Amanda Wingfield dominates her children with her faded gentility and exaggerated tales of her Southern belle past. Her son plans escape; her daughter withdraws into a dream world. When a "... See full summary »
From the Pullizer Prize winning play by Paul Zindel, this is the story of Beatrice Hunsdorfer and her daughters, Ruth and Matilda. A middle-aged widowed eccentric, Beatrice is looking for ... See full summary »
Rachel is a 35 year old school teacher who has no man in her life and lives with her mother. When a man from the big city returns and asks her out, she begins to have to make decisions about her life and where she wants it to go.
The original Broadway stage play "The Glass Menagerie" opened at the Playhouse Theatre on Mar 31, 1945 and ran for 563 performances. See more »
As Tom is speaking with Laura in one scene, every time the camera is focused on her, his arms are at his sides in the background. When the camera focuses on him, his arms are crossed. This switches back and forth for an entire scene. See more »
[to his mother]
Every morning that you come in, yelling that goddamned "Rise and shine, rise and shine," I think to myself, how lucky dead people are.
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The depth of feeling manifested in the acting on display here easily trumps both the (wildly miscast)Gertrude Lawrence and the (vastly overrated) Katherine Hepburn versions of this celebrated play.
Though everyone involved (on both sides of the camera) does a first rate job, special accolades are due to Joanne Woodward, who is perhaps the first actress to really understand Amanda, since the role's originator--Laurette Taylor.
The pathos in Miss Woodward's delineation of the character is almost unbearable on some occasions, as in the famous jonquil soliloquy, in which she conveys, with hushed voice and beatific eyes, a sentimental recollection for lost time (and lost love) that is not only wholly personally convincing, but also manages to imprint her sentiment onto the audience with all the deja vu of Proust's madeleine.
Her Amanda is never less than fully persuasive.
And Mr. Malkovitch, in his final address to the camera, ("blow out your candles Laura") achieves effects of the same high order, with emotions so confiding, intimate, and genuine that he leaves viewers of any sensitivity as heartbroken as he is.
All told a devastating achievement not to be missed by admirers of Mr. Williams.
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