A psychotic young man returns to his old neighborhood after release from prison. He seeks out the woman he previously tried to rape and the man who protected her, with twisted ideas of love for her and hate for him.
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A man hires a P.I. to find a hot woman he fell in love with. The woman lives with her underage teen sister who dreams about having sex for the first time, but wants a real man. That's when the P.I. shows up and stirs up the household.
Una domenica estiva in uno stabilimento balneare al Lido di Ostia (Roma). Una fauna umana variegata e tante storie che si intrecciano. Una squadra femmminile di pallacanestro ; due militari... See full summary »
A psychotic young man returns to his old neighborhood after release from prison. He seeks out the woman he previously tried to rape and the man who protected her, with twisted ideas of love for her and hate for him. Written by
Bill Smith <firstname.lastname@example.org>
The theme music was "In My Life" as performed by The Beatles. One of the producers of this project was George Harrison. See more »
In the scene where Linda is abducted in the subway station, one of the advertisement posters in the background is for the 1986 film Soul Man. See more »
...and what he is going to do tonight?
He is... he is going to die.
Thank you mama, thank you.
[He carries her in his arms, and then throws her out of the window]
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Nearly at the end of the credits there is the following paragraph: 'Many thanks to the Penguins in this film. They were treated most respectfully and no harm ever came to them in their work.' See more »
I was persuaded to watch this film on late-night TV by the cast: Tim Robbins, Jodie Foster and John Turturro, and lots of familiar faces who you're glad to see, even if you don't know their names. Turturro is better in this than in most of his later work. Psycho? or just a stupid, unhappy bully, whose violence seems almost normal in the tough, white, working class neighbourhood which gives the film its title. He is genuinely threatening, mean, short fuse, unpredictable, but a believable rounded character who excites our pity as well as our disgust. Foster and Robbins fit their roles like fingers fit gloves, the period setting - 1964 - is nicely realised, and the script sets up and resolves a series of classic conflicts with some originality and some appealing off-the-wall subplots. Of course, the good end happily and the bad unhappily, but that is fiction, my dear, and that is why I call it a melodrama. If it comes up on the late-night schedules, or you see it in your local video-store, watch it.
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