A psychotic young man returns to his old neighborhood after release from prison. He seeks out the woman he previously tried to rape and the man who protected her, with twisted ideas of love for her and hate for him.
Workaholic attorney Bob O'Hara (Asner) is devastated when his wife (Hartley) dies suddenly. She returns to "haunt" him, however, (a la "Topper") and her mission is to persuade him to slow ... See full summary »
WWII. In German occupied Paris, Helene is torn between the love for her boyfriend Jean, working for the resistance and the German administrator Bergmann, who will do anything to gain her ... See full summary »
Mark Harmon is a washed-up baseball player who is called back home to handle the ashes of his childhood sweetheart/ first love who had committed suicide. As he searches for what to do with ... See full summary »
Claire (an American) wakes up in a terrible state at the end of a runway in Spain. As she tries to account for her state (blood-soaked and bruised), she has flashbacks from the past few ... See full summary »
A carnival comes to a small town. Eighteen year old Donna meets Frankie and Patch, two carnival hustlers. They earn their living by mercilessly taunting spectators to try to dump one of ... See full summary »
A man hires a P.I. to find a hot woman he fell in love with. The woman lives with her underage teen sister who dreams about having sex for the first time, but wants a real man. That's when the P.I. shows up and stirs up the household.
A psychotic young man returns to his old neighborhood after release from prison. He seeks out the woman he previously tried to rape and the man who protected her, with twisted ideas of love for her and hate for him. Written by
Bill Smith <firstname.lastname@example.org>
In the scene where Linda is abducted in the subway station, one of the advertisement posters in the background is for the 1986 film Soul Man. See more »
[after sniffing glue]
I'm flyin', man! I'm flyin'!
See more »
Nearly at the end of the credits there is the following paragraph: 'Many thanks to the Penguins in this film. They were treated most respectfully and no harm ever came to them in their work.' See more »
I came across this film on sale, and purchased it because I saw the leading roles- Jodie Foster and Tim Robbins, before they really got famous, and I was surprised at how well the movie was done. Set in the 60s, Five Corners rings true with tone and mood of the times. Plot is straightfoward and even mildly believable, but what the film's shining aspect is its portrayal of human emotions- its very clean, raw look at the fundamental of social interaction.
Listen to Jamie's cries at his abducted girlfriend through the steel subway bars. Feel his pain as he scratches for the just-beyond-reach token. Though seemingly one dimensional at first, Heinz is a complex, tortured character with roots (albeit predictably) from youth and upbringing.
The film belies its innocent appearance with a few unexpected flashes of violence, yet maintains a positive feel with occaisional punchlines. Another surprise is Eriq La Salle, who plays a commanding role in the film's racial commentary. (Look for his surgeonesque brusque manner in his pre-Benton, MD role.)
All together with a mysterious archer vigilante (?) in the midst and cute penguins mucking about, this film is worthy of your time if you have some extra.
Verdict for a five dollar DVD? A+ simply on the Beatles tune alone.
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