoo Cardinal | ... | Little Doe | |
| Steve Forrest | ... | Will Mannon | |
| Mickey Jones | ... | Oakum | |
| Frank Totino | ... | Logan (as Frank M. Totino) | |
| Robert Koons | ... | Warden Amos Brown | |
| Walter Kaasa | ... | Judge Collins | |
| Georgie Collins | ... | Mrs. Collins | |
| Tony Epper | ... | Farnum McCloud | |
| Louie Elias | ... | Bubba | |
| Ken Kirzinger | ... | Potts | |
| Denny Arnold | ... | Clyman | |
| Alex Green | ... | The Flogger | |
| Paul Daniel Wood | ... | Harry | |
| Larry Musser | ... | Wilber | |
| Robert Clinton | ... | Guard | |
| Frank Huish | ... | Watt | |
| Jacob Rupp | ... | Hutter | |
| Mary Jane Wildman | ... | Indian Woman | |
| Ken Curtis | ... | Festus Haggen (flashback sequence) (archive footage) | |
| Ted Jordan | ... | Nathan Burke (flashback sequence) (archive footage) | |
| Tom Brown | ... | Ed O'Connor (flashback sequence) (archive footage) | |
| rest of cast listed alphabetically: | |||
| Milburn Stone | ... | Dr. Galen Adams (flashback sequence) (uncredited) (archive footage) | |
| Glenn Strange | ... | Sam, the Bartender (flashback sequence) (archive footage) (uncredited) | |
Directed by | |||
| Vincent McEveety | |||
Writing credits(in alphabetical order) | ||
| Jim Byrnes | written by | |
Produced by | |||
| Stanley Hough | .... | supervising producer (as Stan Hough) | |
| John Mantley | .... | producer | |
Original Music by | |||
| Jerrold Immel | |||
Cinematography by | |||
| Charles Correll | (director of photography) | ||
Film Editing by | |||
| Ray Daniels | |||
Casting by | |||
| Pam Polifroni | |||
Production Design by | |||
| Albert Heschong | |||
Set Decoration by | |||
| Bruce Sinski | |||
Makeup Department | |||
| Iloe Flewelling | .... | hair stylist | |
| Byrd Holland | .... | makeup artist: James Arness | |
| Al Magallon | .... | makeup artist | |
Production Management | |||
| Shirley Gill | .... | unit production manager (as Shirley J. Gill) | |
| Norman S. Powell | .... | executive in charge of production | |
Second Unit Director or Assistant Director | |||
| Bud Grace | .... | first assistant director | |
| Joe Thornton | .... | second assistant director (as E. Joseph Thornton) | |
Art Department | |||
| Rick Janzen | .... | stand-by painter | |
| D. Brent Lane | .... | property master | |
| Don Anderson | .... | assistant property master (uncredited) | |
Sound Department | |||
| G. Michael Graham | .... | sound editor | |
| George Tarrant | .... | production sound mixer | |
| Kelly Zombor | .... | boom operator (uncredited) | |
Special Effects by | |||
| Wayne Beauchamp | .... | special effects coordinator | |
Stunts | |||
| William H. Burton | .... | stunt coordinator: USA (as Bill Burton) | |
| Brent Woolsey | .... | stunt coordinator: Canada | |
Camera and Electrical Department | |||
| Jerry Bertolami | .... | key grip | |
| Jim Gregor | .... | gaffer (uncredited) | |
| Gordon Schmidt | .... | lamp operator (uncredited) | |
Casting Department | |||
| Bette Chadwick | .... | casting: Edmonton | |
| Diane Rogers | .... | casting: Calgary | |
Costume and Wardrobe Department | |||
| Frances Harrison Hays | .... | costume supervisor (as Frances Hays) | |
Editorial Department | |||
| Cosmas P. Bolger | .... | post-production executive (as Cosmas Bolger) | |
Music Department | |||
| Robert Drasnin | .... | music supervisor | |
| Robert Takagi | .... | music editor | |
Other crew | |||
| Temple Anderson | .... | script supervisor | |
| Tana Tocher | .... | caterer | |
| Paul L. Tucker | .... | production executive (as Paul Tucker) | |
| Karen Redford | .... | production secretary (uncredited) | |
Thanks | |||
| Roy Barcroft | .... | dedicatee: in memory of | |
| Woody Chambliss | .... | dedicatee: in memory of (as Woodrow Chambliss) | |
| James Nusser | .... | dedicatee: in memory of | |
| Charles Seel | .... | dedicatee: in memory of | |
| Milburn Stone | .... | dedicatee: in memory of | |
| Glenn Strange | .... | dedicatee: in memory of | |
| Charles Wagenheim | .... | dedicatee: in memory of | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb USA section |
It was interesting to see another Gunsmoke chapter.However,with a few changes this could have been a joy to watch.The storyline itself is very good.The poor set lighting (particularly on night and interior shots) is way too dark and makes viewing a chore.The Long Branch scenes really suffer due to this problem.In 20 years of the TV series the production quality was excellent.This made for TV movie looks amateurish due to the dim lighting. James Arness needed drastic makeup help.He looked like someone out of a horror film rather than the clean cut Matt Dillon we knew for 20 years.The Dillon character would not have changed his grooming habits at his age. With better lighting,makeup and camera angles Amanda Blake would have benefited as well. Where the production really missed was in casting.The character Earl Holiman played (Matt's friend) should have been cast with Ken Curtis as Fester Haggen.This would have made the entire story and movie more satisfying.That character's motivation would have been stronger and we the audience deserved as many familiar Gunsmoke regulars as were still living (if Curtis absolutely refused to appear then Dennis Weaver as Chester Goode should have been cast as the friend.Why were Ted Jordan and Tom Brown excluded also?) Steve Forrest as Mannon did the best acting whether in flashback or present.He was a real scene stealer. I agree with the IMDb review that Miss Kitty deserved more than she got at the end from Matt in the final scene. This could have been a much.much better movie.Why wasn't it?