| David Hemblen | ... | Stan | |
| Aidan Tierney | ... | Van | |
| Gabrielle Rose | ... | Sandra | |
| Arsinée Khanjian | ... | Aline | |
| Selma Keklikian | ... | Armen | |
| Jeanne Sabourin | ... | Aline's Mother | |
| Rose Sarkisyan | ... | Van's Mother | |
| Vasag Baghboudarian | ... | Young Van | |
| David MacKay | ... | Man Behind Counter | |
| Hrant Alianak | ... | Administrator | |
| John Shafer | ... | Private Detective | |
| Garfield Andrews | ... | Hotel Bellboy | |
| Edwin Stephenson | ... | Video Salesman | |
| Aino Pirskanen | ... | Mistaken Woman | |
| Souren Chekijian | ... | Priest at Funeral | |
| Johnnie Eisen | ... | Aline's Client | |
| John Pellatt | ... | Radio / TV Voices |
Directed by | |||
| Atom Egoyan | |||
Writing credits(in alphabetical order) | ||
| Atom Egoyan | writer | |
Produced by | |||
| Atom Egoyan | .... | producer | |
Original Music by | |||
| Mychael Danna | |||
Cinematography by | |||
| Robert MacDonald | (director of photography) | ||
| Peter Mettler | |||
Film Editing by | |||
| Atom Egoyan | |||
| Bruce McDonald | (as Bruce MacDonald) | ||
Art Direction by | |||
| Linda Del Rosario | |||
Makeup Department | |||
| Fina Khan | .... | makeup consultant (as Fina Kahn) | |
| Matti Sevink | .... | makeup artist | |
| Jaqueline Steele | .... | makeup consultant (as Jacqueline Steele) | |
Production Management | |||
| Camelia Frieberg | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Antony Anderson | .... | second assistant director | |
| Camelia Frieberg | .... | first assistant director | |
Art Department | |||
| David Greig | .... | set carpenter | |
| Susan Wallace-Worts | .... | art department trainee | |
Sound Department | |||
| Peter Melnychuk | .... | boom operator | |
| Steve Munro | .... | sound editor | |
| John Paxton | .... | second boom operator | |
| Daniel Pellerin | .... | sound re-recording mixer | |
| Ross Redfern | .... | sound editor | |
| Michael Werth | .... | dialogue editor | |
Visual Effects by | |||
| Chris Wallace | .... | hi-def colourist (uncredited) | |
Camera and Electrical Department | |||
| Michael Auger | .... | best boy | |
| John Biggar | .... | best boy | |
| Johnnie Eisen | .... | still photographer | |
| Chris Higginson | .... | assistant camera | |
| Ihor Lomaga | .... | additional still photographer | |
| Christopher Lowry | .... | additional still photographer | |
| Gerald Packer | .... | gaffer | |
| Darcy Rodriguez | .... | second electric (as Darcy Rodrigues) | |
| Tim Sauder | .... | key grip | |
| Per Inge Shel | .... | assistant camera (as Per-Inge Schei) | |
| Danni Starbuck | .... | grip | |
Animation Department | |||
| Peter Korsitzke | .... | timing | |
Costume and Wardrobe Department | |||
| Nancy Duggan | .... | costume coordinator | |
| Matti Sevink | .... | wardrobe | |
Editorial Department | |||
| Aaron Shuster | .... | first assistant editor | |
Transportation Department | |||
| Morton Dorrell | .... | driver (as Morten Dorrell) | |
| Adrian Iwachiw | .... | driver | |
Other crew | |||
| Karim Allag | .... | production assistant | |
| Allen Bell | .... | script editor | |
| Gavin Coford | .... | production assistant | |
| Shelagh Cowie | .... | production assistant | |
| Stacey Doren | .... | production assistant | |
| Frank Doria | .... | production assistant | |
| Helen Fletcher | .... | production coordinator | |
| Monika Gagnon | .... | continuity | |
| Alexandra Gill | .... | continuity apprentice | |
| Ian Greig | .... | design coordinator | |
| Rose Gutierrez | .... | talent coordinator | |
| Jennifer Hazel | .... | caterer | |
| Martyn Krys | .... | production lawyer (as Martin Krys) | |
| Ruth Mandel | .... | production assistant | |
| Janis Rotman | .... | business manager | |
| Aaron Shuster | .... | rushes synchronization | |
| Harry Sutherland | .... | production assistant | |
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| The Science of Sleep | Felicia's Journey | Garden State | Next of Kin | Freeway |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Canada section |
The breakthrough film by the most stylish and original critic of the audio/visual age is a sophisticated mock soap opera charting the corrosive influence of TV and video on the fabric of modern family life. With astonishing versatility and a grab-bag of black comic gestures, writer director Atom Egoyan injects an air of deadpan, dispassionate humor into a convoluted melodrama which is less kinky than it sounds: a young man, finding his family identity threatened, rescues some nostalgic home videos before his father can erase them with homemade S&M porn, and then 'kidnaps' his neglected grandmother from her nursing home with the help of a sympathetic woman who earns a living selling phone sex. The screenplay shows a tendency toward over plotting (which should be obvious from even this thumbnail synopsis), but Egoyan unravels the many narrative knots with a rare technical and creative dexterity that earned his film the honor of being the best Canadian film of the year.