Peter Kenna's The Good Wife (1987)
"The Umbrella Woman" (original title)

R  |   |  Drama  |  14 May 1987 (USA)
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Reviews: 13 user | 5 critic

In pre-WWII Australia, a love triangle develops between a man, his wife and the man's brother.



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Cast overview, first billed only:
Marge Hills
Sonny Hills
Sugar Hills
Neville Gifford
Jennifer Claire ...
Bruce Barry ...
Peter Cummins ...
Ned Hopper
Carole Skinner ...
Mrs. Gibson
Clarissa Kaye-Mason ...
Mrs. Jackson
Barry Hill ...
Mr. Fielding
Susan Lyons ...
Mrs. Fielding
Helen Jones ...
Rosie Gibbs
Lisa Hensley ...
May Howlett ...
Mrs. Carmichael
Maureen Green ...
Sal Day


In pre-WWII Australia, a love triangle develops between a man, his wife and the man's brother.

Plot Summary | Add Synopsis

Plot Keywords:

australia | independent film | See All (2) »


She's too much of a woman to be any man's wife. See more »




R | See all certifications »




Release Date:

14 May 1987 (USA)  »

Also Known As:

Peter Kenna's The Good Wife  »

Box Office


$1,200,000 (USA)

Company Credits

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Technical Specs

Sound Mix:



Aspect Ratio:

1.85 : 1
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Did You Know?


Director of photography James Bartle replaced cinematographer David Gribble as D.O.P when the latter took ill with hepatitis. See more »

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User Reviews

Weak, Ineffectual Husbands- a movie staple!
26 June 2006 | by (United States) – See all my reviews

After seeing this movie, I was prompted to write and comment, once again, about the roles that husbands are afforded in almost every movie w/ a love triangle. This film offers a stark illustration of this fact. For the sake of the story, we are asked to suspend disbelief and watch as every husband portrayed in the film, is cuckolded- & offers no instance of protest, or resistance. So let me get this straight- the " GOOD WIFE" in the film, is a lustful, amoral character- who presumably destroys her marriage to pursue a worthless cad. By itself, this isn't an unbelievable tale. My pet peeve however, is how the women's spouses are portrayed, in movies of this sort. The B. Brown character not only doesn't get angry, he offers his wife to his brother, excuses her behavior w/ the barman, and willingly, immediately, and w/out reservation, offers "instant forgiveness" to his cheating wife- another predictable staple for this character. The other husband in the movie who catches his wife w/ another man, reacts the same way. In other words, every husband is weak, ineffectual & too inadequate, to show anger, towards their straying wives! No, the women are all capable of destructive actions, but the husbands?- their reaction to these actions, is reserved, measured, & minimal at best. This character is essential to filmmakers, but is so prevalent, that it's becoming a cliché' within itself! The first film that actually offers a sympathetic, strong portrayal of a betrayed man, which by the way is the usual portrayal given to betrayed wives, will be a revelation. An actual male character who doesn't whine & weakly accepts his wife's cheating. One who decides that SHE is not worthy of him- would be a first! Instead we are faced w/ the same character- gutless, weak, no balls, and willing to accept any & all humiliations, for the sake of fantasy. By no means am I one of these right-wing, "defenders of families" freaks- but it's not hard to see that the portrayal of husbands in these movies, would give one pause. What reality are these filmmakers living in- & maybe, just once, they'll join ours!

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