Epidemic (1987)

Director:

Lars von Trier

Writers:

Lars von Trier (screenplay) &
Niels Vørsel (screenplay)

Release Date:

11 September 1987 (Denmark)

Genre:

Drama | Horror

Plot:

A film director and a script writer (performed by Lars von Trier and Niels Vørsel themselves) write a screenplay...

Plot Keywords:

Meta | One Word Title | Film Within A Film | Director On Camera | Sequel

Awards:

1 nomination

Cast

Allan De Waal
Ole Ernst
Michael Gelting
Colin Gilder
Svend Ali Hamann	...	Himself
Claes Kastholm Hansen	...	Himself
Ib Hansen
Anja Hemmingsen
Kirsten Hemmingsen
Cæcilia Holbek Trier		(as Cæcilia Holbek)
Gert Holbek
Udo Kier	...	Himself
Joergen Christian Krueff		(as Jørgen Christian Krüff)
Jan Kornum Larsen
Gitte Lind	...	Herself

Runtime:

UK:106 min

Country:

Denmark

Language:

Danish | English

Color:

Color | Black and White

Aspect Ratio:

1.66 : 1

Sound Mix:

Mono

Certification:

Hungary:18 | Australia:M | UK:15 | Germany:12

Company:

Elementfilm A/S

Trivia:

The script von Trier and Vørsel have just finished writing at the beginning of the film is titled "The Policeman and the Whore" - an apparent reference to their previous collaboration, Forbrydelsens element (1984), whose lead characters are a detective and a prostitute.

Movie Connections:

Referenced in Lars von Trier Anecdotes (2005) (V)

Soundtrack:

Tannhäuser (The Overture)

A movie about making movies

"Epidemic" is, at its heart of hearts, a movie about making movies. As such it challenges the relation between fiction and reality. The two are not statically established realms, self contained in their clearly contained functional domains but they are dynamically interacting at all levels and at all times. The result is a movie in which the narrative structure is dual and of a meandering nature, climaxing in what could be a merge between a programmed project that involves human intellectual intervention- the movie within the movie- and the outbreak of a natural phenomenon with its catastrophic consequences- the epidemic.

Styllistically, "Epidemic" is very much a Lars Trier movie and it shows. From the apparently disconnected flow of scenes to mix of gritty realism with allegory, the director imprints his very personal mark in all elements of "Epidemic". Its very structure attests to this and the imagery reflects it in a very overt manner. "Epidemic" seems to be a playing ground of sorts in which Lars von Trier experiments as much as possible and in trying different things creates a diverse mismatch of scenes that not always work completely well together although they create an atmosphere.

As the process of coalescence between "fiction" and "reality" (this reality being, of course, fictional in itself which adds another layer of complexity and challenges the very notion of the third and fourth walls) heightens the narrative frame shrinks from the stage that is Europe to a small room. The claustrophobia of the later phase of the movie bring the full impact of the plague to the viewer's attention via a limited sample of the population that permits a personal experience of it all.

Much like Bergman's "The Seventh Seal", the plague in question is to be read on many levels and very much like the Swedish director's movie, "Epidemic" is not for everyone. Those who find it interesting, however, may have a strangely riveting experience upon watching this clearly unconventional movie that pushes many borders even if does not do so in a completely coherent manner.