A psychotic young man returns to his old neighborhood after release from prison. He seeks out the woman he previously tried to rape and the man who protected her, with twisted ideas of love for her and hate for him.
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A psychotic young man returns to his old neighborhood after release from prison. He seeks out the woman he previously tried to rape and the man who protected her, with twisted ideas of love for her and hate for him. Written by
Bill Smith <email@example.com>
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And when I was sittin' home with my mother, watchin' the news about it on TV, the next thing they showed after that was Dr. Martin Luther King speaking. He was talking about the power of love in the face of senseless cruelty and violence. And I heard him, Mr. Kemp. I guess something had knocked the wax outta my ears. ' Cause I heard him loud and clear.
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Nearly at the end of the credits there is the following paragraph: 'Many thanks to the Penguins in this film. They were treated most respectfully and no harm ever came to them in their work.' See more »
"Five Corners" is a dark comedy about a man (John Turturro) recently released from prison who seeks revenge on the people who caused him to be arrested. They are: the woman (Jodie Foster) he tried to rape; her boyfriend (Todd Graff) and the hero's situation (Tim Robbins), who saved the woman's life, and probably used of a lot of force to detain the rapist (nothing is shown so we have to deduce), since now he's peace-keeper who doesn't trust violence at all after this life changing incident
This marked as being John Patrick Shanley's first script ever filmed, separated by a few months of the other one that brought him some recognition and the Oscar, the acclaimed "Moonstruck". Never elegant or brilliant like his most successful screenplay, "Five Corners" is something to be seen because Shanley knows how to create good moments one after another with knowledge of cause (he lived similar experiences as the ones showed here), some odd humor and makes you feel interested even when the story goes on a random rampage of sequences and characters that doesn't seem to fit a purpose in the plot - the young kids having a good time all around, including a memorable ride on the top of elevators. They have a purpose actually, but it takes too long to get there.
But, like "Moonstruck", he has on his disposal and director Tony Bill, a good ensemble casting (the difference is that most of the actors in this film were relatively unknown at the time of its release while Norman Jewison's film had an stellar casting already famous). Foster and Robbins are fine together, very comfortable in their roles (Tim's best scene involves a small monologue about why he wants to join the Civil Rights Movement); Graff, unforgettable as the comic relief in 99,9% of "The Abyss", is quite annoying as the goofy boyfriend who always seem to ruin the day for everyone. Top quality performance of this comes from the terrorizing psychotic character of Turturro, his coldest and scariest character I've seen since John Shooter in "Secret Window".
The drama? Engaging. The suspense? Good with some violent moments, but predictable at many parts (the ending was quite strange though, who could have thought of that happening?). And the comedy? Hardly work I must say. First of all, there's too much randomness included in this, the parts should be put together in a better way and the dialogs should go under a deep construction - that's why the Coen's succeed so much in doing funny and dark tales. OK, not just dialogs, but also in developing believable, sustainable situations. This goes beyond ridiculous when the girl decides to meet the psychopath, completely alone on a park at midnight. Who does that?
All in all, presentable, watchable and manageable. A good little flick, probably more known these days because of the cast, which is the main reason why you should see it. 8/10
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