| Photos (See all 36 | slideshow) |
Directed by | |||
| Adrian Lyne | |||
Writing credits(WGA) | ||
| James Dearden | (screenplay) | |
| James Dearden | (short film) | |
Produced by | |||
| Stanley R. Jaffe | .... | producer | |
| Sherry Lansing | .... | producer | |
Original Music by | |||
| Maurice Jarre | |||
Cinematography by | |||
| Howard Atherton | (director of photography) | ||
Film Editing by | |||
| Peter E. Berger | |||
| Michael Kahn | |||
Casting by | |||
| Risa Bramon Garcia | (as Risa Bramon) | ||
| Billy Hopkins | |||
Production Design by | |||
| Mel Bourne | |||
Art Direction by | |||
| Jack Blackman | |||
Set Decoration by | |||
| George DeTitta Sr. | (as George DeTitta) | ||
Costume Design by | |||
| Ellen Mirojnick | |||
Makeup Department | |||
| Richard Dean | .... | makeup artist | |
| Lyndell Quiyou | .... | hair stylist | |
| Doug Drexler | .... | special makeup effects artist (uncredited) | |
| Michael R. Thomas | .... | slashed wrist effect makeup (uncredited) | |
Production Management | |||
| Christopher Cronyn | .... | unit production manager | |
| Robert E. Warner | .... | unit production manager: re-shoot (uncredited) | |
Second Unit Director or Assistant Director | |||
| Robert V. Girolami | .... | first assistant director (as Robert Girolami) | |
| Martha L. Mericka | .... | dga trainee (as Marty Mericka) | |
| Jane Paul | .... | second assistant director | |
| Chris Stoia | .... | second second assistant director (as Christopher Stoia) | |
| David R. Ellis | .... | second unit director (uncredited) | |
| Craig Haagensen | .... | second unit director (uncredited) | |
Art Department | |||
| Gerald DeTitta | .... | set dresser (as Gerry DeTitta) | |
| Ed Ferraro | .... | shop craftsman (as Eddie Ferraro) | |
| George Gartland | .... | construction grip | |
| Philip Saccio Jr. | .... | property person (as Phillip Saccio) | |
| Thomas Saccio | .... | property master (as Tom Saccio) | |
| Sylvia Trapanese | .... | art department coordinator | |
| Michael Zansky | .... | chargeman scenic artist | |
| Jerry Adams | .... | property manager (uncredited) | |
| Philip Saccio | .... | assistant property master (uncredited) | |
| Ginny Walsh | .... | property fabricator (uncredited) | |
Sound Department | |||
| Dee Dee Goldner | .... | assistant sound editor | |
| Robert G. Henderson | .... | supervising sound editor (as Robert Henderson) | |
| Ellen Heuer | .... | foley artist: TAJ Soundworks | |
| David M. Horton | .... | sound editor (as David Horton) | |
| David J. Hudson | .... | sound re-recording mixer | |
| Vito L. Ilardi | .... | sound recordist (as Vito Ilardi) | |
| Nicholas Vincent Korda | .... | sound editor (as Nicholas Korda) | |
| Bruce Lacey | .... | sound editor | |
| Les Lazarowitz | .... | sound mixer | |
| Mel Metcalfe | .... | sound re-recording mixer | |
| Linda Murphy | .... | boom operator | |
| Alan Robert Murray | .... | supervising sound editor | |
| Greg Orloff | .... | foley artist: Taj Soundworks | |
| Terry Porter | .... | sound re-recording mixer | |
| John Roesch | .... | foley artist: TAJ Soundworks | |
| Brooke Henderson Ward | .... | assistant sound editor | |
Special Effects by | |||
| Clive R. Kay | .... | special effects contact lenses (uncredited) | |
Stunts | |||
| Janet Brady | .... | stunts | |
| Steve M. Davison | .... | stunts | |
| Annie Ellis | .... | stunts | |
| David R. Ellis | .... | stunt coordinator | |
| David R. Ellis | .... | stunts (as David Ellis) | |
| Freddie Hice | .... | stunts | |
| Laurie Shepard | .... | stunts | |
| Tracy Keehn-Dashnaw | .... | stunt double: Ann Archer (uncredited) | |
Camera and Electrical Department | |||
| James 'Packy' Dolan | .... | chief lighting technician | |
| James P. Dolan | .... | assistant chief lighting technician (as J.P. Dolan) | |
| James Finnerty | .... | first company grip (as Jim Finnerty) | |
| John Finnerty | .... | second company grip | |
| Bill Gerardo | .... | second assistant photographer | |
| Vinnie Gerardo | .... | first assistant photographer | |
| Craig Haagensen | .... | camera operator | |
| Andrew D. Schwartz | .... | still photographer | |
| Robert M. Volpe | .... | dolly grip (as Bob Volte) | |
| John Corso | .... | cinematographer: Steadicam (uncredited) | |
| Chris Hayes | .... | additional camera operator (uncredited) | |
| Tom Krueger | .... | focus puller (uncredited) | |
| Michael Stone | .... | camera operator: new end sequence (uncredited) | |
Casting Department | |||
| Paul Adler | .... | casting assistant | |
| Heidi Levitt | .... | casting assistant | |
| Riccardo Bertoni | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| William A. Campbell | .... | costumer: men (as William Campbell) | |
| Danajean Cicerchi | .... | costumer: women | |
Editorial Department | |||
| Thomas R. Bryant | .... | assistant editor (as Tom Bryant) | |
| Jack Garsha | .... | color timer | |
| Martha Huntley | .... | assistant editor: New York | |
| Richard J. Rossi | .... | assistant editor: New York (as Richard Rossi) | |
| Diane Asnes Ruggeri | .... | assistant editor: New York | |
| George C. Villaseñor | .... | assistant editor | |
| Michael Carlin | .... | editing room assistant (uncredited) | |
Music Department | |||
| Dan Carlin Sr. | .... | music editor | |
| Maurice Jarre | .... | orchestrator | |
| Joel Moss | .... | music scoring mixer | |
| Bob Bornstein | .... | music preparation (uncredited) | |
Transportation Department | |||
| Tom O'Donnell | .... | teamster captain | |
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| Black Belly of the Tarantula | Delirio caldo | I, the Jury | Blade of the Ripper | Basic Instinct |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Although I found myself checking the elapsed time during this movie to get some idea of when it would end, the final scenes made me squirm with sympathetic fright for the characters.
Roger Ebert says the filmmakers ruined a perfectly good psychological thriller by attaching a "Friday the 13th" ending. The IMDb Trivia page says the movie originally had a different ending in which Glenn Close's character commits suicide and Michael Douglas' character is arrested for her murder. Ebert and most serious film lovers would likely have preferred that ending. But making profitable movies sometimes means making them unpalatable for highbrow students of film.
Nevertheless, the "flawed" film resonated with women. I have vague memories of female friends and acquaintances in the late '80s seeing "Fatal Attraction" as an example of what SHOULD happen to any man who cheats on his wife. The movie found a place in our culture for a while, and the title was a euphemism for similar happenings in real life.
One wonders how much this movie had to do with the near universal creation of "stalker laws" in the 1990s.