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Bob Clark (writer)
David E. Kelley (screenplay)
(more)
6 February 1987 (USA) more
Getting To The Top Means Working Like A Dog! more
Apprentice lawyer Robin Weathers turns a civil suit into a headline grabbing charade. He must reexamine... more | add synopsis
1 nomination more
'A Christmas Story' Director Killed in Car Crash
(From WENN. 5 April 2007)
'A Christmas Story' Director Bob Clark Killed in Car Crash
(From WENN. 4 April 2007)
Smart - Funny - Clever - Entertaining more (17 total)
| Judd Nelson | ... | Robin 'Stormy' Weathers | |
| Elizabeth Perkins | ... | Jo Ann | |
| John Hurt | ... | Douglas Benoit | |
| Darren McGavin | ... | Craig Duncan | |
| Dan Monahan | ... | Larry | |
| David Alan Grier | ... | Steve Hadley | |
| Nancy Marchand | ... | Roberta Winnaker | |
| Allan Arbus | ... | Phil Ames | |
| Edward Winter | ... | Raymond Torkenson | |
| Richard Zobel | ... | Matt Cowens | |
| Ray Walston | ... | 1st Judge | |
| Robert Irvin Elliott | ... | Scott Murray | |
| Beatrice Winde | ... | 2nd Judge | |
| Art Hindle | ... | Lt. Matt Sosha | |
| Priscilla Pointer | ... | Mrs. Martha Williams | |
| Royce D. Applegate | ... | Mr. Wilby | |
| Robert Inman | ... | TV Reporter | |
| Jack Riel | ... | Bailiff | |
| Pearl Jones | ... | Foreman | |
| David Fitzsimmons | ... | Reporter | |
| William Alspaugh | ... | Biggs | |
| Terry Loughlin | ... | Malcolm | |
| Jon Thompson | ... | Rampart | |
| Lou Criscuolo | ... | McAlbee | |
| H. Richard Greene | ... | Wilson | |
| Ed Grady | ... | Baxter (as Ed L. Grady) | |
| Everett Quinton | ... | Warren | |
| Arthur J. Fasciani | ... | Bailiff-Benoit Trial | |
| Robert Dickman | ... | Dr. Charles Peckham | |
| George Hall | ... | Harvey Beals | |
| Harvey Kirck | ... | TV Anchorman | |
| Eric Tilley | ... | Charlie | |
| Will Knickerbocker | ... | Security Guard | |
| rest of cast listed alphabetically: | |||
| K. Marc Hoffman | ... | Young lawyer #3 (uncredited) | |
| Robert J. Maxwell | ... | Courtroom Artist (uncredited) | |
| Craig Richard Nelson | ... | Witness (uncredited) | |
| Andrew Reilly | ... | (uncredited) | |
Directed by | |||
| Bob Clark | |||
Writing credits(in alphabetical order) | ||
| Bob Clark | writer | |
| David E. Kelley | screenplay | |
| David E. Kelley | story | |
Produced by | |||
| Howard Baldwin | .... | executive producer | |
| Bob Clark | .... | producer | |
| René Dupont | .... | producer | |
| Kenneth Heeley-Ray | .... | associate producer (as Ken Heeley-Ray) | |
| Bill Minot | .... | executive producer | |
| Brian Russell | .... | executive producer | |
Original Music by | |||
| Paul Zaza | |||
Cinematography by | |||
| Dante Spinotti | |||
Film Editing by | |||
| Stan Cole | |||
Casting by | |||
| Jane Feinberg | |||
| Mike Fenton | |||
Production Design by | |||
| Michael Stringer | |||
Art Direction by | |||
| Dennis Bradford | |||
Set Decoration by | |||
| Edward 'Tantar' LeViseur | |||
Costume Design by | |||
| Clifford Capone | |||
Makeup Department | |||
| Stefano Fava | .... | makeup artist | |
| Bob Harper | .... | hair stylist (as Robert Harper) | |
Production Management | |||
| Marilyn Stonehouse | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Ken Goch | .... | first assistant director | |
| Jay Tobias | .... | second assistant director | |
Art Department | |||
| Robert Beck | .... | set dresser | |
| Shaw Burney | .... | property master | |
| Tim Galvin | .... | assistant art director | |
| James F. Oñate | .... | painter | |
| Jeffrey Schlatter | .... | construction coordinator | |
| Mark S. Turner | .... | sculptor | |
| Dwain Wilson | .... | set dresser | |
Sound Department | |||
| David Appleby | .... | sound re-recording mixer | |
| Anke Bakker | .... | assistant sound editor | |
| Tony Currie | .... | dialogue editor | |
| Kenneth Heeley-Ray | .... | supervising sound editor | |
| Sharon Lackie | .... | sound editor | |
| Michael O'Farrell | .... | sound editor | |
| David Stephenson | .... | sound recordist | |
Camera and Electrical Department | |||
| Chic Anstiss | .... | camera operator | |
| Eric Bartsch | .... | grip | |
| Phillip V. Caruso | .... | still photographer | |
| Joe D'Alessandro | .... | assistant camera | |
Casting Department | |||
| Craig Fincannon | .... | additional casting | |
| Mark Fincannon | .... | additional casting | |
| Marcia Shulman | .... | casting: New York | |
Costume and Wardrobe Department | |||
| Deborah Latham | .... | wardrobe supervisor | |
Editorial Department | |||
| Melissa Wegman | .... | assistant editor | |
Other crew | |||
| Adrian Brunori | .... | production assistant | |
| Angela Heald | .... | production coordinator | |
| Sandra Marley | .... | script supervisor | |
| Elizabeth Hipwell | .... | assistant to script supervisor (uncredited) | |
(None):111 min
Color (Technicolor)
2.35 : 1 more
Iceland:L | Singapore:PG | Australia:M | USA:PG | West Germany:12
TV producer Steven Bochco hired writer David E. Kelley to write for his series "L.A. Law" (1986) after reading this script. more
Douglas Benoit: Let me explain something to you, Mr. Weathers. Through the vicissitudes of wholly gratuitous genetic accidents, I was visited with extremely high intelligence. I was further blessed - or burdened, as it were - with certain physical traits that would suggest, shall we say, "good breeding." Now, in this proletarian stew which we laughingly call society, these attributes are not always advantageous. more
Referenced in "Psych: Murder?... Anyone?... Anyone?... Bueller? (#3.2)" (2008) more
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| Legally Blonde | Strangers on a Train | The Pelican Brief | On a Clear Day You Can See Forever | Fracture |
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Don't listen to the negative reviews or nay sayers. Decide for yourself the way we did. Judd Nelson is terrific in this entertaining movie. There should've have been a sequel but unfortunately just like many other terrific movies the studio didn't market this movie AT ALL. From opening to the end you're interested in the story and colorful well written characters. Trust me -- it's a truly entertaining movie in the tradition of all of the other brat pack movies. The script is clever and the pacing swift. The movie keeps you involved and the actors never miss a beat. Nelson and Perkins have chemistry and let's hope they do another movie some day.