A psychotic young man returns to his old neighborhood after release from prison. He seeks out the woman he previously tried to rape and the man who protected her, with twisted ideas of love for her and hate for him.
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A man hires a P.I. to find a hot woman he fell in love with. The woman lives with her underage teen sister who dreams about having sex for the first time, but wants a real man. That's when the P.I. shows up and stirs up the household.
A psychotic young man returns to his old neighborhood after release from prison. He seeks out the woman he previously tried to rape and the man who protected her, with twisted ideas of love for her and hate for him. Written by
Bill Smith <firstname.lastname@example.org>
In the scene where Linda is abducted in the subway station, one of the advertisement posters in the background is for the 1986 film Soul Man. See more »
[after sniffing glue]
I'm flyin', man! I'm flyin'!
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Nearly at the end of the credits there is the following paragraph: 'Many thanks to the Penguins in this film. They were treated most respectfully and no harm ever came to them in their work.' See more »
Terrific Tim Robbins performance almost saves it...
Offbeat--to say the least--comedy-drama from director Tony Bill and writer/co-producer John Patrick Shanley combines unforced, unshowy nostalgia with dark (and rather wobbly) comedic undertones. In a troubled Bronx neighborhood in the 1960s, Jodie Foster is a young woman hounded by just-released convict John Turturro, while Tim Robbins is a former classmate reevaluating his priorities based on turbulent world events. Foster has little to work with in a weakly-written role (she's not going to meet this nutcase in the park at night!), but Robbins' quiet sincerity is lovely, and his handsome face and expressive manner keeps the film grounded in reality. Overall, it's much too flighty, with a melodramatic final 30 minutes which doesn't do anything good for anybody--least of all the viewer. However, there is some dryly eccentric humor in Shanley's screenplay, and when director Bill's touch is light the film generally works. **1/2 from ****
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