A psychotic young man returns to his old neighborhood after release from prison. He seeks out the woman he previously tried to rape and the man who protected her, with twisted ideas of love for her and hate for him.
Workaholic attorney Bob O'Hara (Asner) is devastated when his wife (Hartley) dies suddenly. She returns to "haunt" him, however, (a la "Topper") and her mission is to persuade him to slow ... See full summary »
WWII. In German occupied Paris, Helene is torn between the love for her boyfriend Jean, working for the resistance and the German administrator Bergmann, who will do anything to gain her ... See full summary »
Mark Harmon is a washed-up baseball player who is called back home to handle the ashes of his childhood sweetheart/ first love who had committed suicide. As he searches for what to do with ... See full summary »
Claire (an American) wakes up in a terrible state at the end of a runway in Spain. As she tries to account for her state (blood-soaked and bruised), she has flashbacks from the past few ... See full summary »
Foreigners who apply to become Swiss citizens have no easy task - especially when the police lets Bodmer loose to check upon their background, their integration in the society, and the ... See full summary »
A psychotic young man returns to his old neighborhood after release from prison. He seeks out the woman he previously tried to rape and the man who protected her, with twisted ideas of love for her and hate for him. Written by
Bill Smith <email@example.com>
Producer Tony Bill got involved with this project after some actors he was auditioning for another film began using scenes from the plays of John Patrick Shanley. Bill liked the dialog, so he contacted Shanley and asked him for a film script. See more »
In the scene where Linda is abducted in the subway station, one of the advertisement posters in the background is for the 1986 film Soul Man. See more »
...and what he is going to do tonight?
He is... he is going to die.
Thank you mama, thank you.
[He carries her in his arms, and then throws her out of the window]
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Nearly at the end of the credits there is the following paragraph: 'Many thanks to the Penguins in this film. They were treated most respectfully and no harm ever came to them in their work.' See more »
I was persuaded to watch this film on late-night TV by the cast: Tim Robbins, Jodie Foster and John Turturro, and lots of familiar faces who you're glad to see, even if you don't know their names. Turturro is better in this than in most of his later work. Psycho? or just a stupid, unhappy bully, whose violence seems almost normal in the tough, white, working class neighbourhood which gives the film its title. He is genuinely threatening, mean, short fuse, unpredictable, but a believable rounded character who excites our pity as well as our disgust. Foster and Robbins fit their roles like fingers fit gloves, the period setting - 1964 - is nicely realised, and the script sets up and resolves a series of classic conflicts with some originality and some appealing off-the-wall subplots. Of course, the good end happily and the bad unhappily, but that is fiction, my dear, and that is why I call it a melodrama. If it comes up on the late-night schedules, or you see it in your local video-store, watch it.
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