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End of the Line (1987)

 -  Comedy | Drama | Romance  -  28 August 1987 (USA)
5.7
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Ratings: 5.7/10 from 434 users  
Reviews: 5 user | 6 critic

When the closure of a railway is announced, employees commandeer a locomotive to get to corporate headquarters and confront the president.

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Title: End of the Line (1987)

End of the Line (1987) on IMDb 5.7/10

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Cast

Cast overview, first billed only:
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Judy Benson ...
Carroll Dee Bland ...
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Clay Crosby ...
Dan DeMott ...
Trey Fancher ...
Henderson Forsythe ...
Armando Garza ...
Robert Ginnaven ...
Lillian Grimes ...
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Storyline

2 worker from a railway company realize that the company want to close the railroad track where they work. They steal an engine and travel thru America to the centre of the company to protest against the closing. While travelling they have a lot of adventurous moments. Written by Kornel Osvart <kornelo@alphanet.hu>

Plot Summary | Add Synopsis

Taglines:

In the name of progress ... one magnificent step backward.

Genres:

Comedy | Drama | Romance

Certificate:

PG | See all certifications »
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Details

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Release Date:

28 August 1987 (USA)  »

Also Known As:

End of the Line  »

Filming Locations:

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Company Credits

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Technical Specs

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Did You Know?

Trivia

Then Arkansas governor Bill Clinton receives a "Thanks" credit, as most of this production was shot on location in his home state. Longtime Clinton family friend and fellow Arkansan Mary Steenburgen co-stars. See more »

Goofs

The idea that a major rail company would suddenly become an air freight company overnight is completely unthinkable. Railroads make most of their money hauling material in bulk, which includes vast amounts of coal. Not only would coal be impossible to ship by air, but so would other heavy bulk materials such as ore, steel, lumber, chemicals, grain, scrap metals, and even heavy machinery. Railroads excel at moving the most heaviest of goods efficiently and have yet to be proved obsolete by any other mode of transport in this field. The only competition air is to rail is that of passengers and time-sensitive mail and packages, but "Southland" is said to be doing only "air freight." See more »

Quotes

[first lines]
Will Haney: You fool.
[dragging him off the railroad tracks]
Will Haney: You pretty near bought the farm, you drunken old son of a bitch.
Hobo: The hell I did.
[laughing and drinking]
Will Haney: You lay around on them railroad tracks and you'll have no legs, by golly.
Hobo: Well, at least I would have matched set.
[laughing boisterously]
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Soundtracks

Don't Say You Love Me
Written by Jon Tiven, Sally Tiven & Mitch Weissman
Performed by Hesayshesay
© 1984 Private Domain (BMI)/Weisssongs (ASCAP)
Produced by Jon Tiven
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User Reviews

 
A PROPER BALANCE OF HUMOUR AND PATHOS.
27 August 2003 | by (Mountain Mesa, California) – See all my reviews

This delightful piece relates of an unscheduled jaunt aboard a locomotive "borrowed" by veteran trainmen Will Henry (Wilford Brimley) and Leo Pickett (Levon Helm) after their employer, Southland Railroad, shifts its manner of freight transport to the airlanes, resulting in the closure of a railyard in Clifford, Arkansas, with a subsequent loss to many in the small town of their livelihood. Freshman director Jay Russell, invited while attending a similarly fledgling Sundance Institute's workshop to develop his script, does so very effectively, with most of the filming taking place near his hometown of Little Rock, enabling Russell's strongly regional feeling for the South to aid him in composing a very personal, well-executed work. The locomotive is being taken by Will and Leo to Chicago, wherein the pair hope to present their grievances to the parent corporation's board chairman, and Russell formulates a recipe for some delicious humour, some satirical, during the adventure, with blessedly minimal slapstick, focussing not only upon the two railroaders but their waiting families, as well. A well-selected cast is aptly directed, with particularly strong performances from Kevin Bacon, Mary Steenburgen and Holly Hunter, the last two of whom gift the scenario with delicious comedic timing. With talented supporting players helping to make possible a successful blend of whimsy and the didactic, END OF THE LINE belies its rather low budget, assisted to a large extent by cinematographer George Tirl, who here intensifies the standard colour scale while utilizing a wide range of facial lighting to help in representing performers' thoughts.


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