| Rachel Ward | ... | Marge Hills | |
| Bryan Brown | ... | Sonny Hills | |
| Steven Vidler | ... | Sugar Hills | |
| Sam Neill | ... | Neville Gifford | |
| Jennifer Claire | ... | Daisy | |
| Bruce Barry | ... | Archie | |
| Peter Cummins | ... | Ned Hopper | |
| Carole Skinner | ... | Mrs. Gibson | |
| Clarissa Kaye-Mason | ... | Mrs. Jackson | |
| Barry Hill | ... | Mr. Fielding | |
| Susan Lyons | ... | Mrs. Fielding | |
| Helen Jones | ... | Rosie Gibbs | |
| Lisa Hensley | ... | Sylvia | |
| May Howlett | ... | Mrs. Carmichael | |
| Maureen Green | ... | Sal Day | |
| Garry Cook | ... | Gerry Day | |
| Harold Kissin | ... | Davis - Station Master | |
| Oliver Hall | ... | Mick Jones | |
| Sue Ingleton | ... | Rita | |
| Robert Barrett | ... | Heckler at Bar | |
| Maurice Hughes | ... | Sgt. Larkin | |
| Marguerita Haynes | ... | Greta | |
| Bill Bader | ... | Train Guard | |
| Dick May | ... | Waiter | |
| Trevor Thomas | ... | Chemist | |
| Philip Wilton | ... | Train Porter | |
| Craig Fuller | ... | Charlie | |
| Peter Ford | ... | Drunk in Bar |
Directed by | |||
| Ken Cameron | |||
Writing credits(in alphabetical order) | ||
| Peter Kenna | ||
Produced by | |||
| Jan Sharp | .... | producer | |
| Helen Watts | .... | associate producer | |
Original Music by | |||
| Cameron Allan | |||
Cinematography by | |||
| James Bartle | |||
Film Editing by | |||
| John Scott | |||
Casting by | |||
| Liz Mullinar | |||
Production Design by | |||
| Sally Campbell | |||
Set Decoration by | |||
| Blossom Flint | |||
Costume Design by | |||
| Jennie Tate | |||
Makeup Department | |||
| Sally Gordon | .... | makeup department head | |
| Willi Kenrick | .... | hair stylist | |
Production Management | |||
| John-Paul Lucini | .... | unit production manager (as Jean-Paul 'Lon' Lucini) | |
| Helen Watts | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Craig Bolles | .... | second assistant director | |
| Grant Lee | .... | third assistant director | |
| Phil Rich | .... | first assistant director | |
Art Department | |||
| Ty Bosco | .... | storyboard artist | |
| Leah Cocks | .... | art department coordinator | |
| Steve Lyons | .... | storyboard artist (as Steven Lyons) | |
| Billy Malcolm | .... | scenic artist | |
| Dennis Smith | .... | construction manager | |
| Ross Wallace | .... | model maker | |
Sound Department | |||
| Anne Breslin | .... | sound effects editor | |
| Liz Goldfinch | .... | dialogue editor | |
| Geoff Krix | .... | boom operator | |
| Ben Osmo | .... | sound recordist | |
| Roger Savage | .... | sound mixer | |
Stunts | |||
| Chris Anderson | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Lester Bishop | .... | key grip | |
| Shaun Conway | .... | best boy | |
| Pav Govind | .... | gaffer | |
| Carolyn Johns | .... | still photographer | |
| Peter Menzies Jr. | .... | camera operator | |
Costume and Wardrobe Department | |||
| Gabrielle Healy | .... | costume assistant | |
| Jenny Miles | .... | costume supervisor | |
| Jenny Miles | .... | stand-by wardrobe | |
Editorial Department | |||
| Pamela Barnetta | .... | assistant editor | |
| Liz Goldfinch | .... | assistant editor | |
| Gai Steele | .... | assistant editor | |
Other crew | |||
| Maude Heath | .... | location manager | |
| Keith Jones | .... | steam train coordinator | |
| Therese O'Leary | .... | continuity | |
| Gemma Rawsthorne | .... | production accountant | |
| Greg Ricketson | .... | production consultant | |
| Elizabeth Symes | .... | production coordinator | |
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| Bliss | Incident at Raven's Gate | Bootmen | Proof | Flirting |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Australia section |
Rachel Ward gives an incredible performance in this movie of a woman so obsessed with a man, that she slowly loses all dignity and her standing in the community. This is a powerful movie but could have been much better if the scene where she sleeps with her husbands brother in the beginning was left out. I really think the movie could be improved if that scene, which has nothing to do with the events that follow, could be edited out. That scene makes Ward's character seem to be a sleaze and only hurts the main story. If you can fast forward through that, you will see a well respected woman who loses everything in pursuit of a real jerk. Oh, how truthful this film is.