| Photos (See all 35 | slideshow) | Videos (see all 4) |
| Bruce Campbell | ... | Ashley 'Ash' J. Williams | |
| Sarah Berry | ... | Annie Knowby | |
| Dan Hicks | ... | Jake | |
| Kassie Wesley DePaiva | ... | Bobby Joe (as Kassie Wesley) | |
| Ted Raimi | ... | Possessed Henrietta (as Theodore Raimi) | |
| Denise Bixler | ... | Linda | |
| Richard Domeier | ... | Ed Getley | |
| John Peakes | ... | Professor Raymond Knowby | |
| Lou Hancock | ... | Henrietta Knowby | |
| Snowy Winters | ... | Dancer | |
| Sid Abrams | ... | Fake Shemp | |
| Josh Becker | ... | Fake Shemp | |
| Scott Spiegel | ... | Fake Shemp | |
| Thomas Kidd | ... | Fake Shemp | |
| Mitch Cantor | ... | Fake Shemp | |
| Jenny Griffith | ... | Fake Shemp | |
| William Preston Robertson | ... | The Hand / The Dark Spirit / The Deer Head / The Enchanted Objects (voice) | |
| rest of cast listed alphabetically: | |||
| Tony Elwood | ... | Luggage Monkey (uncredited) | |
| Sam Raimi | ... | Medieval Soldier (uncredited) | |
Directed by | |||
| Sam Raimi | |||
Writing credits | ||
| Sam Raimi | (written by) & | |
| Scott Spiegel | (written by) | |
Produced by | |||
| Bruce Campbell | .... | co-producer | |
| Alex De Benedetti | .... | executive producer | |
| Irvin Shapiro | .... | executive producer | |
| Robert G. Tapert | .... | producer | |
Original Music by | |||
| Joseph LoDuca | (as Joseph Lo Duca) | ||
Cinematography by | |||
| Peter Deming | (director of photography) | ||
Film Editing by | |||
| Kaye Davis | |||
Art Direction by | |||
| Randy Bennett | |||
| Philip Duffin | |||
Set Decoration by | |||
| Elizabeth Moore | |||
Makeup Department | |||
| Wendy Bell | .... | makeup artist | |
| Howard Berger | .... | special makeup effects unit crew | |
| Robert Kurtzman | .... | special makeup effects unit crew | |
| Gregory Nicotero | .... | special makeup effects unit crew | |
| Shannon Shea | .... | special makeup effects unit crew | |
| Mark Shostrom | .... | special makeup design and creation | |
| Aaron Sims | .... | special makeup effects unit crew | |
| Bryant Tausek | .... | special makeup effects unit crew | |
| Mike Trcic | .... | special makeup effects unit crew | |
| Tim Turner | .... | detail sculpting assistant (uncredited) | |
Production Management | |||
| Joseph C. Stillman | .... | production manager | |
Second Unit Director or Assistant Director | |||
| K. Siobhan Phelan | .... | second assistant director | |
| Joseph Winogradoff | .... | first assistant director | |
Art Department | |||
| Jerry Adams | .... | carpenter | |
| Andy Boswell | .... | assistant to art director | |
| Michael Burnett | .... | sculptor | |
| Johnna Butler | .... | leadman | |
| Reed Downy | .... | carpenter | |
| Tony Elwood | .... | special props | |
| Larry Fox | .... | construction coordinator | |
| Tony Gardner | .... | sculpting | |
| Wayne Gathins | .... | carpenter | |
| William Hamilton | .... | set painter | |
| Charles Lear | .... | carpenter | |
| Wayne Leonard | .... | set dresser | |
| Margaret Prentice | .... | painting (as Margaret Beserra) | |
| Scott Shamis | .... | carpenter | |
| Blanche Sindelar | .... | prop master | |
| Steve Wang | .... | sculptor | |
| Bobby Maness | .... | carpenter (uncredited) | |
| Daniel Nalepka | .... | carpenter (uncredited) | |
Sound Department | |||
| John Voss Bonds Jr. | .... | sound effects editor (as John V. Bonds Jr.) | |
| Thomas Bush | .... | assistant sound editor | |
| Mike Dickeson | .... | foley artist | |
| Kevin Hill | .... | sound effects editor | |
| Thomas Morrison | .... | sound mixer (as Tom Morrison) | |
| Drew Neumann | .... | additional synthesized sound effects (as Drew Newmann) | |
| Yvonne Preble | .... | assistant sound editor | |
| Chris Rabideau | .... | dialogue editor | |
| Cindy Rabideau | .... | sound effects editor | |
| Andrew Schatz | .... | sound re-recording mixer | |
| Steve Sheranian | .... | sound effects editor | |
| Julie Spears | .... | foley artist | |
| John W. Walter | .... | boom operator (as John Walter) | |
| Brian E. Wedewer | .... | sound effects editor (as Brian Wedewer) | |
| David John West | .... | sound re-recording mixer (as David West) | |
| David John West | .... | supervising sound editor (as David West) | |
| David Lewis Yewdall | .... | additional sound effects (as David Yewdall) | |
| Ron Ayers | .... | post production sound (uncredited) | |
Special Effects by | |||
| Vern Hyde | .... | special effects foreman | |
| Dale Johnson | .... | special effects assistant | |
| Margaret Prentice | .... | detail and painting (as Margaret Beserra) | |
| Dave Thiry | .... | special effects assistant | |
| Tom Barkstedt | .... | special effects technician (uncredited) | |
| Douglas Evan Hersh | .... | special effects gaffer (uncredited) | |
| Gary Jones | .... | special effects technician (uncredited) | |
| David Moenkhaus | .... | special effects (uncredited) | |
| Gregory Nicotero | .... | special effects technician (uncredited) | |
| Daniel S. Noga | .... | special effects cinematographer (uncredited) | |
| Brian Joseph Ochab | .... | stop motion animation assistant (uncredited) | |
| Larry Odien | .... | mechanical effects (uncredited) | |
| Mike Tristano | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Jim Aupperle | .... | effects photography supervisor | |
| James Belohovek | .... | miniature supervisor (as James Belohobek) | |
| Doug Beswick | .... | stop motion animation | |
| Yancy Calzada | .... | stop motion armature | |
| Robert Dyke | .... | miniatures (as Bob Dyke) | |
| Tom Hitchcock | .... | miniatures | |
| Bob Kayganich | .... | matte painter | |
| Rocky Mohoney | .... | optical line-up | |
| Joseph Wallikas | .... | optical camera operator (as Joe Wallikas) | |
| Larry Arpin | .... | optical effects (uncredited) | |
| Vicki L. Engel | .... | visual effects production assistant (uncredited) | |
| Joseph Thomas | .... | animation cameraman (uncredited) | |
Stunts | |||
| John Casino | .... | stunts | |
| Sandra Lee Gimpel | .... | stunts (as Sandy Gimpel) | |
| Gary Jensen | .... | stunt coordinator | |
| Debby Lynn Ross | .... | stunts (as Debbie Lynn Ross) | |
| Blanche Sindelar | .... | stunts | |
| Ben Jensen | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Brigette Alexander | .... | second assistant camera | |
| Bob Brown | .... | crane operator | |
| Brendan Creadle | .... | additional assistant camera | |
| Mike Ditz | .... | still photographer | |
| Robert Duffin | .... | gaffer | |
| Chris English | .... | electrician | |
| Roy Gittens | .... | grip | |
| Tim Philo | .... | director of photography: second unit | |
| Billy Pierce | .... | grip | |
| Maribel Rodriguez | .... | electrician | |
| Ruben Rodriguez | .... | best boy (as Rubin Rodriguez) | |
| Hamid Shams | .... | first assistant camera | |
| Eugene D. Shlugleit | .... | director of photography: night exterior photography (as Eugene Shlugleit) | |
| Josh Steinberg | .... | grip | |
| Larry Steinberg | .... | key grip | |
| Sarah Berry | .... | clapper girl (uncredited) | |
| Michael Gulbin | .... | rig constructor (uncredited) | |
Animation Department | |||
| Rick Catizone | .... | henrietta transformation and hand animation | |
| Katherine Kean | .... | animator: main titles (as Kathy Kean) | |
| Larry Larson | .... | animation photographer | |
| Bill Notaro | .... | mechanical designer | |
| Tom Sullivan | .... | animator | |
| David Moenkhaus | .... | animator (uncredited) | |
| Brian Rae | .... | assistant animator (uncredited) | |
Casting Department | |||
| Brian Penikas | .... | molds and casting | |
| Samuel Warren | .... | additional casting | |
Costume and Wardrobe Department | |||
| Vicki Graef | .... | wardrobe | |
| Randall Ouzts | .... | assistant wardrobe | |
Editorial Department | |||
| Rob Anderson | .... | apprentice editor | |
| Paul Harris | .... | assistant editor | |
| Michael Jonascu | .... | assistant editor | |
| Dorothy Tapert | .... | apprentice editor | |
| Daniel S. Frisch | .... | post-production assistant (uncredited) | |
Music Department | |||
| Sheldon Newmann | .... | music technical consultant | |
| Chris Rabideau | .... | music editor | |
| Dennis J. Tini | .... | conductor | |
Transportation Department | |||
| David Goodman | .... | transportation | |
Other crew | |||
| Pam Billingsley | .... | provider: horse and riders | |
| Ricky Billingsley | .... | provider: horse and riders | |
| Andrea Brown | .... | dance choreography | |
| Teresa Burkept | .... | foam fabricator: tree branch and rotten apple head | |
| Michael Burnett | .... | sculpting and detail | |
| Cathy Carpentar | .... | assistant accountant | |
| Mary Ann Creamer | .... | production assistant | |
| Diane Dankwardt | .... | production accountant | |
| Elaine Dysinger | .... | production coordinator | |
| Tony Gardner | .... | sculpting and detail | |
| Pryor Gibson | .... | location contact | |
| David Goodman | .... | studio manager | |
| Ruth Jessup | .... | production secretary | |
| David Kindlon | .... | mechanicals | |
| Susan Labatt | .... | dance choreography | |
| Larry Odean | .... | cosmetic contact lenses | |
| Linda Ohman | .... | caterer | |
| Paul Ohman | .... | caterer | |
| Karalyn Parsons | .... | production assistant | |
| Davi Trotti | .... | production assistant | |
| Tam G. Warner | .... | animated dance choreographer | |
| Mark Bryan Wilson | .... | foam fabricator: tree branch and rotten apple head (as Mark Wilson) | |
| Michael D. McAllister | .... | production assistant (uncredited) | |
Thanks | |||
| B.V. Hedrick | .... | special thanks | |
| Betty Huntley | .... | special thanks | |
| Harry Huntley | .... | special thanks | |
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| The Evil Dead | Army of Darkness | Dead Alive | Idle Hands | Deep Red |
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Sequel or remake? There has always been a huge debate whether Evil Dead II is a sequel or a remake, since the second film contradicts the story that occurred in Evil Dead. Such as, the ending of Evil Dead ends with Ash being chased down by the evil spirit which deceased the other characters. However, after the paraphrase of events at the start of Evil Dead II, which only features Ash and Linda and Ash is once again hit by the same evil spirit. That's where the story begins in the second film.
So, the book was destroyed in The Evil Dead, whereas it appears again in Evil Dead II. This certainly isn't a huge factor. Actually, if one can recall James Whale's 1935 masterpiece sequel entitled Bride of Frankenstein. There is no question that director Sam Raimi used the Whale masterpiece as the blueprint for his sequel. In Bride of Frankenstein, the film starts with a prologue that recaps the events of the first film, however, completely contradicting the entire ending of the film which is where the sequel starts. I understand that Raimi was going through legal issues, so he was forced in this position to contradict the first film, but he certainly used the way that made Bride of Frankenstein the classic in remains. Not to mention, in Frankenstein, it is a straightforward horror film, whereas in the sequel it is a macabre, satirical film that uses the blend of horror and black comedy at it's finest. No doubt Raimi's Evil Dead II uses the same concept.
So is Evil Dead II a sequel or a remake? It is undoubtedly a sequel! A fairly good one as well, that in many ways surpasses it's original prototype. It's certainly not one of the most visually inventive, relentless, and truly original films ever made as some claim it to be, it's not even one of the top films of it's very own genre. However, it remains one of the best full-on gore slapstick's ever seen. The script is witty, and well written (mostly on the part of Scott Spiegel). It's no secret that one of films main inspirations was The Three Stooges, along with many other slapstick comedy's. Though it's director Raimi's unbelievable POV shots, weird lighting, stop motion animation, moving hand held camera, etc. that makes the film work.
That being said, Evil Dead II just isn't a grade-A horror film, it isn't on the level of the classics such as, Peeping Tom, Freaks, Nosferatu, Vampyr, The Phantom of the Opera (silent), The Man Who Laughs, etc. It does not have much of a plot. It has very little acting, little continuity, and no logic. Evil Dead II is a classic cult horror film in every sense of the word. You simply have to come along and experience it for yourself.