Young psychotic man returns to neighborhood after release from prison. He seeks young lady he previously tried to rape and young man who protected her, with twisted ideas of love for her ... See full summary »
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Ben Sanderson, an alcoholic Hollywood screenwriter who lost everything because of his drinking, arrives in Las Vegas to drink himself to death. There, he meets and forms an uneasy friendship and non-interference pact with prostitute Sera.
A mute woman along with her young daughter, and her prized piano, are sent to 1850s New Zealand for an arranged marriage to a wealthy landowner, and she's soon lusted after by a local worker on the plantation.
James is a new speech teacher at a school for the deaf. He falls for Sarah, a pupil who decided to stay on at the school rather than venture into the big bad world. She shuns him at first, ... See full summary »
Revolving around Truvy's Beauty Parlor in a small parish in modern-day Louisiana, STEEL MAGNOLIAS is the story of a close-knit circle of friends whose lives come together there. As the ... See full summary »
Director:
Herbert Ross
Stars:
Sally Field,
Shirley MacLaine,
Olympia Dukakis
Young psychotic man returns to neighborhood after release from prison. He seeks young lady he previously tried to rape and young man who protected her, with twisted ideas of love for her and hate for him. Written by
Bill Smith <bsmith30@ix.netcom.com>
Writer John Patrick Shanley said incidents in the story were based on his own experiences growing up in New York City. See more »
Goofs
Set in 1964, when Linda talks on her home phone with Heinz, the phone handset is clearly seen to have a modular plug connection to its cord. The now-popular modular plugs were not introduced until much later in the 70's. See more »
Quotes
Harry:
And when I was sittin' home with my mother, watchin' the news about it on TV, the next thing they showed after that was Dr. Martin Luther King speaking. He was talking about the power of love in the face of senseless cruelty and violence. And I heard him, Mr. Kemp. I guess something had knocked the wax outta my ears. ' Cause I heard him loud and clear.
See more »
Crazy Credits
Nearly at the end of the credits there is the following paragraph: 'Many thanks to the Penguins in this film. They were treated most respectfully and no harm ever came to them in their work.' See more »
Soundtracks
"Let The Little Girl Dance"
Words and Music by Glover - Spencer
Performed by Billy Bland
Master courtesy of Old Town Record Corp. See more »
Offbeat--to say the least--comedy-drama from director Tony Bill and writer/co-producer John Patrick Shanley combines unforced, unshowy nostalgia with dark (and rather wobbly) comedic undertones. In a troubled Bronx neighborhood in the 1960s, Jodie Foster is a young woman hounded by just-released convict John Turturro, while Tim Robbins is a former classmate reevaluating his priorities based on turbulent world events. Foster has little to work with in a weakly-written role (she's not going to meet this nutcase in the park at night!), but Robbins' quiet sincerity is lovely, and his handsome face and expressive manner keeps the film grounded in reality. Overall, it's much too flighty, with a melodramatic final 30 minutes which doesn't do anything good for anybody--least of all the viewer. However, there is some dryly eccentric humor in Shanley's screenplay, and when director Bill's touch is light the film generally works. **1/2 from ****
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Offbeat--to say the least--comedy-drama from director Tony Bill and writer/co-producer John Patrick Shanley combines unforced, unshowy nostalgia with dark (and rather wobbly) comedic undertones. In a troubled Bronx neighborhood in the 1960s, Jodie Foster is a young woman hounded by just-released convict John Turturro, while Tim Robbins is a former classmate reevaluating his priorities based on turbulent world events. Foster has little to work with in a weakly-written role (she's not going to meet this nutcase in the park at night!), but Robbins' quiet sincerity is lovely, and his handsome face and expressive manner keeps the film grounded in reality. Overall, it's much too flighty, with a melodramatic final 30 minutes which doesn't do anything good for anybody--least of all the viewer. However, there is some dryly eccentric humor in Shanley's screenplay, and when director Bill's touch is light the film generally works. **1/2 from ****