| Photos (See all 35 | slideshow) | Videos (see all 4) |
| Bruce Campbell | ... | Ashley 'Ash' J. Williams | |
| Sarah Berry | ... | Annie Knowby | |
| Dan Hicks | ... | Jake | |
| Kassie Wesley DePaiva | ... | Bobby Joe (as Kassie Wesley) | |
| Ted Raimi | ... | Possessed Henrietta (as Theodore Raimi) | |
| Denise Bixler | ... | Linda | |
| Richard Domeier | ... | Ed Getley | |
| John Peakes | ... | Professor Raymond Knowby | |
| Lou Hancock | ... | Henrietta Knowby | |
| Snowy Winters | ... | Dancer | |
| Sid Abrams | ... | Fake Shemp | |
| Josh Becker | ... | Fake Shemp | |
| Scott Spiegel | ... | Fake Shemp | |
| Thomas Kidd | ... | Fake Shemp | |
| Mitch Cantor | ... | Fake Shemp | |
| Jenny Griffith | ... | Fake Shemp | |
| William Preston Robertson | ... | The Hand / The Dark Spirit / The Deer Head / The Enchanted Objects (voice) | |
| rest of cast listed alphabetically: | |||
| Tony Elwood | ... | Luggage Monkey (uncredited) | |
| Sam Raimi | ... | Medieval Soldier (uncredited) | |
Directed by | |||
| Sam Raimi | |||
Writing credits | ||
| Sam Raimi | (written by) & | |
| Scott Spiegel | (written by) | |
Produced by | |||
| Bruce Campbell | .... | co-producer | |
| Alex De Benedetti | .... | executive producer | |
| Irvin Shapiro | .... | executive producer | |
| Robert G. Tapert | .... | producer | |
Original Music by | |||
| Joseph LoDuca | (as Joseph Lo Duca) | ||
Cinematography by | |||
| Peter Deming | (director of photography) | ||
Film Editing by | |||
| Kaye Davis | |||
Art Direction by | |||
| Randy Bennett | |||
| Philip Duffin | |||
Set Decoration by | |||
| Elizabeth Moore | |||
Makeup Department | |||
| Wendy Bell | .... | makeup artist | |
| Howard Berger | .... | special makeup effects unit crew | |
| Robert Kurtzman | .... | special makeup effects unit crew | |
| Gregory Nicotero | .... | special makeup effects unit crew | |
| Shannon Shea | .... | special makeup effects unit crew | |
| Mark Shostrom | .... | special makeup design and creation | |
| Aaron Sims | .... | special makeup effects unit crew | |
| Bryant Tausek | .... | special makeup effects unit crew | |
| Mike Trcic | .... | special makeup effects unit crew | |
| Tim Turner | .... | detail sculpting assistant (uncredited) | |
Production Management | |||
| Joseph C. Stillman | .... | production manager | |
Second Unit Director or Assistant Director | |||
| K. Siobhan Phelan | .... | second assistant director | |
| Joseph Winogradoff | .... | first assistant director | |
Art Department | |||
| Jerry Adams | .... | carpenter | |
| Andy Boswell | .... | assistant to art director | |
| Michael Burnett | .... | sculptor | |
| Johnna Butler | .... | leadman | |
| Reed Downy | .... | carpenter | |
| Tony Elwood | .... | special props | |
| Larry Fox | .... | construction coordinator | |
| Tony Gardner | .... | sculpting | |
| Wayne Gathins | .... | carpenter | |
| William Hamilton | .... | set painter | |
| Charles Lear | .... | carpenter | |
| Wayne Leonard | .... | set dresser | |
| Margaret Prentice | .... | painting (as Margaret Beserra) | |
| Scott Shamis | .... | carpenter | |
| Blanche Sindelar | .... | prop master | |
| Steve Wang | .... | sculptor | |
| Bobby Maness | .... | carpenter (uncredited) | |
| Daniel Nalepka | .... | carpenter (uncredited) | |
Sound Department | |||
| John Voss Bonds Jr. | .... | sound effects editor (as John V. Bonds Jr.) | |
| Thomas Bush | .... | assistant sound editor | |
| Mike Dickeson | .... | foley artist | |
| Kevin Hill | .... | sound effects editor | |
| Thomas Morrison | .... | sound mixer (as Tom Morrison) | |
| Drew Neumann | .... | additional synthesized sound effects (as Drew Newmann) | |
| Yvonne Preble | .... | assistant sound editor | |
| Chris Rabideau | .... | dialogue editor | |
| Cindy Rabideau | .... | sound effects editor | |
| Andrew Schatz | .... | sound re-recording mixer | |
| Steve Sheranian | .... | sound effects editor | |
| Julie Spears | .... | foley artist | |
| John W. Walter | .... | boom operator (as John Walter) | |
| Brian E. Wedewer | .... | sound effects editor (as Brian Wedewer) | |
| David John West | .... | sound re-recording mixer (as David West) | |
| David John West | .... | supervising sound editor (as David West) | |
| David Lewis Yewdall | .... | additional sound effects (as David Yewdall) | |
| Ron Ayers | .... | post production sound (uncredited) | |
Special Effects by | |||
| Vern Hyde | .... | special effects foreman | |
| Dale Johnson | .... | special effects assistant | |
| Margaret Prentice | .... | detail and painting (as Margaret Beserra) | |
| Dave Thiry | .... | special effects assistant | |
| Tom Barkstedt | .... | special effects technician (uncredited) | |
| Douglas Evan Hersh | .... | special effects gaffer (uncredited) | |
| Gary Jones | .... | special effects technician (uncredited) | |
| David Moenkhaus | .... | special effects (uncredited) | |
| Gregory Nicotero | .... | special effects technician (uncredited) | |
| Daniel S. Noga | .... | special effects cinematographer (uncredited) | |
| Brian Joseph Ochab | .... | stop motion animation assistant (uncredited) | |
| Larry Odien | .... | mechanical effects (uncredited) | |
| Mike Tristano | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Jim Aupperle | .... | effects photography supervisor | |
| James Belohovek | .... | miniature supervisor (as James Belohobek) | |
| Doug Beswick | .... | stop motion animation | |
| Yancy Calzada | .... | stop motion armature | |
| Robert Dyke | .... | miniatures (as Bob Dyke) | |
| Tom Hitchcock | .... | miniatures | |
| Bob Kayganich | .... | matte painter | |
| Rocky Mohoney | .... | optical line-up | |
| Joseph Wallikas | .... | optical camera operator (as Joe Wallikas) | |
| Larry Arpin | .... | optical effects (uncredited) | |
| Vicki L. Engel | .... | visual effects production assistant (uncredited) | |
| Joseph Thomas | .... | animation cameraman (uncredited) | |
Stunts | |||
| John Casino | .... | stunts | |
| Sandra Lee Gimpel | .... | stunts (as Sandy Gimpel) | |
| Gary Jensen | .... | stunt coordinator | |
| Debby Lynn Ross | .... | stunts (as Debbie Lynn Ross) | |
| Blanche Sindelar | .... | stunts | |
| Ben Jensen | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Brigette Alexander | .... | second assistant camera | |
| Bob Brown | .... | crane operator | |
| Brendan Creadle | .... | additional assistant camera | |
| Mike Ditz | .... | still photographer | |
| Robert Duffin | .... | gaffer | |
| Chris English | .... | electrician | |
| Roy Gittens | .... | grip | |
| Tim Philo | .... | director of photography: second unit | |
| Billy Pierce | .... | grip | |
| Maribel Rodriguez | .... | electrician | |
| Ruben Rodriguez | .... | best boy (as Rubin Rodriguez) | |
| Hamid Shams | .... | first assistant camera | |
| Eugene D. Shlugleit | .... | director of photography: night exterior photography (as Eugene Shlugleit) | |
| Josh Steinberg | .... | grip | |
| Larry Steinberg | .... | key grip | |
| Sarah Berry | .... | clapper girl (uncredited) | |
| Michael Gulbin | .... | rig constructor (uncredited) | |
Animation Department | |||
| Rick Catizone | .... | henrietta transformation and hand animation | |
| Katherine Kean | .... | animator: main titles (as Kathy Kean) | |
| Larry Larson | .... | animation photographer | |
| Bill Notaro | .... | mechanical designer | |
| Tom Sullivan | .... | animator | |
| David Moenkhaus | .... | animator (uncredited) | |
| Brian Rae | .... | assistant animator (uncredited) | |
Casting Department | |||
| Brian Penikas | .... | molds and casting | |
| Samuel Warren | .... | additional casting | |
Costume and Wardrobe Department | |||
| Vicki Graef | .... | wardrobe | |
| Randall Ouzts | .... | assistant wardrobe | |
Editorial Department | |||
| Rob Anderson | .... | apprentice editor | |
| Paul Harris | .... | assistant editor | |
| Michael Jonascu | .... | assistant editor | |
| Dorothy Tapert | .... | apprentice editor | |
| Daniel S. Frisch | .... | post-production assistant (uncredited) | |
Music Department | |||
| Sheldon Newmann | .... | music technical consultant | |
| Chris Rabideau | .... | music editor | |
| Dennis J. Tini | .... | conductor | |
Transportation Department | |||
| David Goodman | .... | transportation | |
Other crew | |||
| Pam Billingsley | .... | provider: horse and riders | |
| Ricky Billingsley | .... | provider: horse and riders | |
| Andrea Brown | .... | dance choreography | |
| Teresa Burkept | .... | foam fabricator: tree branch and rotten apple head | |
| Michael Burnett | .... | sculpting and detail | |
| Cathy Carpentar | .... | assistant accountant | |
| Mary Ann Creamer | .... | production assistant | |
| Diane Dankwardt | .... | production accountant | |
| Elaine Dysinger | .... | production coordinator | |
| Tony Gardner | .... | sculpting and detail | |
| Pryor Gibson | .... | location contact | |
| David Goodman | .... | studio manager | |
| Ruth Jessup | .... | production secretary | |
| David Kindlon | .... | mechanicals | |
| Susan Labatt | .... | dance choreography | |
| Larry Odean | .... | cosmetic contact lenses | |
| Linda Ohman | .... | caterer | |
| Paul Ohman | .... | caterer | |
| Karalyn Parsons | .... | production assistant | |
| Davi Trotti | .... | production assistant | |
| Tam G. Warner | .... | animated dance choreographer | |
| Mark Bryan Wilson | .... | foam fabricator: tree branch and rotten apple head (as Mark Wilson) | |
| Michael D. McAllister | .... | production assistant (uncredited) | |
Thanks | |||
| B.V. Hedrick | .... | special thanks | |
| Betty Huntley | .... | special thanks | |
| Harry Huntley | .... | special thanks | |
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| The Evil Dead | Army of Darkness | Dead Alive | Idle Hands | Deep Red |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Having lost his girlfriend to the undead, Ash is forced to face the possessed corpse of his former lover Linda and cut her up with a chainsaw to stop him becoming her victim. However the demons in the cabin are not that easy to stop and soon his hand has become possessed as well. While he battles to stop his hand killing him, a group of four young people are heading to the cabin in seek of shelter for the night, only to find themselves trapped in the same fight as Ash as barely managed to survive thus far.
Despite that fact that Sam Raimi is now a "proper" director making summer blockbusters like his life depended on it, it is still heartening to see that his frenzied style is still present in his work, albeit it not dealing with such extreme material as that which made his name famous decades ago. While Evil Dead II may be a complete repeat of Evil Dead in terms of the basic narrative and content, it is still worth seeing because of Raimi's skill as director and writer of the film. In the UK Evil Dead earned notoriety for being one of the "video nasties" that the BBFC took such objection to and, in doing so, probably greatly boosted its cult appeal here, and to rerun this film is not a major problem because it does have enough energy and good qualities going for it to be worth a watch if you're into your horror.
However horror fans may find it a little tame by modern standards although I still found it to be pretty scary and gory certainly considering it was made almost 20 years ago with a budget that would barely buy you an A-listed movie star these days. The film is also pretty funny and is full of dark humour and comic moments that make it more entertaining than a gory b-movie has any right being. But here's the thing, the success of this film and indeed the whole trilogy, is mainly due to two people Sam Raimi and Bruce Campbell. Raimi drives everything with his unique direction that places the action somewhere between a horror and a cartoon. It has great camera work, frantic shots and a real flair for the unreal; it is very hard to describe but it can be seen it many of his films.
Campbell's ongoing cult status has only been helped recently by Bubba Ho-tep but this is where it basically began and part II only sees his continue his good work as Ash becomes more of a hero than he was in the first film. He still has the cowardly quality that I loved in Ash but now has weapons and kiss-off lines to compliment his new status. As before his performance perfectly matches Raimi's direction and I can totally understand why the two have kept their close relationship decades later they really seem to "get" each other here. Support from Berry, Hicks, DePaiva, Domeier and Bixler is just about passable for this type of b-movie stuff but really the cast is dominated by Campbell playing his best character to date.
Overall this is a gory, cheap horror movie that won't appeal to everybody but to those that get it, it will be a hugely enjoyable, gory film with a great sense of humour. Director Raimi and actor Campbell truly make the film work better than the material would suggest it should and, on the basis of any of the three films, it is no wonder that this is such a timeless cult horror.