Young psychotic man returns to neighborhood after release from prison. He seeks young lady he previously tried to rape and young man who protected her, with twisted ideas of love for her ... See full summary »
Ben Sanderson, an alcoholic Hollywood screenwriter who lost everything because of his drinking, arrives in Las Vegas to drink himself to death. There, he meets and forms an uneasy friendship and non-interference pact with prostitute Sera.
A mute woman along with her young daughter, and her prized piano, are sent to 1850s New Zealand for an arranged marriage to a wealthy landowner, and she's soon lusted after by a local worker on the plantation.
Revolving around Truvy's Beauty Parlor in a small parish in modern-day Louisiana, STEEL MAGNOLIAS is the story of a close-knit circle of friends whose lives come together there. As the ... See full summary »
Young psychotic man returns to neighborhood after release from prison. He seeks young lady he previously tried to rape and young man who protected her, with twisted ideas of love for her and hate for him. Written by
Bill Smith <firstname.lastname@example.org>
The theme music was "In My Life" as performed by The Beatles. One of the producers of this project was George Harrison. See more »
In the scene where Linda is abducted in the subway station, one of the advertisement posters in the background is for the 1986 film Soul Man. See more »
...and what he is going to do tonight?
He is... he is going to die.
Thank you mama, thank you.
[He carries her in his arms, and then throws her out of the window]
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Nearly at the end of the credits there is the following paragraph: 'Many thanks to the Penguins in this film. They were treated most respectfully and no harm ever came to them in their work.' See more »
I was persuaded to watch this film on late-night TV by the cast: Tim Robbins, Jodie Foster and John Turturro, and lots of familiar faces who you're glad to see, even if you don't know their names. Turturro is better in this than in most of his later work. Psycho? or just a stupid, unhappy bully, whose violence seems almost normal in the tough, white, working class neighbourhood which gives the film its title. He is genuinely threatening, mean, short fuse, unpredictable, but a believable rounded character who excites our pity as well as our disgust. Foster and Robbins fit their roles like fingers fit gloves, the period setting - 1964 - is nicely realised, and the script sets up and resolves a series of classic conflicts with some originality and some appealing off-the-wall subplots. Of course, the good end happily and the bad unhappily, but that is fiction, my dear, and that is why I call it a melodrama. If it comes up on the late-night schedules, or you see it in your local video-store, watch it.
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