Traces events in the life of Carlo, from his christening in 1906, where his grandfather reminds his father that Carlo means "free man," to his 80th birthday party. The film principally ...
See full summary »
An evening at an Italian restaurant. Hosted by tolerant and relaxed Flora, various parties of middle-class people come in -- large and small, young and old, regulars and tourists, married ... See full summary »
Gianni, Nicola and Antonio become close friends in 1944 while fighting the Nazis. After the end of the war, full of illusions, they settle down. The movie is a the story of the life of ... See full summary »
Four generations of a family live crowded together in a cardboard shantytown shack in the squalor of inner-city Rome. They plan to murder each other with poisoned dinners, arson, etc. The ... See full summary »
Maria Luisa Santella,
Two linen fabric dealers with their shops close to one another, battle against each other for more and more costumers. Umberto constantly loses clients because of the tough competition ... See full summary »
The 50 year story of a ballroom in France, from the 1920s. The people who go there is always the same, even the musicians. You can see all kind of people dancing all the fashion dances (... See full summary »
Francesco De Rosa
Splendor is the name of an old movie theater managed by Jordan (Mastroianni), who inherited it from his father. The theater is in decay and only generates debts and trouble, but Jordan gets... See full summary »
An episodic satire of the political and social status of Italy in the seventies, through the shows of one day of a television channel. An English language lesson turns into a killing of a ... See full summary »
Traces events in the life of Carlo, from his christening in 1906, where his grandfather reminds his father that Carlo means "free man," to his 80th birthday party. The film principally explores his relationships with younger brother Guilio, with wife Beatrice, and with her sister Adriana, whom Carlo loved as a young man. Written by
...And I was wondering why. That guy on the Washington Post said the film is boring because "it´s like watching some other´s family album"... On the paper, I´d agree with him, but after watching the movie i have to say that I do not. I guess it has to do with the little, precious details (those long travellings inside the house, for instance: this is a very well directed movie), the humor, the music, with Gassman of course, and with the fact that we´re actually watching the whole life of a man we cannot dislike: the last scene, with the 80 years old Gassman -the grandfather now- posing with all his family for the photo (as in the very first scene, when he´s a baby surrounded by people that will die eventually) has such deep emotional impact, because, I guess, shows finally that life is a trip that inevitably has an end, and where the new ones will occupy the seat of the old ones, and that´s how it should be, and the movie has a sense of calm acceptation of that. In "La famiglia" you see, as Cocteau said, "death doing her work". It´s true that the story seems to have no point, but also, I don´t think life has a point. At least I cannot see one...
I really liked this movie. In my opinion, 7/10.
18 of 20 people found this review helpful.
Was this review helpful to you?