2 worker from a railway company realize that the company want to close the railroad track where they work. They steal an engine and travel thru America to the centre of the company to protest against the closing. While travelling they have a lot of adventurous moments. Written by
Kornel Osvart <email@example.com>
Then Arkansas governor Bill Clinton receives a "Thanks" credit, as most of this production was shot on location in his home state. Longtime Clinton family friend and fellow Arkansan Mary Steenburgen co-stars. See more »
The idea that a major rail company would suddenly become an air freight company overnight is completely unthinkable. Railroads make most of their money hauling material in bulk, which includes vast amounts of coal. Not only would coal be impossible to ship by air, but so would other heavy bulk materials such as ore, steel, lumber, chemicals, grain, scrap metals, and even heavy machinery. Railroads excel at moving the most heaviest of goods efficiently and have yet to be proved obsolete by any other mode of transport in this field. The only competition air is to rail is that of passengers and time-sensitive mail and packages, but "Southland" is said to be doing only "air freight." See more »
[dragging him off the railroad tracks]
You pretty near bought the farm, you drunken old son of a bitch.
The hell I did.
[laughing and drinking]
You lay around on them railroad tracks and you'll have no legs, by golly.
Well, at least I would have matched set.
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Somewhere in Between
Written by Frank Quinn
Performed by Minoru Aoki, Frank Quinn & James Steve See more »
A friend at work loaned me this movie because he knows I'm nuts about trains. The plot synopsis, of driving a locomotive from Arkansas to Chicago, seemed too silly and unrealistic, to the point where I wasn't sure I would enjoy the movie. You know, like Karen Black flying a 747.
Fortunately there was a good explanation for how they managed to get the locomotive to Chicago, so I could relax and enjoy some really nice character studies and a fairly decent yarn. The life of folks who live in double-wides was told with a great deal of sympathy and understanding, without being pandering or condescending. Wilford Brimley as the life-long railroad man was particularly well done, as were Barbara Barrie as his wife and Kevin Bacon as a guy with more testosterone than brains.
But any movie that features both Clint Howard and Rita Jenrette is probably not Oscar material, and neither is a movie with a plot hole in the third act big enough to drive a locomotive through. Still, I'm glad I saw the movie. It doesn't bother me at all that I'll never get the time back that I spent watching it.
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